Quotes of All Topics . Occasions . Authors
Singing 'Family Tradition' with Hank Jr. was a pee-your-pants moment. Hank comes over while I'm singing and puts his arm around me, and my knees nearly buckled. You can put off the fact that this is reality, but when he came over, there was just no denying. I just lost cabin pressure.
I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
I was a bowler - left arm, smash it down as fast as I could. I did a lot of work with Damian D'Oliveira, and I probably had a chance of doing that for a living. But when I reached 16, I knew I couldn't carry on playing both football and cricket, and I was already in the Shrewsbury squad.
I remember being on a plane a few years ago. And me and this woman sat coldly next to each other for a cross-country trip, fighting over the arm rest the whole time. But then, about an hour before we landed, we noticed that we both had on 'Housewives,' and suddenly, we were best friends.
The old-timers taught me about psychology. Whatever body part, for instance, you decided to work on, well, you worked on. If you're working on someone's arm, you don't go to the head with headlocks. You don't go to the lower body. If you start with a body part, you stay with a body part.
In the early 1800s, both Spain and Portugal disseminated the smallpox vaccine throughout the Americas via the 'arm to arm of the blacks,' that is, enslaved Africans and African-Americans, often children, who were being moved along slave routes as cargo from one city to another to be sold.
I only thought I'd get one arm done at first. One arm turned into the other arm. Then I started tattooing my lower arms. I remember saying, 'Mom, don't worry, I'm never going to do anything on my neck.' Then I went to my neck and my chest and my legs, and I kept on progressing from there.
I was born Maurice Joseph Micklewhite. Imagine signing that autograph! You'd get a broken arm. So I changed my name to Michael Caine after Humphrey Bogart's 'The Caine Mutiny,' which was playing in the theater across from the telephone booth where I learned that I'd gotten my first TV job.
Villains are always the best roles, but that meant that for months afterwards, all I got offered were absolute cads and bounders and really nasty pieces of work, as well as a lot of people who only had one arm. Such is the limited imaginative power, you see, of a great many casting directors.
I came into the Indian team and was touted as someone who did well only against weaker oppositions. There were doubts creeping into my game. I was looking for support, someone to put an arm around my shoulder and say I am good and I belong to this place. Virender Sehwag is that someone for me.
One doesn't simply write about Lyndon Johnson. You get the Johnson treatment from beyond the grave - arm around you, nose to nose. I should admit that he also reminds me of my father, quite an overbearing and narcissistic character. And in some ways, he reminds me of myself. Another workaholic.
That's what you kind of see with Matthew Stafford. He makes some incredible plays, even with his arm in different positions. But the consistency's not there that you need at the position to be one of the top quarterbacks in the league, and I think that's where cleaning up the technique will help.
When I went to England on my own, I became a busker. I played guitar for money in Leicester Square. And the guys who are supposedly blind and crippled, who aren't, got me after I'd collected a lot of money, took my money and threatened to break my arm if I ever came back to their 'kip,' their turf.
When I was very young, most of my childhood heroes wore capes, flew through the air, or picked up buildings with one arm. They were spectacular and got a lot of attention. But as I grew, my heroes changed, so that now I can honestly say that anyone who does anything to help a child is a hero to me.
One time I was doing a speech to a group of kids, and just before I get there, I see this little kid crying. I found out they just lost a game, and he was the losing pitcher. I went over there, put my arm around him, and said, 'What are you crying for? When major league players lose, they don't cry.'
When I was a kid, we went to St. Augustine, Fla., and I was lying on the couch one night with a Q-tip, cleaning my ear out after I'd taken a shower. I hit my arm on something, jabbed the Q-tip through my ear drum, busted my ear drum and couldn't get back in the water the rest of the time we were there.
My dad played for a coal-mining team in eastern Ohio; he was a very good pitcher. If he hadn't hurt his arm, he probably would have got a shot somewhere. He hurt his arm one spring, didn't warm up good enough, couldn't throw a fastball anymore. Another coal miner taught him how to throw the knuckleball.
The average Indian doesn't care about Hollywood movies because they have far too many movies of their own to watch, to miss, and I hope a story like 'Million Dollar Arm,' that is actually about India and deals with these two Indian kids, resonates over there and makes people want to go and see the movie.
