I've noticed a lot of younger artists have less fear of doing different sorts of things, whether it's various types of music, or gallery artists moving between video and sculpture and drawing.

The true cook is the perfect blend, the only perfect blend, of artist and philosopher. He knows his worth: he holds in his palm the happiness of mankind, the welfare of generations yet unborn.

I think that a visual artist's philosophy develops much more freely than a writer's or a thinker's philosophy. It is not so disciplined. The photographer works with both his eyes and his mind.

There are selections so acute that they come to define a place, with the result that we can no longer travel through that landscape without being reminded of what a great artist noticed there.

And I feel that we in our society should not be held by any such myth; that we should do everything we can to gain a delight and joy in our society with all the available parts of the palette.

If you write great songs with meaning and emotion, they will last for ever because songs are the key to everything. Songs will outlast the artist and they will go on for ever if they are good.

The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work.

The real tough thing is working with actors. I'm a designer and used to working with artists, so there is some familiarity with the personalities that come up, but actors are their own animal.

That is the responsibility of the artist, of the actor, to inhabit these roles and put on somebody else's shoes. It's the responsibility and the gift of what it is I get the opportunity to do.

As an artist, you want to stretch. That's the only way you're going to grow. If I stay inside my comfort zone, do roles that I've done before, then I'm never going to get better as an actress.

Graffiti is like building a career. And there is a dialogue with the other artists out there mostly fellow writers because a lot of people who don't paint just see a blur when they look at it.

I wanted to be a "serious artist." Serious artists didn't tend to be funny. But that didn't get me a lot of attention. And just growing older, you can't help it, you take things less seriously.

My experiences have been, from the very beginning, cultural and creative. And my business has been a way of exposing the culture, exposing the artists so that the world could hear and see them.

Learning to fly an airplane taught me a way of thinking, an approach to problem-solving that was applicable and effective. Pilots are very methodical and meticulous, and artists tend not to be.

Comic books, if you're adapting a comic book - like X-Men, for example - you've got 40 years of amazing stories to dig into, things that incredible artists have been thinking about for decades.

When you're an artist, you can only do your own stuff. Even if you only write for other people, you're really more focused on yourself. So while everybody's out touring, I'm working on records.

One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs.

Luckily, many other people tell me how they have had a particular landscape photograph of mine in their office or bedroom for 15 years and it always speaks to them strongly whenever they see it

I believe that artists should be paid for their creativity. There's no other industry where people can come in and take what you create for free and give it away for free and that's acceptable.

The Peas is the mothership you always go to. But when you able to bring something new to the table, it makes you stand out as an artist. I am not chasing the same things as Fergie or Will.i.am.

To be a creative person and be a professional, as an artist you have to be able to withstand pain, rejection, and for some, a lot of bad feelings, but you have to be able to look through those.

I don't need a psychiatrist. I can sort out my fears with my work. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.

I kind of rely on my artist friends to make my physical music worth buying by having them all come together and create beautiful artwork that everyone is gonna want to own to support my record.

Jay-Z ain't a manager; he owns a management company. He been through this, he been through the game for a long time so he knows tactics in taking artists in certain directions we need to go in.

The biggest enemy of an artist is apathy... A kid gets killed by the police and I buy a T-shirt and before I can wear that one, there's another kid (killed) and I'm running out of closet space.

If you're a young artist, wondering what to call yourself, consider 'multimedia artist.' It's so vague. Then, no one can say, 'Hey, how come you're a jazz person, and you're making a pop opera?

The painter who is content with the praise of the world for what does not satisfy himself, is not an artist, but an artisan; for though his reward be only praise, his pay is that of a mechanic.

I would love to say there was some contemporary artist who's work really got me thinking, but lately I have just been trying to sort out 20 years of garbage TV culture that is filling my brain.

I think as an actor, you're more like a dancer, and you have to use your body. I don't understand all these questions about nudity. It's a nonsense. He's an actor, an artist, so get on with it.

I feel responsible to make something original as a Japanese artist. There are lots of singers and guitarists, but I feel that on stage its meaningless to copy something someone has done before.

I knew I wanted to be some kind of artist from about 12. I met a neighbour who drew cartoons, and I had an idea I wanted to be a cartoonist - or something that involved Indian ink, at any rate.

I deliberately did not read anything about the Vietnam War because I felt the politics of the war eclipsed what happened to the veterans. The politics were irrelevant to what this memorial was.

I keep things pretty loose. I'm always attracted to the artists that have a, like a really loose, kind of, human style, you know, you can see, you can tell there's, there's a humanity in there.

Every underground artist has that little chip on his shoulder, like "I'm stuck here, and I'm trying to get out of this little hole that I'm in." You've got this core fan base, but it's limited.

The creative artist is the one wanting to make order out of chaos. The rest of us just accept disorder -if we even recognize it- and get a bang out of our five beautiful senses, if we’re lucky.

I remember the excitement of being a new artist. When up and coming artists ask me like, "Any advice you have for me?" I always say, "Take it all in because you'll never be a new artist again".

If you're an artist like a really, really long time, it stops being a performance. I'm not performing anymore. I reveal myself to the audience... I show you some of me. It's not a show no more.

Drew Friedman isn't just a brilliant artist. He takes you to a place. He takes you back in time. He makes you smell the stale cigarettes and cold brisket and you say, thank you for the pleasure.

No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen.

I visit studios. Just to get the feel, the smell, and see what other people are doing. Not only listening to the radio, but going to studios, greeting musicians and artists, just getting a vibe.

If you've got a deadline and you're an artist, you've just got to be on the case - nothing else can come in the way, or you won't make good work... the people around you just have to understand.

The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.

Being a musician and artist can feel superficial at times - you talk about yourself every day and pose for photos for the magazines and newspapers, and it can be very tiring for your well-being.

We don't have too much ritual in our life anymore. And these life symbols which people rely on to keep their feeling of well being, that life is not too bad after all are required more and more.

Artists are part of the information process... Visual history is important in providing a record of what is going on - levels of intention, levels of confidence, levels of aggression or control.

My passion is writing comics and storytelling, and I'm constantly working to improve. I hit my deadlines, I know how to work with and artists, I'm professional, and I bring my A-game every time.

It takes between three and six hours to make each snowball, depending on snow quality. Wet snow is quick to work with but also quick to thaw, which can lead to a tense journey to the cold store.

Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.

There's a lot of variety of musicians in Korea. I cannot say they are the best in the world, but I can say that Korean artists are really dynamic artists, so I am going to show that from now on.

Think about what artists, novelists and poets have in common: the ability to engage in metaphorical thinking, linking seemingly unrelated ideas, such as, 'It is the east, and Juliet is the Sun.'

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