Quotes of All Topics . Occasions . Authors
But unless we are creators we are not fully alive. What do I mean by creators? Not only artists, whose acts of creation are the obvious ones of working with paint of clay or words. Creativity is a way of living life, no matter our vocation or how we earn our living. Creativity is not limited to the arts, or having some kind of important career.
In the first manifesto that we launched on the 8th of March, 1910, from the stage of the Chiarella Theater in Turin,1 we expressed our deep-rooted disgust with, our proud contempt for, and our happy rebellion against vulgarity, mediocrity, the fanatical and snobbish worship of all that is old, attitudes which are suffocating Art in our Country.
There learned arts do flourish in great honour And poets's wits are had in peerless price; Religion hath lay power, to rest upon her, Advancing virtue, and suppressing vice. For end all good, all grace there freely grows, Had people grace it gratefully to use: For God His gifts there plenteously bestows, But graceless men them greatly do abuse.
Sovereigns always see with pleasure a taste for the arts of amusement and superfluity, which do not result in the exportation of bullion, increase among their subjects. They very well know that, besides nourishing that littleness of mind which is proper to slavery, the increase of artificial wants only binds so many more chains upon the people.
Furthermore, what profit was it to me that I, rascally slave of selfish ambitions that I was, read and understood by myself as many books as I could get concerning the so-called liberal arts?...I had turned my back to the light and my face to the things it illuminated, and so no light played upon my own face, or on the eyes that perceived them.
As long as there's a place for sundials and gardening and beautiful things, there's a place for the harpsichord. I completely reject the idea that harpsichord is old. And I reject the idea that something old is therefore not good or not popular. Lots of things are old. Lots of traditions are old - cooking, art. I like it because it's beautiful.
Normally if you add information to information, you have more information. In case of my art, I destroy information, I would say, because the image is disturbed by the writings. In a way, they become pure imagery. For me it's really fun because it's an idealistic approach to images, to just play around with information and see what's happening.
I love when rappers have a off-beat, very abstract timing, and he certainly did.And any rapper who really approaches rapping with the art form of songwriting melodically - I know a bunch of rappers who actually go in before they write the lyrics and come up with the melody. And you can hear and feel that difference so much when that's the case.
When movies tend to start to preach to me, I tend to shut them off, whether I agree with the message or not. I don't think the job of art is to preach, I think it's to ask questions and make people aware of differences and different ways of looking at things. That's what I want to do, anyway. Whether I'm successful or not, that's up to history.
I'm moved by us, our quirks and mistakes. I find inspiration in everything from a piece of art to the hem of a dress. I'm one of those people who sees Frank Zappa in a cup of coffee, or elephants wrestling in clouds. But also, conscious creation of all kinds moves me. And a divinely expressed performance in any genre sets me completely on fire.
The high-minded definition of politics is: 'the art or science of government; the art or science concerned with guiding or influencing governmental policy.' It is only when you keep reading in Webster's Ninth New Collegiate Dictionary that you get closer to the truth: 'political activities characterized by artful and often dishonest practices'.
We launch our souls from the cannons of art and discipline, and on any one night, hovering over the chimney tops of Europe, halfway to the stars, there are armies of brightly spinning spirits that have risen like fireworks, tethered to the souls of those men and women who, by reflection, mortification, and devotion, effortlessly outdazzle kings.
The artists of Asia have spiritually realized form, rather than aesthetically invented or imitated form, and from them I have learned that art and nature are mind's Environment within which we can detect the essence of man's Being and Purpose, and from which we can draw clues to guide our journey from partial consciousness to full consciousness.
If I have the same plan to go into the streets, find random strangers, use art-historical referent from their - from the specific location, to use decorative patterns from this location, that's a rule. That's a set of patterns that you can apply to all societies. But what gives rise or what comes out of each experiment is so radically different.
It is the close observation of little things which is the secret of success in business, in art, in science, and in every pursuit in life. Human knowledge is but an accumulation of small facts made by successive generations of men--the little bits of knowledge and experience carefully treasured up by them growing at length into a mighty pyramid.
Museums just seem to have this borrowed cachet—if I want to seem cultural, I will design something cultural. I resist the idea that culture is only opera houses or theatres. Culture is your entire life around you: toilets, the bus, the kerb or the dump where you drag your waste. Culture has come to mean the arts, but it’s swimming pools as well.