One of the things that's interesting to me is I find things like caffeine and stunts actually relax me. When they're putting a bit of gel on my arm and lighting me on fire, or when I'm about to go into a high-speed car chase or rev a motorcycle up pretty fast, I find everything else around me slows down.
I go to assume a task more difficult than that which devolved upon Washington. Unless the great God, who assisted him, shall be with me and aid me, I must fail; but if the same omniscient mind and almighty arm that directed and protected him shall guide and support me, I shall not fail - I shall succeed.
A Republican philosophy goes something like this: If you take your car to the mechanic, and instead of fixing it, they take out the engine and charge you an arm and a leg, you should conclude that mechanics can't fix cars and you should probably just take yours to the junkyard and sell it for scrap metal.
There's still this idea that women are over by the time they are 40, so that they can't play the love interest opposite a 50-year-old man. George Clooney is 52, but he's always on the arm of a thirt-something actress. He gets Vera Farmiga. You don't get a 50-year-old woman on the arm of a 30-year-old guy.
If a portion of a redwood is rotting, the redwood will send roots into its own form and draw nutrients out of itself as it falls apart. If we had redwood-like biology, if we got a touch of gangrene in our arm, then we could just, you know, extract the nutrients and the moisture out of it until it fell off.
Looking up and out, how can we not respect this ever-vigilant cognizance that distinguishes us: the capability to envision, to dream, and to invent? the ability to ponder ourselves? and be aware of our existence on the outer arm of a spiral galaxy in an immeasurable ocean of stars? Cognizance is our crest.
Many schools desperately need caring professionals like guidance counselors and social workers to ensure students' emotional, social and educational needs are met. But proposals to arm teachers are irresponsible and dangerous. The role of educators is to teach and nurture our children, not to be armed guards.
Whenever two guys got together, you asked, 'What body part would you like to work?' In my case, it was the arm. Most guys wanted to feed me for that arm drag. We always believed in storytelling, so if I had the arm, the heel would get away for a moment - or heel his way away - and then I would get back to it.
I don't feel a day older when it comes to my approach to music or what gets me off than when I was a teenager. I've always been into different kinds of stuff and when I play I like to play loud. I like my arm hairs to move and I like my body to vibrate 'cause I like the feel of it; I'm still a teenager at heart.
As you get older, and this is a young man's game, and people say, 'Well, there's no way I can keep up running the way I'm running; there's no way my arm is going to stay as strong as it is.' It's the challenge of trying to stay in my tip-top shape year in and year out so I can keep playing the way I want to play.
Well, the first thing that clued me in to the fact that there was something really scary about breast cancer, way beyond the thought of dying, was coming across an ad in the newspaper for pink breast cancer teddy bears. I am not that afraid of dying, but I am terrified of dying with a pink teddy bear under my arm.
I don't think a reporter necessarily becomes an arm of law enforcement. I think a reporter is like any other citizen. If a citizen can do his or her duty as a witness, if they have information about a crime, or if they have information about a criminal group, I think that there's a duty on the part of the citizen.
When I provided the disembodied arm as the logo for 'The Man With the Golden Arm,' it was the first time an advertising-publicity campaign was based on a single symbol. Until then film companies used a variety of symbols and photographs to cover all bets. The concept of using one logo was mine and Otto Preminger's.
It was Jesus who gave me peace when the shark severed my arm. I trust in Jesus whenever I'm going through a hard time. I see all the beautiful things that have come out of my situation. I'm able to share my story with young girls who have few role models, and I can help others cope with what they have been through.
In wrestling, when I was in high school, my coach said you should be able to hit every single move from any position. So, arm drag to double-leg, snap-down to double-leg. You should be able to hit a move from anywhere, so with my armbar, I can essentially hit it from any position because it's my favorite submission.
I began as a graphic designer. As part of my work, I created film symbols for ad campaigns. I happened to be working on the symbols for Otto Preminger's 'Carmen Jones' and 'The Man With The Golden Arm' and at some point, Otto and I just looked at each other and said, 'Why not make it move?' It was as simple as that.
