The arc of Ken Griffey Jr.'s swing has gotten bigger than when he hit line drives. Juan Gonzalez is a terrific power hitter, too.

The boomers' biggest impact will be on eliminating the term 'retirement' and inventing a new stage of life... the new career arc.

Through the music I hope to give it an arc that gives it a greater sense of a journey through the set rather than a bunch of songs.

We've got plans for 'Fable' III, IV, and V. It's a big story arc, and if you play Fable II, you'll recognize things from 'Fable I.'

One of the negative sides of a really intense arc as a touring band is there are big gaps in your memory because you're so exhausted.

With a series, you build the character as you go. When you've got a shorter project or a film, you know the overall arc from the beginning.

I feel like if a film is well-written, then the character's arc is complete. There really is very little room to expand on that afterwards.

I don't represent anybody and I don't hold anything at such a high arc that I gotta manage by somebody's rule. I don't ever do good with rules.

I've had such an incredible arc, so it made sense to me, creatively, that we've told Laurel's story. It has come to an end in the 'Arrow'-verse.

I think it's always good not to listen to what the rules are supposed to be about the arc of the character and the third acts and all this stuff.

When I hear the piano played in a compositional way, like in a songwriter's way in a compositional way, there's a certain arc to that that I love.

When you make a movie, a dramatization based on the real experience of a living subject, you can't airbrush that away into to a perfect movie arc.

I kind of approach action/non-action very much similarly. It has to be character-based and it has to kind of come off the theme and the overall arc.

I'll never have so compelling a figure within my embrace as Joan of Arc; there will never be a book whose last chapter is so very hard to get right.

My writing process is very organic. I start with an idea. I have the general story arc and the cast. But then I sit down to write, and things change.

Like all holy figures whose earthly existence separates them from the broad mass of humanity, a saint is a story, and Joan of Arc's is like no other.

Defenses had to play us, obviously, out to the arc, but it was really, to me, my mid-range game that was probably more dangerous than my 3-point shot.

I surrender the idea of having some kind of control over the arc of my career a lot of the time because you never know what tomorrow's going to bring.

You have 22 episodes to start from zero to hero; you can really take a nice, big, long arc. In a film, it's tough to do that - you only have 90 minutes.

You'd be surprised how hard it is getting the human emotional arc in a script to work. Ultimately a director stands and falls by their ability to do that.

We presumably believe that most of the technological progress over the arc of humanity to date has been good. I don't see any argument to go back to 1600.

Theater is great because you're able to tell a narrative arc without a break. I think it's more about the material and whether what we get offered is good.

When I started thinking about 'Mr. Robot,' I thought about it as a movie, and I thought about the complete arc, and that is the one story I'm going to tell.

Ryan is Deadpool. Look, Ryan Reynolds, he's gone through that same career arc; the guy is ridiculously talented. He has a huge, huge passion for 'Deadpool.'

The loveliest roles, for me, have a growth arc - a beginning, a middle, and an end - and I'm always grateful when I can find one of those emotional journeys.

The earth together with its surrounding waters must in fact have such a shape as its shadow reveals, for it eclipses the moon with the arc of a perfect circle.

I'm not like Jonathan Hickman, who's able to sort of plot out three years of a book ahead of time. I'm much more of a guy who plots out an arc or two at a time.

Individual stories from the Bible had been made into movies, but no one had taken on the arc of the Bible story as one meta-narrative from Genesis to Revelation.

It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.

I think the struggle, whenever you make a film or television movie based on a real person's life, is finding a dramatic arc that will hold an audience's attention.

'Portlandia' is the most fun show. When I get a breakdown of what the arc of the story is going to be, I could never in my wildest dreams anticipate the direction.

I would not want to do one-episode television - that's just a brief encounter with your audience. The arc takes the actor into an arena where he can really stretch.

In the work that I normally do, you have a whole script, a whole arc, that you play. And I do believe a good actor will play every bit of information they're given.

The best thing as a director is being able to be part of the thing that's so cool about a TV show, like running a character arc over six episodes or multiple series.

There's an arc to an action sequence, and you need to come out the other end knowing your character better, and maybe the story has moved forward in a compelling way.

It's a great luxury to have the writer with you on a new play because you can write and re-write, just trying to get the arc of the story, of their relationship right.

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.

I always wanted to play Joan of Arc. I've always wanted to do that. Now I'm thinking, 'Maybe there's a story in Joan of Arc's mother!' If I don't hurry up, her grandmother!

I got to spend a week with Lenny Kravitz while we were filming his arc, which was very exciting. This guy is so cool and amazing that beforehand I felt so uncool and nervous.

I gave up the notion of writing the life of Joan of Arc, as I found that there was absolutely no new material to be gleaned on her history - in fact, she had been thrashed out.

I can bend my wrist down to my forearm. I can wrench my fingers backward until they rest on my hand. A hitchhiker's thumb might arc into a 90-degree angle; mine will go to 135.

When something changes in Episode 7, you have to then begin moving things around, shuffling things backwards. Once you start moving material into it, that can derail your whole arc.

I feel 'The Night Circus' has a complete story arc in one book. I like it as a single volume. It feels complete to me, and I wouldn't want to stretch it out into something it's not.

All the sudden, I was part of the 'No Man's Land' thing, and there was a bundle of core writers for that, but somewhere along the line, I became the go-to guy after that initial arc.

As an artist, you don't think about the parabola or the arc you're describing or where you're going to ultimately end up, you're just kind of crawling around, seeing what's out there.

The most serious problem doing biography is the matter of time because you have to shape events into a narrative of two hours; you have to create a dramatic arc. That can be a challenge.

At all levels - with men and women - the 3-point shot has utterly transformed the way the game is played. More and more, the players are spread out, looking to pop behind the 3-point arc.

When you go to a great concert, you feel this arc, almost like the music of a well-chosen set takes you on this trip through emotions and through various forms of intellectual engagement.

In documentary films, you're a storyteller using found objects. You still have to have a story arc and all the elements that make a good story. It really helped me mature as a storyteller.

A conventional blade has more toe hang so that's for people who want to rotate the face more. I'm not that person. I don't have a strong arc to my stroke so the mallet works better for me.

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