Art Quotes - Page 361

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Production of identity is a resistance element, an aggressive element. Both a refusal and an affirmation and an assertion, and certainly, we in Jamaica were talking about black art. And the idea that there is a role for art in the civil rights revolution and in the successor to the civil rights revolution.

The art of living is based on rhythm - on give & take, ebb & flow, light & dark, life & death. By acceptance of all aspects of life, good & bad, right & wrong, yours & mine, the static, defensive life, which is what most people are cursed with, is converted into a dance, 'the dance of life,' metamorphosis.

Still, a prince should make himself feared in such a way that if he does not gain love, he at any rate avoids hatred; for fear and the absence of hatred may well go together, and will be always attained by one who abstains from interfering with the property of his citizens and subjects or with their women.

At the Egyptian city of Naucratis there was a famous old god whose name was Theuth; the bird which is called the Ibis was sacred to him, and he was the inventor of many arts, such as arithmetic and calculation and geometry and astronomy and draughts and dice, but his great discovery was the use of letters.

Imagination inspires you to look at everything with fresh eyes, as though you had just come forth from a dark tunnel into the light of day. Imagination becomes for you a magic lamp with which to search the darkness of the unknown, that you may discover new goals or chart more productive paths to old goals.

I expect to see the coming decades transform the planet into an art form; the new man, linked in a cosmic harmony that transcends time and space, will sensuously caress and mold and pattern every facet of the terrestrial artifact as if it were a work of art, and man himself will become an organic art form.

We tottered together upon the brink of the fall. I have some knowledge, however, of baritsu, or the Japanese system of wrestling, which has more than once been very useful to me. I slipped through his grip, and he with a horrible scream kicked madly for a few seconds and clawed the air with both his hands.

My father was a naturalist and a very spiritual person, who had a great desire to pass on his knowledge to others, so that they could receive the benefits of Jiu Jitsu as well. Growing up in this environment, I learned the art of Jiu Jitsu is actually a method through which one strives for self-perfection.

It is, of course, a luxury to create art and, on top of this, to insist on expressing one's own artistic opinion. Nothing is more luxurious than this. It is a game and a good game, at least for me; one of the few games which make life, difficult and depressing as it is sometimes, a little more interesting.

There is absolutely no single aspect of one's personality that is more important to develop than empathy, which is not a skill at which men typically are asked to excel. I believe empathy is not only the core of art, literature and music, but should also be at the core of society, from ethics to economics.

We may appreciate the efforts, and even the greatness of the men who have tried to find the universal, the general 'behind' appearances; yet at the same time their quest was doomed to fail, for all universals break down as soon as the Creator, He who made man in His image, is denied or left out of account.

The art of not experiencing feelings. A child can experience her feelings only when there is somebody there who accepts her fully, understands her, and supports her. If that person is missing, if the child must risk losing the mother's love of her substitute in order to feel, then she will repress emotions.

I don't want to get myself in trouble - and I don't think I'm super important or anything - but I think it's so funny that when you look at the business and the way that people make decisions in their lives, whether they're in art or music or they're in industry, they forget that being unique is the answer.

I really believe in empty spaces, although, as an artist, I make a lot of junk. Empty space is never-wasted space. Wasted space is any space that has art in it. An artist is somebody who produces things that people don't need to have but that he, for some reason, thinks it would be a good idea to give them.

The Mona Lisa, to me, is the greatest emotional painting ever done. The way the smile flickers makes it a work of both art and science, because Leonardo understood optics, and the muscles of the lips, and how light strikes the eye - all of it goes into making the Mona Lisa's smile so mysterious and elusive.

The dominant problem of pictorial art since the nineteen-fifties is photography, and, by extension, film and video. The basilisk eye of the camera has withered the pride of handworked mediums. Painting survives on a case-by-case basis, its successes amounting to special exemptions from a verdict of history.

People think of art and science as being fundamentally opposed to each other, because art is about celebrating individual human creativity, and science is about discovering general principles, not about individual people. But in fact, the two have a lot in common, and the creative spirit is similar in both.

I think comedians should focus on what makes them happy, what art form fulfills them the most. Don't be calculated about it and say, 'Okay, I'm gonna tweet, and I'm gonna podcast, and I'm gonna do standup, and one of those things is going to lead me to my own TV show.' I don't think that should be the goal.

I think circumstance plays a big part in terms of what I do. For example, if I wasn't ever able to show in an art gallery I probably wouldn't really make very much sculpture. But I've had the opportunity to show in big spaces, so I want to fill up that space in the same way you might want to fill up a page.

I guess music is the one universal art form that most people can be moved by, regardless of where they come from, and for many it might be the closest they get to god, but I think taking a trip out into the country, away from the light pollution, and looking at a clear night sky is what does it best for me.

Objective art is just the opposite. The man has nothing to throw, he is utterly empty, absolutely clean. Out of this silence, out of this emptiness, arises love, compassion, and out of this silence a possibility for creativity. This silence, this love, this compassion, these are the qualities of meditation.

Forget your ideas about art. Make a shopping list of everything you like about what you've done. Include qualities that you've seen in your life, in the world, and possibly in art that you like. Take this list and make a work that satisfies all of the things on your list without caring if it looks like art.

What is the foundation of that interest all men feel in Greek history, letters, art, and poetry, in all its periods, from the Heroic or Homeric age down to the domestic life of the Athenians and Spartans, four or five centuries later? What but this, that every man passes personally through a Grecian period.

The truth is that throughout my careers in both chess and the martial arts, I often knew that my rivals were more naturally gifted than me - either with their mental machines or their bodies. But I have believed in my training, my approach to learning, and my ability to rise to the challenge under pressure.

