Quotes of All Topics . Occasions . Authors
At the end of the day, Democrats go out and appeal to 30 percent of the far left; Republicans go out and appeal to 30 percent of the far right. Hey, there's a big middle ground here that's not represented. I think that, Bill Weld and myself, I think the Libertarian Party really occupies that ground.
Time and again, a student will send me an urgent appeal to hear her, saying she is poor and wants my advice as to whether it is worthwhile to continue her studies. I invariably refuse such requests, saying that if the student could give up her work on my advice, she had better give it up without it.
For me, the association with rock is one of force and anger and aggression. And definitely, in the past, I've made songs that attack like that. But what I usually try to appeal to is peoples' everyday feelings, the things that they're going through as they deal with the system on a one-to-one level.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
'Lost' holds a very special place in people's hearts and I wouldn't presume to say that 'FlashForward' will replace 'Lost.' I think it provides a lot of the same adrenaline and fascination and entertainment. It will help ease the pain of losing 'Lost!' I think it will appeal to the very same audience.
Once I began doing stand-up, I didn't get a kick out of the applause or being the centre of attention - but I did get a kick out of the jigsaw puzzle aspect of it, searching for the right bit, adding another few pieces each night until the bigger picture appears. That's the appeal: the challenge of it.
'All Def' is unlike any other comedy show or set because 'All Def' goes back to the essence of how urban comedy started. We give it a 'stoop appeal.' A stoop appeal is important for us because it's where pretty much all black comics started doing their standup: cracking jokes on the stoop, in the hood.
I am a fan of the Coen brothers. I'm not a fanatic. I'm a big admirer. They create unique worlds, and there is a real atmosphere to their films. Not everyone can get that. That's a massive part of their appeal: you can recognise them. Like all the great directors or artists, you know it when you see it.
By itself, just to draw crazy creatures has limited appeal - if I had to give up one thing, it would be the wild imagination. When the work becomes too detached from ordinary life, it starts to fall apart. Fantasy needs to have some connection with reality, or it becomes of its own interest only, insular.
Donald Trump promises to impose, soon after his inauguration, a new requirement on federal agencies: If they want to issue a new regulation, they have to rescind two regulations that are now on the books. The idea of 'one in, two out' has rhetorical appeal, but it's going to be extremely hard to pull off.
The thing that happens is that politicians run on tough-on-crime rhetoric. You appeal to the public and say, 'Let's put more money into taller fences, tougher laws, tougher sentencing, handcuffs,' and where does that money come from? Well, immediately, it comes out of all the money needed for corrections.
Certainly there's a huge appeal to the '60s, because it was such a big turning point to everyone. It was the era of change, the boiling point. People rebelled against things - the hippies, the feminists, the protesters. All these things just built up and boiled over. I think people can relate to that today.
I remember at school one day there was a vocabulary list on the chalkboard, and the word 'nonconformist' was on there, and it said, 'Someone that doesn't appeal to society, someone who doesn't fit in.' We had this whole conversation about it, and I realized it cohered to the punk-rock world that I was into.
I grew up as a fifth-generation Jew in the American South, at the confluence of two great storytelling traditions. After graduating from Yale in the 1980s, I moved to Japan. For young adventure seekers like myself, the white-hot Japanese miracle held a similar appeal as Russia in 1920s or Paris in the 1950s.
I believe that this idea of story or myth or this thing that Joseph Campbell writes about is sort of an inter-connective spiritual force - like The Force in 'Star Wars' - where it doesn't matter where you were raised, or what your background is, there are certain elements of story that totally appeal to you.
I think network TV to a large extent has underestimated the intelligence of the American public for so many years now. It's tried to appeal to the lowest common denominator. I think the average viewer is much more intelligent than that and crave a little more complexity and are willing to pay more attention.
The majority of people are straight, and movies, with their bigger budgets and burdensome marketing costs, will try to appeal to as many people as they can. As the means of production and distribution become more democratized with advances in technology, more gay stories will make their way to the mainstream.
