Quotes of All Topics . Occasions . Authors
It's almost a social grace to get into the art world, and I'm very wary of it. Art was good in Berlin in the late '70s - there was a lot more guts to art when the Neo-Expressionists were starting up; it was real slapdash; it has real heart to it - but it seems so cold and heartless in America. It's a buyer's market.
When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.
In any organization there ought to be the possibility of discussion... fence sitting is an art, and it's difficult, and it's important to do, rather than to go headlong in one direction or the other. It's just better to have action, isn't it than to sit on the fence? Not if you're not sure which way to go, it isn't.
Obviously, comedy, or art in general, or television, or whatever you want to call it's all subjective. But I do like to know what people are thinking. I don't know how long I'll keep doing that. As it goes on and on, I might become more fearful of it. For the time being, I'm not opposed to reading what people write.
Since poetry is infinitely valuable, I do not understand why it should be more valuable than this or that which is also infinitelyvaluable. There are artists who perhaps do not think art to be too great, for this is impossible, and yet they are not free enough to be able to rise above their own best accomplishments.
If any friend desire thee to be his surety, give him a part of what thou hast to spare; if he press thee further, he is not thy friend at all, for friendship rather chooseth harm to itself than offereth it. If thou be bound for a stranger, thou art a fool; if for a merchant, thou puttest thy estate to learn to swim.
To let go of the illusion that I'm in control is an important lesson, because I tend to be a person who likes to be in control, not only of my art but of my life and things around me, and it can be healthy up to a certain point, but at the end of the day, we have to go on faith and learn to let go and ride the wave.
There was an exhibition in Munich in 1937, 'Degenerate Art,' which included work by Klee, Kandinsky, Beckmann and many others. The work was called 'sick' and put in the trash heap. The sentiments expressed toward contemporary art by Jesse Helms, Pat Robertson and Mayor Giuliani recall the language used by the Nazis.
Literature is not exhaustible, for the sufficient and simple reason that a single book is not. A book is not an isolated entity: it is a narration, an axis of innumerable narrations. One literature differs from another, either before or after it, not so much because of the text as for the manner in which it is read.
Perhaps it would have been possible to see in him a new Prometheus...the hero who for the good of mankind exposes himself to the agonies of the damned...undaunted by failure, by an unceasing effort of courage holding despair at bay, doggedly persistent in the face of self-doubt, which is the artist's bitterest enemy.
I wouldn't say the anthropologists were making art, but they were definitely justifying their practices with very personal reasoning, passion, and they were also experimenting with form. There was a sense of trying to be as sincere as possible, whether you were investigating something far away from you or very close.
You make decisions, and that's what separates art from some other pop music. It doesn't mean that you can't make an embarrassing amount of money, for a borderline Marxist, doing something that you love, but it does mean that this huge pool of money that was out there when I started making records in the '80s is gone.
The time is perhaps not altogether too green for the vile suggestion that art has nothing to do with clarity, does not dabble in the clear and does not make clear, and more than the light of day (or night) makes the subsolar, -lunar, and -stellar excrement. Art is the sun, moon, and stars of the mind, the whole mind.
The art of quotation requires more delicacy in the practice than those conceive who can see nothing more in a quotation than an extract. Whenever the mind of a writer is saturated with the full inspiration of a great author, a quotation gives completeness to the whole; it seals his feelings with undisputed authority.
Believe me, I love commerce as much as the rest of the readers of 'Businessweek.' But in art, you have to be true to yourself and your musical vision. People have known me well for a long time, so if I was chasing a trend and doing something that wasn't authentic to who I am, they would know it in just a few seconds.
Art may not have the power to change the course of history, but it can provide a perspective on historical events that needs to be heard, even if it's seldom heeded. After all the temporary influences that once directed the course of history have vanished, great art survives and continues to speak to each generation.
I find that it's a very odd thing to think of competition when you're talking about what I still think of as art. I don't think of competing with actors or filmmakers at all. You do compete, in a way, at the box office, but we're far enough apart when both films are coming out that I'm not concerned with that either.
I do want to have that feeling that people are actively involved in something, rather than just consuming something. I suppose that's what it comes down to, because it's such a dominant capitalist society, everything becomes a consumer product. And I don't think that's really appropriate to the creative arts, really.
In the times in which we live it is far too restricting to say that art can only be found in art galleries and not touch people's everyday lives. I want to use any means that are necessary to communicate with people what I feel about things. There are no rules. And if there are rules, then you may as well break them.
As an artist you have to find something that deeply interests you. It's not enough to make art that is about art, to look at Matisse and Picasso and say, how can I paint like them? You have to be obsessed by something that can't come out in any other way, then the other things - the skill and technique - will follow.
In any society, the artist has a responsibility. His effectiveness is certainly limited and a painter or writer cannot change the world. But they can keep an essential margin of non-conformity alive. Thanks to them the powerful can never affirm that everyone agrees with their acts. That small difference is important.
Confidence is a trait that has to be earned honestly and refreshed constantly; you have to work as hard to protect your skills as you did to develop them. . . The one thing that creative souls around the world have in common is that they all have to practice to maintain their skills. Art is a vast democracy of habit.
Much to my chagrin, I think that cinema has gone the wrong way in America because in many ways, I pioneered the use of video which eventually became digital video. Everyone can do it; it's Pop Art time: "Everything is art, why should you take it so seriously, after all it's kind of like a clambake." I don't buy that.
