I went to a performance-art high school, and a teacher there was signing me up for open-mic nights at the comedy club. I think about it now, and I think, 'Well, that may be inappropriate,' but it was great!'

If you're going to make great art, you have to make it at a huge cost - you have to be prepared to sacrifice what other people think of you, other people's opinions, and you have to make personal sacrifices.

My failure, during the first five or six years of my art training, to get set in the right direction, and the disappointment which it caused me, drove me the more persistently into writing as an alternative.

I believe that God prays in us and through us, whether we are praying or not (and whether we believe in God or not). So, any prayer on my part is a conscious response to what God is already doing in my life.

I endeavor to make a picture, for instance, exert a positive influence on the observer by its coloring, mood, and compositional idea, encouraging, say, activation, tranquilization, concentration, or harmony.

The job at Brooklyn is interesting because Brooklyn reflects what happened to university art departments everywhere. It might be the worst department now, and yet at one point it was the best in the country.

Independent film is almost nonexistent right now, because all the distributers that used to love to put out these little art films are all out of business right now, because it costs so much to open a movie.

I deny that art can be taught, or, in other words, maintain that art is completely individual, and that the talent of each artist is but the result of his own inspiration and his own study of past tradition.

Through art and science in their broadest senses it is possible to make a permanent contribution towards the improvement and enrichment of human life and it is these pursuits that we students are engaged in.

The main reason for doing it now had more to do with the players. This is a great group. This particular group has really worked hard to prepare themselves. And we have a chance to have a good football team.

In life and art we need to make sure that we honour that which our hearts and brains tell us is good. And we should cast a philosophic yet curious smile at that which our hearts and brains tell us otherwise.

And really the purpose of art - for me, fiction - is to alert, to indicate to stop, to say: Make certain that when you rush through you will not miss the moment which you might have had, or might still have.

With its shrewd analysis and its knowledgeable reflections on the state of the arts, as well as a rich array of anecdotes and quotations about patronage, Patronizing the Arts will appeal to a broad audience.

He [Michael Jackson] would choose specific moments. They were art history books that I prefer. They were paintings that he prefers. It's this dance back and forth. We were halfway through the dance. He died.

All equestrians, if they last long enough, learn that riding in whatever form is a lifelong sport and art, an endeavor that is both familiar and new every time you take the horse out of his stall or pasture.

I come from an art-school background, and I still feel that in my music, it's about exploration and challenging myself, about putting myself in a place that's frightening because I haven't been there before.

Just as art brings you to another place, so does religion - and to ask questions of factuality tends to reduce both. If you say you were inspired by a novel, that implies that your book is a work of fiction.

In art, truth and reality begin when one no longer understands what one is doing or what one knows, and when there remains an energy that is all the stronger for being constrained, controlled and compressed.

Art is not just about what's great or expensive or scandalous or famous. It's a mirror we hold up that looks different to everyone who sees it, and whose beauty lies as much in us, and our capacity to dream.

Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art.

Art is often born from inner struggle. Artists are plagued by impulses they must express. Contentment does not seek action but struggle always seeks release, and for the creative it can take the form of art.

A lot of people don't realize, when you are acting in a martial arts film, you're not just performing martial arts. You're not just performing martial arts. You're actually acting as much as any other actor.

In high school, I was very active in extracurricular activities such as art, theatre, and choir. I also wrote for the school newspaper, but not regularly, because I never liked writing non-fiction very much.

Music is an extremely powerful art medium that can really affect people's emotions. It is amazing to realize how much communities can be born from different kinds of music and the people who appreciate them.

...assume that art begins in unhappiness. True, the goal of art is to convey a vision of coherence and peace, but the effort to develop that vision starts in the more common experience of confusion and pain.

I look around the world and see so many wonderful things that I love and enjoy and benefit from, whether it's art or music or clothing or food and all the rest. And I'd like to add a little to that goodness.

I do not think good art comes from comfort. While from a humanistic standpoint I would have much rather been at my home that I own, surrounded by friends and family and controlling my environment completely.

Truth and reality in art begin at the point where the artist ceases to understand what he is doing and capable of doing - yet feels in himself a force that becomes steadily stronger... and more concentrated.

This is the emotional thing, you see - you must galvanize people, so they want to be completely alive and live forever, or the next thing to it. And out of that comes art, then, and survival through emotion.

After all perhaps the greatness of art lies in the perpetual tension between beauty and pain, the love of men and the madness of creation, unbearable solitude and the exhausting crowd, rejection and consent.

Who made art history? Not the most reasonable people. The mad men did. If painting is the mirror of a time, it must be mad to have a true image of what that time is. To one madness we oppose another madness.

I think one of the reasons movies are the quintessential modern art form is that it is partially a business. The director needs a crew - the writer, the producer, etcetera - and to have that, he needs money.

I have some art, but I am a hobbyist. I would not consider myself an expert but in the course of writing this novel I became very familiar with the various movements in American Modern Art from 1900 onwards.

In painting, as in the other arts, there's not a single process, no matter how insignificant, which can be reasonably made into a formula. You come to nature with your theories, and she knocks them all flat.

The oldest theory of art belongs to the Greeks, who regarded art as an imitation (mimesis) of reality. The strength of that theory is that it explains the way in which art takes its materials from real life.

We can have our own choices in sex partners, but you cannot avoid birth and death. It's the content of all religion and art. We familiarize them and if we're more honest, we'd be far more relaxed about them.

For photography to be an art involves reformulating notions of art, rejecting both material and formal purism and also the separation of art from commerce as distinct semiotic practices that never interlock.

I like living, breathing better than working...my art is that of living. Each second, each breath is a work which is inscribed nowhere, which is neither visual nor cerebral, it's a sort of constant euphoria.

If we wish to fight, the enemy can be forced to an engagement even though he be sheltered behind a high rampart and a deep ditch. All we need do is attack some other place that he will be obliged to relieve.

I always enjoyed art history because, growing up in California, my exposure was limited, and it was a new experience. To learn the history of art opened up certain things to me, made me see. It intrigued me.

The language of art is a 'parabolic' language, with a special openness to the universal: the 'Way of Beauty' is a way capable of leading the mind and heart to the Lord, to elevate them to the heights of God.

A mockingbird... was heard to blend the songs of 32 different kinds of birds into a 10 minute performance, a virtuoso display that served no practical purpose, falling, therefore, into the realm of pure art.

To me this is the first principle of life, the foundational principle, and a lesson you can't learn at the feet of any wise man: Get up! The art of living is simply getting up after you've been knocked down.

It's the emotion...each word has got a connotation and symbolism and the thing is finding what's behind the word-what meaning it has and what emotion. I'm really into vocal repetition as a definite art form.

When I look at the 'Rocky Balboa' film when I played the undisputed heavyweight champion, I feel like art is going to imitate life. I played the champ in a movie and I'm going to become the champ in reality.

But failure has to be an option in art and in exploration - because it's a leap of faith. And no important endeavor that required innovation was done without risk. You have to be willing to take those risks.

A lot of country music is sad. I think most art comes out of poverty and hard times. It applies to music. Three chords and the truth - that’s what a country song is. There is a lot of heartache in the world.

We get to the point then with modern science where you could almost say that modern science is the art of describing those systems so crude in their structure that they are not subject to temporal variables.

Truth in art is the unity of a thing with itself: the outward rendered expressive of the inward: the soul made incarnate: the body instinct with spirit. For this reason there is no truth comparable to sorrow.

There is no true expertise in the humanities without knowing all of the humanities. Art is a vast, ancient interconnected web-work, a fabricated tradition. Over-concentration on any one point is a distortion.

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