If you're talking to an architect, he can look at a blank piece of paper, and once the initial design is there, the formula kicks in. Each room should have something unique and different about it - much the same way that in a song, every eight bars or so, a new piece of information should be introduced.

When I lived in Beijing in 1996, it was a horizontal city. If you wanted to go out for a burger, if you wanted to really treat yourself, you went to this place called the Jianguo Hotel. The architect had proudly described it as a perfect replica of a Holiday Inn that he had seen in Palo Alto, California.

Certainly if I were to think in terms of a field that would have required a different mode of education, I think I would have leaned in the direction of being a therapist. And without the education, or a different kind of education, I think my first choice would be a landscape architect. I love to garden.

When I started this project, I was a young architect. I was very apprehensive about any changes to the design. Whether I wanted to or not, I learned that you can accept some changes to its form without compromising its intent. But it's a leap of faith that I didn't want to make initially - to put it mildly.

Rather than making minor repairs to a few small leaks in the roof, the Architect of the Capitol is proposing to tear down the entire roof and replace it with something called a new vegetative roofing system. We shouldn't be wasting precious taxpayer money on a new, state-of-the-art vegetative roofing system.

Some museum boards think that choosing an architect can be reduced to a science, but it comes down to a matter of taste, pure and simple. A shortlist of prospective designers speaks volumes about the likely outcome. If the candidates' styles are too divergent, the search committee doesn't know what it wants.

I realize that having a style would be very beneficial for my practice from a marketing standpoint, but I can't do it. I believe my responsibilities as an architect are to design the most appropriate building for the place. Each place has a distinct culture and function, which for me requires an appropriate answer.

My first architectural project I did, I must have been fifteen, was for neighbors across the street, a couple of school teachers, and I designed a house for them. I didn't know anything about Le Corbusier or anything like that, but it ended up being a very cubistic kind of house. I always wanted to be an architect.

The phoebe-bird is a wise architect and perhaps enjoys as great an immunity from danger, both in its person and its nest, as any other bird. Its modest ashen-gray suit is the color of the rocks where it builds, and the moss of which it makes such free use gives to its nest the look of a natural growth or accretion.

For one who feels compelled, as I do, to accept the existence of the Master Architect, it is important to examine his handiwork for the light it throws on him and on his program for his children. For me, there has been no serious difficulty in reconciling the principles of true science with the principles of true religion.

I inherited this collection of vinyl records, which at that time numbered 6,000, and I've since continued to collect music. As you know, vinyl records can be very heavy, so every time I have to move into a new house, I need to build a complete new wall of shelves to put all these records, which is a nightmare for the architect.

Cost overruns are not uncommon in architecture, particularly for designs that depart from structural or technological norms, or demand a finer quality of execution than commercial schemes - conditions typical of buildings for cultural institutions. Budgets are exceeded for many reasons, not all of them within an architect's control.

The scary thing is a dramatic erosion of American position in the world - its economic, military position, as well as America's influence. Obama is not the man at the wheel desperately trying to conserve American power, influence and wealth. For ideological reasons, he wants the slipping to continue. He's actually the architect of it.

I was in Beijing a month ago working on the smoke project in collaboration with an architect there, and I was asked very directly whether it was safe to breathe in the smoke. They did not have confidence in the museum not to use harmful smoke, and they certainly didn't have confidence that the city would protect them from harmful smoke.

I force myself to outline, but not too closely, so I guess I plot by the seat of my pants? My natural instinct is to dive right in, but I know I'll get stuck. I like to stick with the architect vs. gardener metaphor. I guess I'm a gardener who plants tomatoes. I have the sticks in the ground and let the vines grow along those parameters.

Edelman diversified into public affairs in the late '60s with important programs for the Concorde SST, gaining landing rights at JFK Airport in New York, and in the late '70s generating public approval for the building of the very stark Vietnam Veterans War Memorial in Washington, D.C., from a design by the very young architect Maya Lin.

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