It's the honest point of view of an artist: You have to please.I'd like viewers to come away from my films unsure whether they've understood them. I want to leave them wondering.

I grew up with all kinds of music, but my heart was particularly drawn to Country Music because of the guitar playing, the lyrics and of artists like Steve Warner and Vince Gill.

I think that an artist is a bit like a computer. He receives information from the world around him and from his past and from his own experiences. And it all goes into the brain.

The idea of a talent that was bigger than an artist's ability to choose to use it, that would dictate the artist's life more than the artist could dictate, was interesting to me.

It seems dangerous to be a portrait artist who does commissions for clients because everyone wants to be flattered, so they pose in such a way that there's nothing left of truth.

As an artist, there were different levels in my career that brought me to a realization that I am what you would call a pure artist. And I don't say that with any type of vanity.

Doing graphic novels is cool! It's fun! You get to write something, and then see it visually page by page, panel by panel, working with the artist, you get to see it fleshed out.

The relationship with a producer and an artist is really special. It's got to be love and respect, amazing mutual respect for each other, because that's what makes a good record.

A real artist may create his picture in a lonely desert... gods look over his shoulder; he creates in their company. What does he care whether or not anybody admires his picture?

Fred Astaire is my hero. I love him because he was willing to kill himself to make his art look effortless. And because he proved it's possible to be an artist and a good person.

It seems to me like a perversion of talent for an artist of any kind to further the corporate structure of America or the personal interests of the morons and thieves who run it.

The tendency of our perceptions is to emphasise increasingly the objective elements in an impression, unless we have some special reason, as artists have, for doing the opposite.

Five percent seems very little to ask when you consider that the artist, through his or her efforts over many years, is largely responsible for the increased value of their work.

The answers were maddeningly absent—it was like trying to remember a song that you knew made you feel a certain way, without a title, artist, or even a few bars to bring it back.

As an artist, I used to think that my responsibility was to do good work. But I had to learn from the 70s on that being a public figure presents another aspect of responsibility.

Individuality and originality is was separates good and great artists! How much they can move people with what they do! If they can shake the heart with what they do, is the key!

The unsatisfied yearning of the artist reaches back to the primordial image in the unconscious which is best fitted to compensate the inadequacy and one-sidedness of the present.

I always want to keep things unwritten. I'm inspired by Bob Dylan, who's kept evolving and changing his sound. I think that's what you should do as an artist. Why be comfortable?

Every artist would like to live in the central organ of creation... Not all are destined to get there... but our beating hearts drive us deep down, right into the pit of creation.

l can do very well without God both in my life and in my painting, but l cannot, ill as I am, do without something which is greater than l, which is my life — the power to create.

An artist needs knowledge and the power of observation only so that he can tell from what he is abstaining, and to be sure that his abstention will not appear artificial or false.

There are a lot of people in this world that listen to wide ranges of music and there should never be a CERTAIN type of music that any artist should be confined to, in my opinion.

We lived on a farm in the English countryside, where we wrote a lot of our music. You really were treated like an artist during those days-not like product, which is now the mode.

All men are somewhat ridiculous and grotesque, just because they are men; and in this respect artists might well be regarded as man multiplied by two. So it is, was, and shall be.

I don't want to be a Michael Moore-style artist, which is not to disparage Michael Moore. But he seems rather unsuccessful at winning people over who don't already agree with him.

There's no particular evidence that any of the lower mammals or any of the other animals have any interest in aesthetics at all. But Homo sapiens does, always has and always will.

The French Revolution gave birth to no artists but only to a great journalist, Desmoulins, and to an under-the-counter writer, Sade. The only poet of the times was the guillotine.

We thought everybody read comics. We didn't know we were weird. We didn't know people that collected comics were strange. It was as normal as listening to rock music on the radio.

Every artist is, first of all, a craftperson thoroughly knowledgeable about the materials, tools, and techniques of his or her particular medium and skilled in using many of them.

'The X Factor' is like music camp. It's invaluable what in a short amount of time 'The X Factor' can do to an artist and a person's career. It can make them a superstar overnight.

It's a lot different being a hip-hop artist. You just show up with a piece of paper with your words on it, say it in the mic, then you leave and some other guy does all the music.

Artists are sometimes in a position to tell the truth, but they're positioned as a Cassandra. They're gifted with impeccable prophecy and the assurance of never being listened to.

I went to film school at UT Austin. I learned a lot and that school's good for puking up all your bad movies early and quick. But ultimately, no one can teach you to be an artist.

Grace, not willpower, is what ultimately empowers us to live loving lives. Creativity, both in what spawns within the artist and the artifact, can be a vital source of that grace.

I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.

I think doing shows with other R&B artists like myself brings the attention to the crowd. You can't just do those one artist shows anymore. I don't like just me being on the show.

Nature can afford to be prodigal in everything, the artist must be frugal down to the last detail. Nature is garrulous to the point of confusion, let the artist be truly taciturn.

I would hate to be a new artist or writer in town today. But somehow the cream continues to rise. If there's one who's great, he just jumps out of the pack like you can't believe.

And it's sad because it's like a surprise to people - almost an anomaly - when artists are actually refined and trained on an instrument. That's the last thing people think about.

I think perhaps I've learned to be myself. I have a theory that all artists who would be important - painters and writers - must learn to be themselves. It takes a very long time.

Actually, I think that a lot of the interviews and acoustic sessions and other things that artists fill their time with are really pointless and suck the energy out of the artist.

An economy where advertisers thrive while journalists and artists struggle, reflects the values of a society more interested in deception and manipulation than in truth and beauty

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

My process for the parodies is that I get an idea for a song and then get approval from the artist and then go in and record it and probably try to get it out as soon as possible.

Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control

As an artist, I used to think that my responsibility was to do good work. But I had to learn from the '70s on that being a public figure presents another aspect of responsibility.

To desire to be an artist is to desire to be a complete man in respect to some one function, to realize yourself utterly. A man is a poor thing who is content not to be an artist.

I am not one of those artists who is cemented in one way. I am able to, you know, make the happy, jovial, lighthearted music too. We need that in life too. So it's like that to me.

The best of artists hath no thought to show which the rough stone in its superfluous shell doth not include; to break the marble spell is all the hand that serves the brain can do.

I'm never quite sure what I'm looking for in a comic book! It just jumps off the page somehow and hits you square between the eyeballs and you know that's the artist for the story.

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