Quotes of All Topics . Occasions . Authors
Drue [Langlois] and I started making music together before we started the Art Lodge, so I guess musical collaboration came first. The music we made, and our performances, always had a visual component. I could never play an instrument, so these other elements compensated for that a little.
I think a lot of male artists should and probably are thinking in the same ways. The culture has moved in a more democratic, pluralistic direction. You now find a lot of people who are looking outside of the mainstream of the history of art for their mentors. Maybe not heroes, but mentors.
The art of never making a mistake is crucial to motherhood. To be effective and to gain the respect she needs to function, a mother must have her children believe she has never engaged in sex, never made a bad decision, never caused her own mother a moment's anxiety, and was never a child.
Josh Radnor is that rare thing: a writer-director who thinks like an actor but still knows how to create a comedy with shape and vision. Liberal Arts is the best movie about college I’ve seen since I don’t know what...Dryly affectionate and super-sharp. Elizabeth Olsen is every inch a star.
In the Studio Museum in Harlem, when I was dealing with that community and dealing with my peers in the streets, it allowed for me to get outside of Yale, to get outside of art-speak, and to really think about art as a material practice that has very useful and pragmatic material precedent.
Artists make their work to be seen by others. Well, really we do it to please ourselves, but whatever your art is, you want it to be seen by an audience. In theory, especially in the independent world, ironically, you do stand a chance of making a bit of money if the film gets distribution.
When you're a creative person and you create art with other people, whether you're married to them or not, you're going to run into creative conflicts. If you're a couple, certain inhibitions and barriers are gone. I have those barriers with other people, but I don't have them with my wife.
One of my favorite titles of an art piece is "Première Communion de Jeunes Filles Chlorotiques Par Un Temps De Neige" or "First Communion of Chlorotic Young Girls in Snowy Weather" by Alphonse Allais. It's essentially a joke of a title, since the accompanying image is a simple white square.
It's a reality of art that the fewer lines you get, the harder it is. Cartooning is actually harder than realism. You have less to work with. It's like trying to build a house-if you have unlimited resources, you're in much better shape than if you get two bricks, a hammer, and a bent nail.
The history of all times and nations teaches us that exactly in the naïve, unshakable belief, furnished by religion in active life of believers, originate the most intense motives for the most significant creative performance, not only in the field of arts and sciences but also in politics.
I was taught that to create anything you had to believe in failure, simply because you had to be prepared to go through an idea without any fear. Failure, you learned, as I did in art school, to be a wonderful thing. It allowed you to get up in the morning and take the pillow off your head.
It is increasingly clear to me that my art relates more and more to a sublimation of my closeness to the natural world, it's events, light itself, and the positive it is a personal expression based on observation and reaction, that I am not able to define except in terms of the work itself.
The real question is, Why do you feel as though that's emasculating? A man can't have a conflict? When you try to do art, it's how it lands on people, and hopefully some people will see it the way that I saw it, which is all of these awful choices come from the place of a man who's damaged.
In our conversations, he [Michael Jackson] revealed a surprising understanding of art history. We were going through the finer points of the difference between one Italian sculptor to the next. You know, this - these are things that we don't necessarily assume of people in sanctified light.
I never got to play with Art [ Blakey], but he was kind and spoke to me a number of times. He said, "You know, the people who are working 40 hours a week. Those are the ones who are really paying dues. Sitting at a desk doing the same thing every day. We're really blessed to do what we do."
When he utilizes combined energy, his fighting men become as it were like unto rolling logs or stones. For it is the nature of a log or stone to remain motionless on level ground, and to move when on a slope; if four-cornered, to come to a standstill, but if round-shaped to go rolling down.
One writes out of one thing only - one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.
I'm not saying the 1970s was a golden age - I don't believe such a thing exists in art . . . It would be like talking about a golden age of science. But it's true that those were slightly more ideological times, and the relevance of artists wasn't established by their CVs but by their work.
Art is a well-articulated manifestation of an aspect of life. I have been privileged to view much of life through my cameras, making the journey an enlightened experience. My emphasis has mainly been on affirmative reactions to human behavior and a strong attraction to the beauty in nature.
Jimmy [Dean] was the most talented and original actor I ever saw work. He was also a guerrilla artist who attacked all restrictions on his sensibility. Once he pulled a switchblade and threatened to murder his director. I imitated his style in art and in life. It got me in a lot of trouble.
One of the great functions of art is to help us imagine what it is like to be not ourselves, what it is like to be someone or something else, what it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
Eating in Italy is essentially a family art, practiced for and by the family. The finest accomplishments of the home cook are not reserved like the good silver and china for special occasions or for impressing guests, but are offered daily for the pleasure and happiness of the family group.
I always liked doing all sorts of different things. As a kid growing up, I was always drawing and painting - always doing art. But I also loved movies and music, so as I started doing everything, I liked every aspect. It's not really that I am a control freak; it's just that is what I love.
Work is the true elixir of life. The busiest man is the happiest man. Excellence in any art or profession is attained only by hard and persistent work. Never believe that you are perfect. When a man imagines, even after years of striving, that he has attained perfection, his decline begins.
Art and society was a lot more subject to sexism 50 years ago than it is now. Since that period, there have been plenty of very good female painters, 2006 Turner Prize-winner Tomma Abts among them. How much history needs to pass before an artist is called 'great'? That is the real question.