All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art... skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks.
I think you have to accept that an artist also has a relationship with his or her art and his or her fans: you are in an open relationship whether you like it or not. Give the artist room to go into the place they create (literally or metaphorically) . And love them when they can't remember where they put their keys.
As I listen to the silence, I learn that my feelings about art and my feelings about the Creator of the Universe are inseparable. To try to talk about art and about Christianity is for me one and the same thing, and it means attempting to share the meaning of my life, what gives it, for me, its tragedy and its glory.
I would rather instill in my amateur students love, than knowledge, of music. Left with only knowledge, they will at the end close their books and consign the course to forgetfulness. But if they have learned to love but the smallest part of the art, they are likely to pursue some phase of it the rest of their lives.
Apparently, a cleaner at Tate Britain... threw out a bag of rubbish, accidentally we are told, that was part of an exhibition supposedly emphasizing 'the finite existence of art'... The cleaner evidently had no time to question the relationship of his or her being to the rubbish bag, and reached the right conclusion.
Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our time, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art and modern physics.
I am suspicious and disillusioned about the uses and misuses of photography in the art world, the press, and the world of entertainment. And to make things more complicated, I don't think that the general public is well educated regarding images. Generally we are taught how to read, but we are not taught how to look.
What attracted me was less art itself than the artist’s life and all that it meant for me: the idea of creativity and freedom of expression and action. I had been attracted to painting and drawing for a long time, but it was not an irresistible passion; what I wanted, at all costs, was to escape the monotony of life.
I know thou art gone to the home of thy rest-- Then why should my soul be so sad? I know thou art gone where the weary are blest, And the mourner looks up, and is glad; I know thou hast drank of the Lethe that flows In a land where they do not forget, That sheds over memory only repose, And takes from it only regret.
In life you can be dealt a winning hand of cards and you can find a way to lose, and you can be dealt a losing hand and find a way to win. True in art and true in life: you pretty much make your own destiny. If you are by nature an optimistic person, which I am, that puts you in a better position to be lucky in life.
So what is the Dreaming? I would say the Dreaming is a non-indigenous term used in its broadest sense to describe the stories of our ancestors and how they shaped the land and how they are still part of the land... Across Aboriginal Australia there are as many different terms for Dreaming as there are language groups
Decorating in relation to hotels is really nothing more than planned showmanship or the art of attracting attention in a delightful way and thus creating an increased consumer acceptance. It gives the guest the feeling of anticipation, excitement, expectancy, delight, and pride in the management of his favorit hotel.
Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.
People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye. Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
According to true military art, one should never push one's enemy to the point of despair, because such a state multiplies his strength and increases his courage which had already been crushed and failing, and because there is no better remedy for the health of beaten and overwhelmed men than the absence of all hope.
To be shaken out of the ruts of ordinary perception, to be shown for a few timeless hours the outer and the inner world, not as they appear to an animal obsessed with words and notions, but as they are apprehended, directly and unconditionally, by Mind at Large-This is the experience of inestimable value to everyone.
There are no prescriptive solutions, no grand designs for grand problems. Life's solutions lie in the minute particulars involving more and more individual people daring to create their own life and art, daring to listen to the voice within their deepest, original nature, and deeper still, the voice within the earth.
I don’t like the idea of “understanding” a film. I don’t believe that rational understanding is an essential element in the reception of any work of art. Either a film has something to say to you or it hasn’t. If you are moved by it, you don’t need it explained to you. If not, no explanation can make you moved by it.
The art of governing [focusing] the passions is more useful, and more important, than many things in the search and pursuit of which we spend our days. Without this art, riches and health, and skill and knowledge, will give us little satisfaction; and whatsoever else we be, we can be neither happy, nor wise, nor good.
A [spatial, temporal] work had only to be exhibited in a gallery and then written about and reproduced as a photograph in an art magazine. Then this record of the no longer extant installation, along with accretions of information after the fact, became the basis for its fame, and to a large extent its economic value.
The great thing about doing art shows is you get to meet the people who are interested in your art, and I think that when you're purchasing a piece of art it's a tremendous bonus to get to meet the artist because you get a chance to pick their brain a bit and find out first hand what the piece is about for the artist.
If you look at things that really affect people's lives - sport, the arts, charities - they were always at the back of the queue for government money - health, social security, defence, pensions were all way ahead. And each of those areas - sports, the arts, the lottery - got relatively petty cash from the government.
I never went into aesthetics. Aesthetics is what philosophers have to say about art, and a lot of them take an analytics position and raise the question, "What is an art object?" As soon as you fall into that trap, an artist is going to come along and say, "That isn't art - it's something else." That's a hopeless gig.
Writers are painful friends, and they are seldom friendly with others. They are insecure in the presence of other writers. Composers of certain kinds of music are the same--tormented and intolerant. Yet some arts not only make the artist social but make him depend upon sociability in order to succeed. Painting is one.
The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
It seems like the big difference between good art and so-so art lies somewhere in the art's heart's purpose, the agenda of the consciousness behind the text. It's got something to do with love, with having the discipline to talk out of the part of yourself that can love instead of the part that just wants to be loved.
Research demonstrates that autistic traits are distributed into the non-autistic population; some people have more of them, some have fewer. History suggests that many individuals whom we would today diagnose as autistic - some severely so - contributed profoundly to our art, our math, our science, and our literature.