If I wasn't acting, I would own a farm. Not like growing crops but maybe have a few animals like cows, and maybe an alpaca or a llama. I would chop wood all day. I would make a living doing that; it's, like, an idealistic scenario for me. It's very contrary to my upbringing, but maybe that's the appeal to it.
I did try theatre out when I was little. I did roles as a child actress. My parents didn't push me into it. But I was up for it. I didn't enjoy doing eight shows a week, though. That repetitiveness didn't appeal to me. I love doing something different every day and travelling. You can't do that in the theatre.
I usually give a book 40 pages. If it doesn't grab me by then, adios. With young adult books, you can usually tell by Page 4 if it's worth the time. The author establishes the conflict early, sometimes in the first sentence. The themes of hope, family, friendship and overcoming hardship appeal to most everyone.
I do not enjoy being away from Richmond, my friends of a lifetime, and my home... I do not enjoy working 6 days a week and almost every night at a time when I had planned to be tapering off. There are compensations which appeal to any lawyer who is proud of his profession. The Supreme Court is an awesome place.
Everyone wants something that'll appeal to, like, 13-year-olds to 18-year-olds. Especially working in television and trying to pitch shows, they're like, 'We definitely want something that a 14-year-old will be, like, super-psyched about.' And I'm like, 'I don't know if my reality is appealing to a 14-year-old.'
When good things come in, my agent calls or sends me the script. But I allow them to sort through the offers so that I am not just sitting and reading everything because honestly, sometimes the scripts that appeal to me are projects that are not good projects, but I just really like the script or the characters.
The Christian kids' movies are fun because so many of them are made with low production value, but they're still trying to appeal to a broad audience like a Sesame Street or something. It's always fascinating to see how hidden or obvious they want to make their message. Also, the acting in them can be pretty fun.
I have always marveled that so many religions exact such revenge against dissenters. It only weakens the appeal of their faith and contradicts any claims they might have made that 'all religions are basically the same.' If all religions were indeed the same, why not let someone be 'converted' to another religion?
The word 'success' - who's defining it? It's about whether or not it makes me feel good. Four billion people don't have to see or hear it. If I've enjoyed the process of creation and I'm at peace, then what happens next is just entertainment. If mass appeal were actually something, Marilyn Monroe wouldn't be dead.
I went to film school so I have a writing and directing background, and I think a lot of the material I'm interested in writing and getting out there is stories about anti-heroes and people you should just not ordinarily root for - trying to figure out a way of appealing to people they wouldn't normally appeal to.
That was very difficult for me on 'American Idol' to feel like I had to be a certain way. It wasn't that the producers were saying that you shouldn't be gay or whatever, but there was this unspoken energy around saying you have to appeal to Middle America, and Middle America at that point was not ready for all that.
When you make timeless music - and I like to think that's what I'm doing - the fun part is picking the songs. You can clip and flop and mix and match, and when the record is timeless and it feels good, you know it's going to have the same appeal whether you put it out now or 10 years from now. That's what I'm about.
The American movie, in part because America's a melting pot, the cultural hodgepodge that America makes, generates movies that have appeal across all international boundaries. And that's really not true for most domestic film industries. It's no longer true of France and Italy, less true than it used to be of the U.K.
The design process usually starts as a fantasy, with ideas that I dream of and visualize. These ideas become a reality by bringing various ingredients together, from the lifestyle of my bride, her age and sex appeal, to the textures of the finest fabrics and embroideries that we produce in my family factories in India.
I was thinking recently about the popularity of TV shows about people shopping for houses. I wonder if part of their appeal is the chance to vicariously imagine our lives playing out in a variety of spaces. We have a sense that the shape and style of our dwellings affects the shapes of the lives that unfold within them.
Directing doesn't appeal to me. I'm much more in the world of ideas. My husband is a director, and I understand what it takes to direct. It's a skill set where you have to be able to talk to actors and understand them, and I don't. It's a very different way of being in the world, and I much prefer writing and producing.