What is music in America? It's this stand-in for political action in a lot of senses. We have no democracy and we have no art culture, and we've long considered politics nebbish-y and hopelessly unsexy. So a lot of what would be considered political activism is channeled into cultural work.
For a hundred years, modern painters, stubbornly and in the face of incessant hostility, have moved, step by step, leaving superb monuments by the wayside, towards an art of arrangement whose expressiveness depends less and less upon its elements imitating the objects of the external world.
There's always been an incredible amount of junk music, and junk everything. Marshall McLuhan said that a medium surrounds a previous medium, and turns the previous medium into an art form. So, what was once a junk culture, like film, television surrounded it and turned it into an art form.
I’m interested in so many different things and I’d like to cover a lot of territory. I’m trying to see my show as the Sunday Times. You have the Arts & Leisure section, you have the Op-Ed page, you have the Book Review...even the Style section has those wonderful essays about relationships.
The arts alone give direct access to experience. To eliminate them from education - or worse, to tolerate them as cultural ornaments - is antieducational obscurantism. It is foisted on us by the pedants and snobs of Hellenistic Greece who considered artistic performance fit only for slaves.
Death is not necessarily what gives meaning to life LIFE gives meaning to life, and what we do with life, which is to create knowledge like music, art, science To this end, I believe intelligent life might be evolution's secret weapon: the ultimate hack that might help us transcend entropy.
If some people can imagine that a person they love is alive in another world, why can't I imagine Maurice is alive in this one An artist is a person who uses art to run away from reality. It's not wrong-it's survival. There's nothing wrong with me creating a world in which Maurice is alive.
But it is also untrue that I have nothing specific in mind. As with my landscapes: I see countless landscapes, photograph barely 1 in 100,000, and paint barely 1 in 100 of those that I photograph. I am therefore seeking something quite specific; from this I conclude that I know what I want.
I am convinced that each work of art, be it a great work of genius or something very small, has its own life, and it will come to the artist, the composer or the writer or the painter, and say, "Here I am: compose me; or write me; or paint me"; and the job of the artist is to serve the work.
Having a great golf swing helps under pressure, but golf is a game about scoring. It's like an artist who can get a two-inch brush at Wal-Mart for 20 cents or a fine camel-hair brush from an art store for 20 dollars. The brush doesn't matter - how the finished painting looks is what matters.
God's careful instructions for building the tabernacle in Exodus 31 remind us that his perfection sets the standard for whatever we create in his name. Whatever we happen to make-not only in the visual arts, but in all the arts-we should make it as well as we can, offering God our very best.
I collect art. I just recently bought two gorgeous photographs of Marilyn Monroe by international photographer Eve Arnold and I know it sounds horrible but when she dies all her pictures are going to be worth triple. But I won't tell you how much I got them for - let's just say it was a lot.
In this crazy mirror of terror and art a pseudo-quotation made up of obscure Shakespeareanisms (Chapter Three) somehow produces, despite its lack of literal meaning, the blurred diminutive image of the acrobatic performance that so gloriously supplies the bravura ending for the next chapter.
In all fighting, the direct method may be used for joining battle, but indirect methods will be needed in order to secure victory. In battle, there are not more than two methods of attack.. the direct and the indirect; yet these two in combination give rise to an endless series of maneuvers.
For me, art is always a kind of theater. When I started the spot paintings I made them as an endless series. But I was never serious about it being an endless series. It was just an implied endless series. The theater means you just have to make it look good for that moment in the spotlight.
It is triple ultra forbidden to respond to criticism with violence. There are a very few injunctions in the human art of rationality that have no ifs, ands, buts, or escape clauses. This is one of them. Bad argument gets counterargument. Does not get bullet. Never. Never ever never for ever.
I think about all the people who have created something that lives after them - works of art, plays, music, films, literature, poetry that will be read, seen, performed, and heard for the rest of time. If I could do something that lives after me, then I think I will have had a life well led.
In the first grade, I already knew the pattern of my life. I didn't know the living of it, but I knew the line… From the first day in school until the day I graduated, everyone gave me one hundred plus in art. Well, where do you go in life? You go to the place where you got one hundred plus.
But ah, to fish with a worm, and then not catch your fish! To fail with a fly is no disgrace: your art may have been impeccable, your patience faultless to the end. But the philosophy of worm-fishing is that of results, of having something tangible in your basket when the day's work is done.
Yet do I fear thy nature; It is too full o' the milk of human kindness To catch the nearest way: thou wouldst be great; Art not without ambition, but without The illness should attend it: what thou wouldst highly, That wouldst thou holily; wouldst not play false, And yet wouldst wrongly win.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
Poetry connects us to what is deepest in ourselves. It gives us access to our own feelings, which are often shadowy, and engages us in the art of making meaning. It widens the space of our inner lives. It is a magical, mysterious, inexplicable (though not incomprehensible) event in language.
Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it. Advanced art today is no longer a cause -it contains no moral imperative. There is no virtue in clinging to principles and standards, no vice in selling or in selling out.
I blur things to make everything equally important and equally unimportant. I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information.
When I'm working, on stage, entertaining people, or watching someone do something amazing, it inspires me to be the best artist that I can be. I enjoy being around art - whether it be a museum, a Broadway show - or even writing a poem. Those are things that make me feel alive and inspire me.