I think a lot of us have some form of body dysmorphia... You're looking in the mirror, and you're kind of disassociated in some way. I think a good reminder is to actually, physically touch yourself. 'Ah, okay, this is what my arm feels like. It's not what I'm mutating in my head. I'm not some sort of scary monster.'
For 20 years I've been screaming at these guitar companies, saying, 'It's abnormal to put your arm around an acoustic guitar that is about 6 to 8 inches deep.' Your arm reaches over, and you start to strum, and then all of a sudden you get a charley horse in your back. The older you get, the greater the charley horse.
I saw it with my own eyes: Israelis and Palestinians, arm in arm, walking off together and clearly pricing how you could get your truck to the top of the line or get it through at all. It was an absolutely transparently corrupt system at the border - you had to buy your truck's way across. I thought it was a disgrace.
In April of 1976, Epic Records was flying out to sign us when I tripped over a light case after a gig and broke my arm. We called the next morning and said, 'Don't go to the airport - Bun E. broke his arm.' They thought Mercury or someone was trying to sign us, so they offered us, like, $25,000 more on top of the deal.
We immerse ourselves in escapist mass entertainment, such as 'reality T.V.' programs. We support fanatical politicians and preachers. Our politicians, in turn, support dictators and tyrants in other countries, all in the name of 'security' and 'stability'. And we arm ourselves to the teeth, and pray to God to be saved.
I love tattoos. And mine symbolise who I really am. I have a Samurai on my left arm. At a subconscious level, I connect to this warrior and model myself on his discipline, skills and honour. There is also a tribal tattoo and a Chinese symbol of faith. I have seen a lot of people getting tattoos just because it's a trend.
I think a lot of people, when they start to become famous, they don't necessarily have the mental equipment to deal with it yet, so they try to keep it at arm's length and try to avoid it, which is fine for a while, but you can't keep pursuing a career in acting and that remain your attitude towards fame and recognition.
Being sick is a different story than having an injury. If you have a right arm injury, you can still use the rest of your body. You still have the energy to perform. But when you are sick and can't really get out of bed or walk or even breathe, you're not yourself. You don't have the cardio, strength, speed, or explosion.
I think the role of the Bond woman has changed so much over the years that it now doesn't follow a typical archetypical view. Before, it was very much a beautiful woman who didn't contribute much and who usually ended up getting killed or was arm candy for Bond. But now the women in a Bond movie have so much more to offer.
In my students, I'm always dispelling the notion that characters come like a light bulb over the head in cartoons. For me, it's like a shapeless big lump of clay. You just build it into something, and then you step back and go, 'That's not right,' hack it apart, put out a new arm, and say, 'Maybe this will walk around and work.'
As you develop relationships in your team you have to learn how your teammates react to being yelled at or how to put your arm around them and show them how to do things. You have to build those relationships up and understand who that person is and how they respond and choose your way to lead them to hopefully help everyone out.
In 2012, General Dempsey, General Petraeus directed the CIA, Secretary Panetta and Secretary Clinton recommended to the president to robustly arm and train the Syrian moderates. He says no. In 2013, conduct a military strike, same national security team, against the Assad regime because he violated the chemical red line. He says no.
I was injured at the end of 'Kill Bill.' I hit the ground, instead of hitting the mat, pretty hard and busted my ribs and had to have surgery. I was being blown out of a trailer in a harness and actually landed on my coordinator instead - who broke my fall a little! My arm smacked into the ground and obliterated one of the ligaments.
I could direct a very decent Holocaust film, but I don't have the same experience as a young boy who was rocked to sleep in the lap of a grandmother who had a tattooed number on her arm, who told him stories of the people who disappeared, the relatives she never saw again, as he drifted off with his cheek nestled next to that number.
I was the Chair of the WIFF Foundation, which is the philanthropic arm of Women In Film. The foundation runs the several programs including one that provide our film finishing fund. So we help women complete their films with a grant from Netflix. It's great to be associated with award winning films like 'Freeheld' and 'Circumstance'.
We ain't gonna fight no reactionary pigs who run up and down the street being reactionary; we're gonna organize and dedicate ourselves to revolutionary political power and teach ourselves the specific needs of resisting the power structure, arm ourselves, and we're gonna fight reactionary pigs with international proletarian revolution.