I think architects tend to believe that they can almost do anything, which is a wonderful characteristic, but in some cases you just fall flat.

In Iraq, many of my female friends were architects and professionals with a lot of power during the 1980s while all the men were at war in Iran.

You could say that I had become possessed, in the classical sense, by the art of the great architects of the past. And that led me to engineering.

I did a comparison of a school of architects known as the New York Five. I compared their articulation of wall surfaces, which I enjoyed very much.

Architects today tend to depreciate themselves, to regard themselves as no more than just ordinary citizens without the power to reform the future.

My most earnest prayer is that every man and every woman will get it into his or her heart that they are in very deed the architects of their lives.

Some of my best friends are architects. And they definitely do have ears. But I think sometimes they don't use them when they're designing buildings.

I pay two full-time assistants in my studio, plus consultants who are architects, engineers, and landscape architects, as well as lighting designers.

Architects work in two ways. One is to respond precisely to a client's needs or demands. Another is to look at what the client asks and reinterpret it.

I feel however, that we architects have a special duty and mission... (to contribute) to the socio-cultural development of architecture and urban planning.

Here in Barcelona, it's the architects who built the buildings that made the city iconic who are the objects of admiration - not a bunch of half-witted monarchs.

Some architects, such as John Lautner, never really did anything other than houses. His entire portfolio is basically residential. There's nothing wrong with that.

The difference between me and the newer artists is that I have the history with the architects, the masters that started the music. I know where the music came from.

I don't know any architects that I respect who don't have their own voice. I think the difference between architecture and the other arts is your immersion in reality.

Let architects sing of aesthetics that bring Rich clients in hordes to their knees; Just give me a home, in a great circle dome Where stresses and strains are at ease.

Many of the architects of the Vietnam War became near pariahs as they spent the remainder of their lives in the futile quest to explain away their decisions at the time.

Since Stonehenge, architects have always been at the cutting edge of technology. And you can't separate technology from the humanistic and spiritual content of a building.

The architects of Brexit are a cocktail of lying racists and buffoons. I don't think even someone as cynical as me could have predicted how deeply stupid these people are.

You can say, like, planet Earth has an existing geology, and what we do as human beings and as architects is that we try to sort of alter and modify and expand the geology.

I have high hopes that GIS will become increasingly relevant for landscape architects as we make the tools easier to use for the design process of just inventory and mapping.

Architects have created this fake separation between creation and execution. You can see it in architecture schools, where the students look down on going to contracts classes.

Architects often have a mindset where you solve a problem, so you have a set of needs that you have to address. Often I feel that my projects have to have concrete applications.

I hesitated, too, because for better or worse, I have been one of the principal architects of New Labour and I have worked closely with Tony Blair and the team for nearly 20 years.

In the past, young, talented architects worked together to form a strong social agenda and communicate with a larger audience. That's what today's architecture community should be.

What's interesting about architects is, we always have tried to justify beauty by looking to nature, and arguably, beautiful architecture has always been looking at a model of nature.

Many architects say that they will never do a bridge. But I think they will discover that just as Fallingwater is a piece of art, so Golden Gate is a piece of art of the 20th century.

My passion and great enjoyment for architecture, and the reason the older I get the more I enjoy it, is because I believe we - architects - can effect the quality of life of the people.

Landscape architecture is basically geodesign; it's designing geography. And yet geodesign is not only done by landscape architects, it's done by some of the world's largest corporations.

Various different people have inspired me throughout my career. From Francis Bacon to Vassareli, Coco Chanel to Christian Dior, Cecil Beaton, musicians, architects... the list is endless.

I would say that many architects are very logical. They start their process from analysis and from rational processes to try and find the 'right' answer, like solving a mathematic equation.

Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many times and reinvented so many different series.

Most architects say: I want to use this type of glass, even if it's too reflective or doesn't let enough light in. However, the use of a certain type of glass might change the comfort level.

I don't think I have a signature style that announces, 'This is a Safdie.' But I think star architects have seized an opportunity to go anywhere in the world to produce meaningless buildings.

There's this very vulnerable planet of ours with finite resources. Architects and designers have, I think, a fair responsibility for conserving energy and materials, and making things durable.

Fifa has lost the trust of the people. We cannot allow the architects and controllers of world football to get away with dragging the beautiful game through the grime of corruption and bribery.

I think that the training of architects allows you to see what will happen ten years ahead of time, or twenty. It's not guessing, it's not intuitive, it's based on research - and we may be wrong.

Clearly, private developers can have different aims, and architects can only play a certain role. You can have some pretty big battles on public commissions, too. The key is to have a good client.

Architects create spaces that accommodate human activity. As opposed to many of its contemporary counterparts, Dune'is not so much focused on the styling of that activity, as on the supporting of it.

Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure.

I went to a school with the kids of judges and elected officials and architects, civil leaders, and influencers. And I felt very much a minority in every way. But it did expose me to incredible things.

I'm particularly interested in the public role that all buildings play. I believe that we architects should try to go beyond our basic obligations to the public, and our opportunities to do so are many.

Architects, sculptors painters, we all must return to the crafts! For art is not a 'profession.' There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman.

I personally felt that his ad hominen attacks on British architects were not the sort of thing a Prince of Wales should be doing because, apart from anything else, they put various people out of business.

The Academy of Architecture in Mendrisio comes from afar. Our land has a millennial history of emigrations: master masons, architects, builders, decorators, plasterers, artists from the world of building.

It's important for people who criticise architects - whether what they build is or isn't to your taste - to appreciate how they devote themselves and put everything into bringing a building into existence.

I loathe when architects only analyze architecture in intellectual, nonvisual ways. I really love direct response, and that's very pop. I don't want to discuss abstract transparencies with a bunch of kooks.

Architects typically inherit programmes or sites. We maybe twist the programme a little bit, bring our own invention into it, and we feel perfectly happy when we walk away. It doesn't feel like quite enough.

The Washingtonian said it shouldn't be built. The gallery's East Building is now considered a triumph, and members of the American Association of Architects have voted it one of the best buildings of all time.

St. Petersburg, under the czars, had been a grand city. It was a planned city, and it had - there were all these Parisian architects who had been brought in to build the apartment buildings in the center of town.

Often, architects work too hard trying to make their buildings look different. It's like we're actors let loose on a stage, all speaking our parts at the same time in our own private languages without an audience.

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