The goal of art is to inspire people to look inward.

That's why people listen to music or look at paintings. To get in touch with that wholeness.

Models are there to look like mannequins, not like real people. Art and illusion are supposed to be fantasy.

A race is a work of art that people can look at and be affected in as many ways they're capable of understanding.

When people try questioning my artistry or what it is that I do, it's because it doesn't look like everybody else's art.

People understand what art is supposed to look like, and so it's easy to make something that looks like art but isn't - especially in an abstract form.

Outside museums, in noisy public squares, people look at people. Inside museums, we leave that realm and enter what might be called the group-mind, getting quiet to look at art.

It's the duty of all novelists, all painters, all musicians, all people who try to make art move: to look for something they feel authentically, without paying attention to styles.

I'm told that I look like a nice girl. But, yes, I do a full contact sport, and when people ask what I do, they are a bit surprised when I say, 'A martial art, a full contact sport.'

I don't get involved in recruitment like people think I do. There's a myth that I look at YouTube and choose players. I don't. Having an eye for players is an art. I have no interest in doing that.

You can actually find a lot of gyms that do teach mixed martial arts. But it's just like with any martial art - you've got to look at the coaches, go watch some classes, see how people treat each other and how the coaches treat the students.

My idea about the role of artists is to get people to look at things in a way that's different than the way they normally would if they are being told how to think, what to do. I think when people receive information through art, they are more open-minded.

A lot of TV can be linear and cinematic and formulaic. What's to say that people can't be creative and surreal - and push boundaries? You can look at a piece of art and not necessarily know what it means or what the artist intended by it. It's the effect it has on you.

When you're young, you sort of have an idea that this is how it's always gonna be as a filmmaker. And then you have the ups and downs of trying to get your art created in an industry that doesn't traditionally make films with you and people that look like you behind the camera.

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