Poetry is an intimate act. It's about bringing forth something that's inside you--whether it is a memory, a philosophical idea, a deep love for another person or for the world, or an apprehension of the spiritual. It's about making something, in language, which can be transmitted to others--not as information, or polemic, but as irreducible art.
Populism in contemporary art can become a dirty word. There is this notion that to not be understood is a reflection of depth. I'm sure this is true in some cases, but on the whole I can't accept this as a vision of art. There's something so cynical about assuming your audience is unintelligent or that artists shouldn't care about their viewers.
These days there are painters that go inside a factory in order to be inspired by the noise of machines, so that it affects their works. Of course, artists need sensibility; sensibility towards their environment and their community, but when they are stirred enough by their experiences in their society they can create their art in small studios.
All our songs are about real people, true events. We do write about DC Comics and things like The Replacements. It's pretty much good conversations that happen at Art Brut shows. It's like making friends - like a Wanted ad: "Man that likes the Replacements and DC Comics wants friends to drink with at venue tonight. Who's coming?" It's like that.
In real life, however, you don't react to what someone did; you react only to what you think she did, and the gap between action and perception is bridged by the art of impression management. If life itself is but what you deem it, then why not focus your efforts on persuading others to believe that you are a virtuous and trustworthy cooperator?
I remember that I felt I had to avoid all these sensational photos, the hanged woman, the man who shot himself, and so forth. I collected a great deal of material, including a number of banal, irrelevant photos, and then in the course of my work I came back to the very pictures I had actually wanted to avoid, which summed up the various stories.
I have two last pieces of advice. First, being pre-approved for a credit card does not mean you have to apply for it. And lastly, the best career advice I can give you is to get your own TV show. It pays well, the hours are good, and you are famous. And eventually some very nice people will give you a doctorate in fine arts for doing jack squat.
I went to an arts school as a kid. We had to take dance every other day, along with drama, music and visual arts. However, wearing black tights was something I dreaded... and still have nightmares about it to this day. I think I was a pretty good dancer. I suppose that training helped me land parts in musicals... or has just given me nightmares!
I'd always rather err on the side of openness. But there's a difference between optimum and maximum openness, and fixing that boundary is a judgment call. The art of leadership is knowing how much information you're going to pass on - to keep people motivated and to be as honest, as upfront, as you can. But, boy, there really are limits to that.
I wasn't exposed to art as I was growing up, and can't recall the first time I saw a work of art. However, I remember very clearly a vision I had of a little green reindeer when I was a child, and visions emanate from the same mythical area where painting resides. Whatever the reason, I immediately felt comfortable working with visual materials.
For me, I don't want to live in a world where I am afraid of making the kind of art I want to make. The idea that I should be afraid of publicly ridiculing and mocking and chopping up and rearranging a giant corporation that intrudes on my life whether I want it to or not every day... The idea that I have to be afraid to do that is absurd to me.
When I contemplate the immense advances in science and discoveries in the arts which have been made within the period of my life, I look forward with confidence to equal advances by the present generation, and have no doubt they will consequently be as much wiser than we have been as we than our fathers were, and they than the burners of witches.
The division between the useful arts and the fine arts must not be understood in too absolute a manner. In the humblest work of the craftsmen, if art is there, there is a concern for beauty, through a kind of indirect repercussion that the requirements of the creativity of the spirit exercise upon the production of an object to serve human needs.
I believe that there never was a creator of a philosophical system who did not confess at the end of his life that he had wasted his time. It must be admitted that the inventors of the mechanical arts have been much more useful to men that the inventors of syllogisms. He who imagined a ship towers considerably above him who imagined innate ideas.
As humanity perfects itself, man becomes degraded. When everything is reduced to the mere counter-balancing of economic interests, what room will there be for virtue? When Nature has been so subjugated that she has lost all her original forms, where will that leave the plastic arts? And so on. In the mean time, things are going to get very murky.
Sculpture and painting are very justly called liberal arts; a lively and strong imagination, together with a just observation, being absolutely necessary to excel in either; which, in my opinion, is by no means the case of music, though called a liberal art, and now in Italy placed even above the other two--a proof of the decline of that country.
I could turn on my radio in the morning when I was getting dressed for school and hear Frank Sinatra and Duke Ellington and Benny Goodman and think this is the music. Now that music is art. Ellington is art. At that time it was just what you heard on the radio. Cole Porter was just a guy who wrote pretty songs and Billie Holliday would sing them.
