Quotes of All Topics . Occasions . Authors
When I left art college, I was a still photographer for a year.
I think I was lucky I got into art college. That's what saved me.
I conceived in art college at the age of 20, near the end of term.
I can trace my interest in modern classics to the summer before art college.
I got really into art at school and then went onto art college in California.
When I was at art college, a can of Spray Mount adhesive cost £12: £2 more than my weekly food bill.
Well, we were all in high school and we got together, and in college - we were in art college together.
I wanted to be an animator originally. I went to art school; I went to art college and everything. But that screen was just calling me.
I feel like I became an artist by default. I went to art college, but my interest was always more towards film than painting or sculpture.
If I had gone to art college and everybody was being a conceptual artist, I probably would have wanted to be a portrait or landscape painter.
Mum and Dad always wanted me to do whatever I was happy doing. I nearly went to art college at 16, but decided to do a BTEC in performing arts.
I went to art college. I like to be creative. I use food as my medium at the moment but it could easily be illustrations in the future, or something else.
When I was a teenager, my dad watched my films and told me I could go to art college and study animation. He made me see that I could do this for a living.
Our bassist, Tim Staffell, was at art college with Frederick Bulsara, who changed his name to Freddie Mercury and joined the band on vocals after Tim left in 1970.
I was inherently slightly more bitter or cynical and that kept me from going to the commercial formulaic crowd. Also, I went to an art college and I did my foundation in art.
After art college, I got a job as a medical illustrator, and I was pretty good. I had to imagine what was going on in the operations because the photographs just showed a mess.
I couldn't live on the singing at first, so I worked as a cleaner, in a launderette, in a garage, face painting and doing the windows of shops at Christmas, 'cause I had been to art college.
I came up, I suppose, a fairly traditional way. I went to art college. I always wanted to be a stills photographer, really, when I was younger, and I briefly worked as a stills photographer.
When I was in art college, I would be painting, and I would create something on a canvas that was actually quite attractive. But if I got frightened and tried to protect that, that canvas would die.
By the time I got to Bournemouth Art College, I'd been so inspired by Sam Raimi and Robert Rodriguez and their tiny, no-budget films that I decided to do a feature-length version of 'Fistful Of Fingers.'
From being at art college, I've always hated people that have the gall to think that they're being incredibly different when they're doing something in a very acceptable way, something safe that they've seen someone else doing.
I literally left school and went straight into music via art college for a year, and I've been so involved in my job of writing songs that the more actively involved part became channeled into standing on the stage and saying things that way.
I played football for a long time when I was a kid, and then I went to art college and turned my back on it. Because of that, my toes are mangled; they've been broken. They're like hooves or talons. They're disgusting. I'd never get them out.
At art college, I started to do music and then painting and drawing - and that would have been my ideal life, to be an artist and be paid for it, to be able to create stuff. I realized it was difficult, but I don't know if I had the application for it.