Mickey is one of the prime examples: Mickey has never been suspected of being an American export. It was deja vu. They gave him a local name and he's been accepted everywhere he goes.

What the artist is always looking for is the mode of existence in which soul and body are one and indivisible: in which the outward is expressive of the inward: in which form reveals.

Whoever wants to know something about me - as an artist which alone is significant - they should look attentively at my pictures and there seek to recognise what I am and what I want.

The same applies to any artist; we are the tools and instruments of our talent. We are outsiders; we have no place in society because society is what we’re watching, and dealing with.

The ability to draw from life determines the artist's skill. This is why live drawing classes have always been at the top of the curriculum for properly structured academic workshops.

As an artist, you don't think about the parabola or the arc you're describing or where you're going to ultimately end up, you're just kind of crawling around, seeing what's out there.

I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.

Two of my favorite artists are Josh Smith and Joe Bradley. But I argued against them for years, until I grew to love them and felt stupid for my immediate reaction towards their work.

The artist must ever play and experiment with new means of arranging experience, even though the majority of his audience may prefer to remain fixed in their old perceptual attitudes.

Nast is an artist of uncommon abilities. His works evince originality of conception, freedom of manner, lofty appreciation of national ideas and action, and a large artistic instinct.

In college, I thought I wanted to be solely an artist, and then when I got here, to college, I was like, "Okay, well I want to be a songwriter," 'cause it was like close to Nashville.

Anything you ever make that matters takes a long time. Some artists never see their work in front of an audience, so for them 15 years is a blink of an eye. I am nothing but grateful.

We was different, and that's what made g-funk turn into what it turned into and create a new genre, and open up a lot of doors for other artists to feel free to do that type of stuff.

It's so crazy because kids that wrote to me when they were 14 years old are still in my life. A lot have gone on to become musicians and artists in their own right who inspire me now.

Image has to be its own fortress, in spite of the owners. People can't separate that or they don't comprehend that you can turn that on and off for each one of the different entities.

Who says you can't rock Wall Street and wear purple at the same time? Jennifer Lee opens the door for artists, healers, and brilliant souls to take their passion into the marketplace.

I started studying what the nature of a monument is and what a monument should be. And for the World War III memorial I designed a futile, almost terrifying passage that ends nowhere.

There's definitely something broken in the music industry clearly. Partly from downloading and partly the obstacles for discovery and listener choice and artist distribution are gone.

I read once that [Pablo] Picasso felt if an artist ever felt totally satisfied with a work she ceased to be an artist. With that in mind, it seems like goals are a terrible idea then.

Don't worry if people think you're good. Make this your experience. And find out what makes you unique as an artist. You don't get the opportunity to do that as much in the real world.

As far as more recognition goes, I am happy with the amount of love and respect I have received from other artists and the public. Of course, I would love more, and think I deserve it.

To me, eyewear goes way beyond being a prescription. It's like makeup. It's the most incredible accessory. The shape of a frame or the color of lenses can change your whole appearance.

Why seek to embarrass [the artist] with vanities foreign to his quietness? Know you not that certain sciences require the whole man, leaving no part of him at leisure for your trifles?

The difference with a major label and independent is mainly resources. That's the difference that I feel sometimes where I as an artist would have to be more creative and more patient.

I hadn't known anything else, other than being an artist, and I needed to be a person for a while, really get to know myself without that whole thing [of selling music] surrounding me.

You aspire to be as great as Michael Jackson is as an artist. I don't think any artist in pop, rock or hip-hop has ever done it any bigger than him. You know what I mean? He's the man.

I used to produce years ago when I feel like. I produced myself, Bounty Killer. That was the first set. Then I did a Bounty Killer, Lexxus, Spragga Benz, Sizzla, a whole lot of artist.

When an artist leaves his work to amuse people, he loses his time and their respect. If people are to be amused by artists, it must be by employing them in their legitimate occupation.

. . . All artists’ work is autobiographical. Any writer’s work is a map of their psyche. You can really see what their concerns are, what their obsessions are, and what interests them.

They can buy talent. You can't buy it for yourself, but you can buy other people's talent to serve your purposes. And once an artist does that, he becomes like a plaything of the rich.

Whenever I have time, I try to get in the studio and write, whether it's for me or other artists or my catalog of music. It's definitely one of my favorite parts of the music industry.

Nowadays rap artists coming half-hearted, Commercial like pop, or underground like black markets. Where were you the day hip-hop died? Is it too early to mourn? Is it too late to ride?

The artist finds, that the more he can confine his attention to a particular part of any work, his productions are the more perfect, and grow under his hands in the greater quantities.

What I didn't realize when I was in school and what I suspect a lot of young writers today don't get either is that you have to create the world that you want to exist in as an artist.

I firmly believe in music being as free as possible. Unlocked. Shared and spread. In order for artists to survive and create, their audiences need to step up and directly support them.

An artist's career doesn't happen in the cycle of one week of news. An artist's career happens in a lifetime, and if you're a true artist you're willing to die for what you believe in.

THIS ACTION THAT I FORESEE has nothing to do with melodrama It is that life as lived by me now is a series of exceptions I was (am?) not unique but special. This is why I was an artist

Please don't make me a joke. End the interview with what I believe. I don't mind making jokes, but I don't want to look like one... I want to be an artist, an actress with integrity...

As a makeup artist, I learned quickly that the color of your lips affects the way a lipstick looks. If you see your friend wearing a great color, don't assume it will be right for you.

When I was a kid I was not a good student. I went to the University of Colarado, my grades were poor. I was asked to leave after a year. What I really wanted to do was to be an artist.

That was an important development for me, just realizing that you need to follow your pleasure, at least as a painter. I think any kind of artist needs to, no matter what you're doing.

The great artist is the man who most obviously succeeds in turning his pains to advantage, in letting suffering deepens his understanding and sensibility, in growing through his pains.

I don't have a normal job, so I really appreciate having friends who are writers and artists. It's fun to have a group of people you can call in the middle of the day to go for a hike.

Research is always a very necessary part of my process because all of my books to this point have been historical. Time spent in the library adds to one's wealth as a writer or artist.

I began demonstrating against serious culture. In hindsight, the actual course of events has been very humiliating for me, because no one picked up on the intellectual critique I made.

By artist I mean of course everyone who has tried to create something which was not here before him, with no other tools and material than the uncommer-ciable ones of the human spirit.

What the artist should be asking is, "Am I being honest? Am I being myself? Am I searching for the truth? Am I reporting my experience of life and the world as I see and experience it?

It didn't feel organic and [Tito] Gobbi was one of the artists that was able to, along with Maria Callas, incorporate not just the sound, but the emotion, the technique of the singing.

Don King was good to me through my years as champion, but I wouldn't trust him as far as I could throw him. He's a wheeler dealer and you've got to be careful. He's a great con artist.

The greatest thing an actor can experience is discovery. The greatest thing an artist can walk away with is to learn something about themselves and the world and this was one of those.

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