Really, whatever I was seeking and looking into in those days like creative arts, chant, the muse being in touch with the muse for poetry and writing and music. It's all part of the spirit and if we look particularly at Hinduism and Buddhism, the tantric stream of those traditions totally embraces all aspects of human life and life on this world.
There is nothing more difficult than tactical maneuvering. The difficult consists in turning the devious into the direct, and misfortune into gain. Thus, to take a long and circuitous route after enticing the enemy out of the way, and though starting after him to contrive to reach the goal before him, shows knowledge of the artifice of deviation.
From the union of power and money, from the union of power and secrecy, from the union of government and science, from the union of government and art, from the union of science and money, from the union of ambition and ignorance, from the union of genius and war, from the union of outer space and inner vacuity, the Mad Farmer walks quietly away.
It's because the idea of what's cool is different. When you talk to a girl who goes to regular school, what's cool is whether or not you've been to jail, or if you have a car. If you talk to a girl who goes to art school, what's cool to her is if you do art projects on the weekend with your dad, if you can build something - out-of-the-norm stuff.
I don't really listen to my old stuff, but on occasion, I would either hear a track on the radio or a friend might play me one, and there was generally a bit of an edgy sound to it, which was mainly due to the digital equipment that we were using, which was state of the art at the time - and I think everyone felt pressured to be working that way.
I was roommates with 2 of the guys who were influential in forming the Black Arts philosophy. I called them "goons," and [Amiri] Baraka took offense at that. But if you read his autobiography, the night we went up there for a fundraiser, he talks about how he wished that some violence would happen to us. How do you like Baraka as a gracious host?
Films are born from screenplays and they are guided by words. They are born very limited and there is no space for real creation: graphic creation, pictorial creation, or audiovisual creation. If we really want to use the art of animation with all its strength, we have to rethink the processes by which it's made because the medium is the message.
I made my performance debut in New York City downtown on the Lower East Side in college doing awkward performance art as a go-go dancer at Lady Starlight's Party. And I never thought that my love for mediocre performance art and bad mime would ever come to use in my career as an actor. But my fantasies came true and I got to play Maureen in Rent.
I think of poetry as something out there in the world and within each of us. I don't mean that everyone can write poetry - it's an art, a craft, it requires enormous commitment like any art. But there's a core of desire in each of us and poetry goes to and comes from that core. It's the social, economic, institutional gap that makes it difficult.
In the coming days and weeks, Laila would scramble frantically to commit it all to memory, what happened next. Like an art lover running out of a burning museum, she would grab whatever she could--a look, a whisper, a moan--to salvage from perishing to preserve. But time is the most unforgiving of fires, and she couldn't, in the end, save it all.
With DJing, there's still an art to it - you get two DJs and give them songs to play, one can play it better. There is a way, and it's not just about the songs you're playing, it's about how you mix, the timing, when you cut out and in. I love it, and I love feeling the excitement of the crowd - you go on this journey with them for an hour or so.
What is the art experience about? Really, I'm not interested in making Art at all. I never, ever, think about it. To say the word Art, it's almost like a curse on art. I do know that I want to try to get closer to myself. The older I get, the more indications I have about what it is to get closer to yourself. You try less hard. I just want to be.
I loved the idea of the fact that the way, like I said, they colored outside of the lines. You know, there was rules that they didn't have to follow. And you got -you got - you could get more of a sensational thrill, all right, with some of these exploitation movies or art films, or you could get something you wouldn't see at the normal cineplex.
If oxen and lions had hands and could paint with their hands and produce works of art, as men do, horses would paint the forms of the gods likes horses and oxen like oxen. Each would represent them with bodies according to the bodies of each. So the Ethiopians make their gods black and snub-nosed; the Thracians give theirs red hair and blue eyes.
It is certain that the real function of art is to increase our self-consciousness; to make us more aware of what we are, and therefore of what the universe in which we live really is. And since mathematics, in its own way, also performs this function, it is not only aesthetically charming but profoundly significant. It is an art, and a great art.
I mean when you go to a network and say, "We want to make a martial arts series in the future." And give them the pitch. And by the way, the only way to achieve the authentic Hong Kong martial arts we need a full-time fight team unit working concurrently, and we're hiring a Chinese fight team from Hong Kong. And they were like, "Great, let's go."
Take heed of driving so hard after this world, as to hinder thyself and family from those duties towards God, which thou art by grace obliged to; as private prayer, reading the scriptures, and Christian conference. It is a base thing for men so to spend themselves and families after this world, as that they disengage their heart to God's worship.