[T]he liberty, the unalienable, indefeasible rights of men, the honor and dignity of human nature, the grandeur and glory of the public, and the universal happiness of individuals, were never so skillfully and successfully consulted as in that most excellent monument of human art, the common law of England.

What happens then is like what happens when we separate a jigsaw puzzle into its fuve hundred pieces: The over-all picture disappears. This is the state of modern medicine: It has lost the sense of the unity of man. Such is the price it has paid for its scientific progress. It has sacrificed art to science.

I spent much of my college life prepping for other careers, but I was always drawing and painting whenever I had free time. Eventually, thanks to the internet, I started noticing that there were such things as art schools, and professional artists, and people making a living doing a variety of types of art.

The idea that musicians/artists have a responsibility to be community leaders or "role models" is problematic to me because I really believe that some of the most exciting art is not community-minded at least in any obvious or direct way, which is not to say that it is not ethical or consciousness-changing.

My entire life, I've always known that I wanted to be a performer, but I didn't know exactly how, where or when. I never learned or studied the craft, formally. I grew up doing martial arts and playing piano. But, something inside of me always said that I was going to do this, as far back as I can remember.

I was a student in London in the '70s, so CBGB really wasn't on my radar at all. Obviously, I was aware of the emergence of the Police in England and as an art student, I was very aware of David Byrne, but I suppose my musical taste at that time certainly didn't stretch towards the Dead Boys or the Ramones.

A work of art can be called revolutionary if, by virtue of the aesthetic transformation, it represents, in the exemplary fate of individuals, the prevailing unfreedom and the rebelling forces, thus breaking through the mystified (and petrified) social reality, and opening the horizon of change (liberation).

To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.

Anything to declare? the customs inspector said."Two pound of uncut heroin and a manual of pornographic art," Mark answered, looking about for Kity. All Americans are comedians, the inspector thought, as he passed Parker through. A government tourist hostess approached him."Are you Mr. Mark Parker?""Guilty.

It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts.

The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists.. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.

The tea ceremony requires years of training and practice ... yet the whole of this art, as to its detail, signifies no more than the making and serving of a cup of tea. The supremely important matter is that the act be performed in the most perfect, most polite, most graceful, most charming manner possible.

There's also the tradition of voodoo, the Haitian magic arts, in New Orleans. And because New Orleans is below sea level, when they bury people in New Orleans, it's mostly above ground. So you have this idea that the spirits are more accessible and can access you more easily because they're not even buried.

There are so few people who can really take hold of art and sort of eat and chew it up. Somehow it's got to be held special, sacred in a corner, and if you don't do the same thing with it, if you're not equally reverential, serious, and pompous about it, well, then you're not a great artist. Who needs that?

This is my firm persuasion, that since the human soul exerts itself with so great activity, since it has such a remembrance of the best, such a concern for the future, since it is enriched with so many arts, sciences, and discoveries, it is impossible but the being which contains all these must be immortal.

I just don't think people get off on language anymore. Language used to be an elevated art. It used to be for people what music can be. But people don't learn to do that anymore, so eloquence is merely a matter of waste. Who needs a good vocabulary and proper English? Eloquence - it's dead and who needs it?

Like William Morris, Joe Hollis asks us to perceive paradise gardening as a juncture where artfulness directly serves life. In fact, we might go so far as to define this paradise as the place where art is indistinguishable from life, and where simplicity is codified as the best path for achieving happiness.

Art - I had never thought of that as a career because it was like something I did so naturally, and it was fluid, and it is. And even though I still admire literature as the superior art form, I have to admit that art, for me, that's it; that's what I'm good at, and that's what I should be concentrating on.

Visionary art sure has played a vital role in my own "soul's journey," and I would say it's been important for many artists and viewers throughout history. Visionary art is one of the primary ways that human contact with higher subtle dimensions gets translated into our communally shared physical dimension.

To me, all creativity is magic. Ideas start out in the empty void of your head - and they end up as a material thing, like a book you can hold in your hand. That is the magical process. It's an alchemical thing. Yes, we do get the gold out of it but that's not the most important thing. It's the work itself.

I am not part of that earlier Australian generation who set off on a deliberate search for fame and fortune in distant lands. My generation was the first that didn't need to. By the 1980's when I left home, our culture had grown deep enough and wide enough to encompass all but the most rarefied of ambitions.

What I'm very upset about is the attempt to dictate to museums what they show, and the statements made by politicians in Washington that have curtailed the freedom of the National Endowment for the Arts. The attention to those issues is deflected by the spin of my supposedly having trivialized the Holocaust.

Potluck Supper with Meeting to Follow is a marvel, deftly examining the connections between art and everyday life. Andy Sturdevant's lively, unique inquiries into trust fund kids, co-opted flags, gubernatorial portraits, art in second-tier cities, and Upper Midwestern esoterica, brim with both wit and humor.

We're all just a bundle of habits shaped by our memories. And to the extent that we control our lives, we do so by gradually altering those habits, which is to say the networks of our memory. No lasting joke, or invention, or insight, or work of art was ever produced by an external memory. Not yet, at least.

I never understood the low art/high art distinction. I think there's real currency in pop culture. We read trashy magazines as much as the next person. So I never saw the point in listening to only one thing. That low art/high art distinction comes from the establishment telling me how I'm supposed to think.

Cinema is a kind of pan-art. It can use, incorporate, engulf virtually any other art: the novel, poetry, theater, painting, sculpture, dance, music, architecture. Unlike opera, which is a (virtually) frozen art form, the cinema is and has been a fruitfully conservative medium of ideas and styles of emotions.

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