Well, in our industry it's that the movies cost so much money to make they have to appeal to a broad audience. And I think that's part of what will loosen up in the future, as technology makes it cheaper, you'll be able to make films for a more selective audience. I think people will be able to make more personal movies.
I refuse to do shows that are narrowly constructed, that appeal to only one sentiment. I do a lot of Jewish material in front of non-Jews and a lot of non-Jewish material in front of Jews on the simple theory that the non-Jews are entitled to a glimpse of a Jewish world and the Jews are entitled to a glimpse of the world.
A lot of improvisers mistakenly assume stand-up is awful, because there are a lot of stand-ups in the world that did not appeal to me. It was so easy to make a blanket statement when I was improvising only: 'Stand-up's terrible.' It's so ignorant and stupid to do that. But it's easy to do that. So that's where I came from.
But again, you know, the views that we've expressed are transferring power back from the federal government to the states, giving Alaska an incredible opportunity to expand its economy, especially at a time when our federal government is coming close to bankruptcy. So that is a broad-based appeal. It's not an extreme view.
The more money you spend, the more you need to make back, and the more pressure there is to appeal to everyone - which to the studio means that the specificity and uniqueness must be watered down. But I think mass audiences like things that are more specific and tend to have a voice, like 'Napoleon Dynamite' or 'Superbad.'
At the time we started working on 'World of WarCraft,' I think there was a limiting belief in the games industry and maybe outside the games industry, that MMOs would only appeal to the most hard-core of hard-core players, and therefore you didn't really need to do anything to make the game accessible to the wider audience.
Being told about the effects of climate change is an appeal to our reason and to our desire to bring about change. But to see that Africans are the hardest hit by climate change, even though they generate almost no greenhouse gas, is a glaring injustice, which also triggers anger and outrage over those who seek to ignore it.
On 'Sufferer,' I'm talking about the younger generation that has no other option for success than to find a gun somewhere. I try to appeal to them: 'I know you a sufferer, but it doesn't mean that you can't or shouldn't expect any better.' It's a lot different than from what I usually say, like, 'Get busy, shake that thing.'
It is true that traditional Christianity is losing some of its appeal among Americans, but that is a religious, not political, matter. It is worth remembering that the Jeffersonian 'wall of separation' between church and state has always been intended to protect the church from the state as much as the state from the church.
I think British men build up the idea of us French girls having some magic extra sex appeal so much, they lose their heads. I can't really understand the whole thing - but it makes me laugh. It's such a cliche to think all French girls are well dressed, elegant, sophisticated and sexy. Some are utter slobs, I promise you that.
We're living in a time when the most famous people in the world have no specific skill set and are known for living their lives in front of the world. How strange is that? The appeal makes sense to me - it's like 'The Truman Show,' getting a chance to peak into someone's bedroom or see the way someone fights with their husband.
Throughout the movies' golden age, the Western enriched Hollywood financially and artistically. But in the 1970s, the genre lost its audience appeal to fantasy films of the 'Star Wars' stripe, which told more or less the same story - elemental animosities leading to an armed showdown - but at a faster tempo, and in outer space.
I was a Fine Art major. You do a bit of everything until the final year, when you specialise. I did pencil drawing and sculpture. It's a pretty well-rounded fine art education. I thought that it was viable option to make a living out of art. I'm not sure if I was thinking realistically; maybe I never was. But it had great appeal.
When I did 'Ugly Betty' it was very similar to working on 'Mad Men' - great group of people in their own little world. But I don't really see a lot of difference. Of course, on the cable shows, you can tackle subjects and be more specific, because networks have to appeal to the masses, but that's constantly changing and evolving.
I remember how as I kid I would love stories of every kind - whether they were narrated in school or what I read in books. Storytelling would always appeal to me, I would take part in poetry reciting, dramatics, choreography and debates. There was this fascination for performance, which finally culminated in a professional sphere.
I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
Every trial lawyer knows what it is like to sit patiently while the other side puts on its case. Inevitably they make a few points that appeal to the jury, and waiting for the opportunity to respond can be painful. The desire to jump up immediately - to point out the flaws in logic or the factual distortions - is often overpowering.