Mumford and Sons and Adele are both incredible artists and are great for popular music. There's a lot of club music with heavy beats, so to have that Mumford record and hear banjos being used is so cool.

When I was a young man in school, I used to read science fiction and really liked it. And as I became a young artist, I was filling up my portfolio with alien planets and spacecraft and things like that.

I think that artists and musicians can do as much harm as good for causes if they tie their names to lots of things, especially if they aren't really doing much to meaningfully push their causes forward.

The artist's life is to be where life is, active life, found in neither ivory tower nor concrete shelter; he must be out listening to everything, looking at everything, and thinking it all out afterward.

If you watch Michael Jackson [1992] concerts from Budapest and compare it to a Madonna concert of today, you'll see such uplifting beauty and a message that you won't see in any other artist of our time.

I am a poor student sitting at the feet of giants, yearning for their wisdom and begging for lessons that might one day make me a complete artist, so that if all goes well, I may one day sit beside them.

Everybody needs a release. Sometimes people mosh at my shows. That inspired me to make records to get the people more crunk. People need a release and I enjoy being an artist that can do that for people.

The mind of an artist, in order to achieve the prodigious effort of freeing whole and entire the work that is in him, must be incandescent...there must be no obstacle in it, no foreign matter unconsumed.

My characters have undergone the same process of simplification as the colors. Now that they have been simplified, they appear more human and alive than if they had been represented in all their details.

I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist

But in the old days, visual artists used to fall into two distinct categories: those of us who created images with cameras and those of us who applied stuff onto other stuff, with brushes or other tools.

There is no communication with any public whatsoever. The artist can ask no question, and he makes no statement; he offers no information, and his work cannot be used. It is the end product which counts.

I want people to know about these visionary artists. I want people to know what they stand for and (that) they are representing something unique, something fresh. I am just so excited about their careers.

The attempt is that we want to get a couple of minutes under our belt, depending on how good the tests are and take that into Hollywood. The fallback is we're going to DVD anyways. We've got that covered.

If the bottom dropped out of the market and the artist was not going to sell anything, he or she will keep working, and the dealer will keep trying to find some way to convince somebody to buy this stuff.

The ebb and flow as an artist is a bizarre experience, for sure. I was lucky enough to become successful pretty young - in late '79, 1980 - with a body of work that got recognized and became an archetype.

A lot of actors, and artists in general, never feel secure in love. They always feel everything's going to be taken away from them, professionally and personally; they're extremely emotional and volatile.

I wasn't born an artist. I was really good in science as a kid. I probably shouldn't have been an artist because I'm much more interested in science. But I was raised by artists. I can't really escape it.

[...] I've come to the conclusion that the artist can not justify life or come up with a cogent reason as to why life is meaningful, but the artist can provide you with a cold glass of water on a hot day.

In a sense, I feel like the job of the artist at all times is essentially the same, which is simply to tell the truth. I mean, I'm nervous about any prescriptions for what a writer should or shouldn't do.

Jerry often says that Slam Bradley was really the forerunner of Superman, because we turned it out with no restrictions, complete freedom to do what we wanted; the only problem was that we had a deadline.

Some artists see a gig as an audience worshipping them. I think it is about having a great time together. I have a part as the singer. An audience has a part. Playing a gig doesn't make me high on myself.

I guess I feel like it's a gift to meet those talented artists like George Lucas and Oliver Stone, Spike Lee and Richard Kelly. Even if it's a small role, it's a gift to be working that closely with them.

Every artist that becomes famous has a team, and needs to convince someone to believe in them enough to have others rally around them to achieve stardom. If I can be that person, then I am happy to do it.

I tend to look out for things with a resonance to my youth—artists or objects that seemed romantic all those years ago. I never buy anything purely for its value. I like possessions that smile back at me.

It's not a random chance that we have Alanis Morissette. She didn't evolve out of a null and void. She came from a former template. She borrowed styles and sounds from a very limited set of other artists.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I think swag is very important to rappers. It's the overall appearance and style of an artist - these blue shorts and this blue hat and this $80,000 chain, this jewelry and all these tattoos, that's swag.

The past is part of the present, is part of the future, it's all part of being an artist. You cannot be something that you're not when you're not that thing anymore, and if you do that then you're a liar.

Internet has considerably changed the rules. Some artists do not try to become celebrities: the internet does the job for them and makes them, slowly, famous.... without them wishing to become celebrated.

Producers don't really have any authority because you are paid by the artist, and if they choose to ignore you, they can. Your power only hangs by the tiniest thread. If you pull it too hard it will snap.

There has to be solidarity among the artists, songwriters and all the creative forces within that circle in order for the necessary changes to take place and for each person to get what is rightfully due.

I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.

It's impossible for a creative artist to be either a Puritan or a Fascist, because both are a negation of the creative urge. The only things a creative artist can be opposed to are ugliness and injustice.

If I'm smart as an artist, I wouldn't be a snob and turn it down, because I'd look at it and go, this is great stuff, but I definitely do want to experiment in other genres, or make films in other genres.

I see myself as a very eclectic person and artist. I use all kinds of sources for the work as maybe some large pieces. Ideas come from all kinds of areas; literature, popular culture, dreams, you name it.

I know as a child, I was really interested in becoming a manga artist, to create my own stories and illustrate them and present something that people would be interested in reading and looking at as well.

When the motives of artists are profound, when they are at their work as a result of deep consideration, when they believe in the importance of what they are doing, their work creates a stir in the world.

I'm 45 years old. I used to be a club girl, but that's not my world anymore. That doesn't mean I can't make music that excites. I think it's inspiring to see an artist you grew up with take another crack.

I'm not a haiku artist, but I wanted to use the phrase 5, 7, 5 in the melody that flows over time. So the string melody, the first one is five notes, the next one is seven, and then the third one is five.

It's a lot easier to teach someone how to use a computer than it is to teach someone how to be an artist, so we figured if they can animate with a pencil, we can teach them how to animate with a computer.

I have always dreamt of becoming an artist, and I have always pursued that dream. But I’ve had to realize, that I wouldn’t make it as a painter, a sculptor or a musician. I have tried, but only in private

I'm one of those artists who have the presence and that swag... I was always built for the music, I don't get on cameras and pop sh*t and base it on a whole lot of hype and talk, I was built off my music.

Comic artists have always been part of my social circle. I just like hanging out with artists, and I always see them at conventions or a store signing or something. "Hey, we should do something together."

It's not true that voting doesn't make a difference. To check out is political suicide. This is especially true for our young black artists. You don't want to inadvertently end up doing someone's bidding.

I listen to new music by composers who are interesting to me. I listen to some; I don't know if I want to call it pop, but it's some interesting artist that gets my attention, I listen to in the mornings.

You know, you should start to be in plays and things like that. Write some scripts. If you're an artist and you truly don't believe what you're spittin' then you need to really seriously be an actor then.

I would advise dancers, musicians and others in the entertainment industry to take up yoga, as it clears the mind and creates a sense of balance and stillness which is important for any performing artist.

I find that the great artists I've met are people who are so playfully invested in their process that, even if it doesn't come out the way they like, they still power through and even take energy from it.

I'm an artist in residence, I've still been able to accept commercial jobs, and what I'll do is I'll make little videos on the side that I then bring back to the school and show the students the next day.

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