Anymore Quotes - Page 20

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There's nothing that can shock me anymore, but at this point, Trump's made it very clear how his temperament is, how his personality is, what his level of intellectual depth is when it comes to policy, and he's made it abundantly clear that he's utterly unqualified to be president - no matter what your political views are.

It's funny: when people always talk about the importance of role models, I used to think that was so exaggerated, but as I get older, I start to realize I don't feel that way so much anymore. If you see somebody like you who's doing something, an older version of what you are, it does make you feel like it's more possible.

It's a funny thing when you think you're dead. You're not terrified of it anymore. There's a sort of a epiphany to religious thing; it's not sort of church-based, but you end up with a serenity which you didn't have before, and I just simply enjoy it. It really does sound stupid, but I've got to tell you it's made my life.

I personally see myself as a musician in the first place. You know, I don't want to say I will be a producer and DJ for the rest of my life. I can totally see myself being in another band in five years, if that's what my heart and soul wants to do, if that's what will make me happy. I'm totally happy to just not DJ anymore.

Nobody uses skits at all anymore, so it seems like I use a lot. That's how I grew up on tapes. Biggie tapes, Biggie albums would have skits. The Lox would have skits. Mase would have skits. All the dudes I grew up on in Nineties rap would have skits on their projects, just to make you feel like you were right there with them.

Initially, I think I was eager to get off Staten Island and go away for school, that kind of thing. Then what you do maybe 10 years after that, you start maybe appreciating all the great things about the place you grew up. You can go back and enjoy it because you don't have that angst or sense of struggle to get away anymore.

We do not focus test our games and never had. People ask why we don't, and I say, 'I have so many opinions in this studio, I don't need anymore!' We really debate everything - and it's a good debate. That's why the games turn out well: it's not me - it's not this guy - it's the collective. Together, we figure out what we want.

I think that, in the beginning, you think, 'I want to be the biggest movie star in the world.' And then, with the more movies you make, you are like, 'I don't know if I want to be that anymore. I think what I am looking for is something different.' I like acting, but a lot of times, stardom comes with a lot of strings attached.

I used to play a lot of electric guitar. I don't really consider myself a guitar player anymore. Then I got really into how the pickups work. And winding and de-winding Telecaster pickups. And then building Telecasters. And I became more fascinated with making them than I was with actually playing them. So it's a slippery slope.

One day, walking through the Bronx streets, I just realized that people were stopping me, taking pictures, and noticing me from across the street. I can't even use public transportation anymore, so I kind of stopped going places and started going straight to the studio, going home, and telling people I can't go anywhere anymore.

The fine line between roaring with laughter and crying because it's a disaster is a very, very fine line. You see a chap slip on a banana skin in the street and you roar with laughter when he falls slap on his backside. If in doing so you suddenly see he's broken a leg, you very quickly stop laughing and it's not a joke anymore.

I did not have a happy family life a few years ago. I was divorced, and I was very alienated from my daughter, and I was out there cutting every ribbon and running around New York hosting events for different causes to supplant my loss because I didn't have a family to go home to. Now I don't want to be Mr. Show Business anymore.

I'm not going to tell you the movies, but I remember getting halfway through the thing and everything sort of tunnel-visioned on me and I couldn't read the script anymore. I looked at the people and I just turned and ran out in a cold sweat. It took me about a year to study it and feel comfortable going in and reading for people.

I certainly never pictured myself even attending the Academy Awards, much less winning at 56. I very, very happily settled into a theater career. I did more than that, but I let all of my agents and people go. I said, 'I don't want to be promoted in film anymore. I have enough to do in the theater, so I'm just going to carry on.'

I really enjoy being with the people I play with. I enjoy their company. I love the crew, the band - we just move through the country like an army. I always feel very grateful to be up there. There aren't any bad nights anymore unless I'm singing bad, but then the band will carry me. And if they're playing bad, I will carry them..

I love the idea of a tiny window between the back stoop and the pantry, where the milkman would pass through the cheese. But of course, there is no milkman anymore. So somebody coming by the house and seeing the window would say, 'Oh, that must be original, because that's where the milkman passed the cheese through to the pantry.'

My focus had always been the on-side. My coach wanted me to work on the offside strokes since he was convinced of my ability and timing on the leg side. I worked hard and firmed up my defensive technique. I am happy getting runs all around the wicket now, and getting a lot of boundaries. No one calls me a 'leggie batsman' anymore.

When I turned 12 or 13 years old, even as a dad, you can't make a kid play anymore, but up until that point, he pushed me to keep playing, and when I turned 13, I didn't want to do anything else. He was just there with me at the cage every day because I wanted him to go with me and throw to me and work on what I needed to work on.

The Bible is filled with stories about angels, but many of us have had our view of angels confused by popular misconceptions about them, the principal of which is that angels do not actually exist anymore than fairies do, or wood nymphs or water sprites. But they do exist, and the Bible attests to their existence innumerable times.

For me, 'I Am Woman' is all about transition. I turned 21 in December, so I'm not completely grown up yet but I'm not a little girl anymore. Just in that in-between stage. The song is everything I have ever heard a woman say. I loved this song for me and every young lady, girl and woman to be able to feel empowered in being female.

It's always better to shock people and change people's expectations than to give them exactly what they think you can do. It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world. Not that I'm great or good at it or anything, it's just that I've done a bunch of them, so you're not shocked.

I had a general burnout: I got extremely tired; I couldn't do anything anymore. I canceled tours; I cancelled everything in my life. For a year and a half, I was completely sick; I couldn't do anything. So yeah, I wanted to write about it in my lyrics. 'Anatomy Of A Nervous Breakdown' is really about that, the inspiration behind it.

Most Israelis have a sense, 'We just don't want to live in the Middle East anymore. We don't want it to be the Middle East. Were going to just build a wall or operate unilaterally' - not try to even use force as used to be the case to convince Arabs to accept Israel by convincing them that Israel is here to stay and then negotiating.

I tap danced for ten years before I began to understand people don't make musicals anymore. All I wanted to do was be at MGM working for Arthur Freed or Gene Kelly or Vincent Minelli. Historical and geographical constraints made this impossible. Slowly but surely the pen became mightier than the double pick-up time step with shuffle.

You play with the audience, and they play back with you. They get into it, and then everybody gets into it. I don't want to be like a monkey on stage and just go through the motions because then it wouldn't be fun anymore. I just pay attention to the audience and appreciate the fact that somebody wants to see us. That gets me psyched.

When it comes to working from home, when it comes to video conferencing, it's got to work. Anytime you want to meet someone, the quality has got to be good, very reliable. Otherwise, you've scheduled a very important meeting with a customer - oh my God, if the audio is choppy, the video doesn't work, you're not going to try it anymore.

There is no difference between the way we see basketball; the way we execute is a little bit different. The way he uses his right shoulder, drop-step to his left hand, is a thing of beauty. There is no doubt in my mind that Pau will be a Hall of Famer because of what he brought to the game, and there's no such players like him anymore.

I don't drink much anymore, but when I traveled with Frank Sinatra, God rest his soul, I used to drink like I could do it. He made it a test. In Vegas, the Rat Pack, which I was a little part of, drank all night and slept most of the day. Then, about 5 o'clock, we'd meet in the hotel steam room, lock the door, and steam our brains out.

I wanna be in a movie, I wanna have a clothing line, I wanna put myself in a position where, when I'm dead and gone, or I can't rap anymore, that's still moving. Tupac and Biggie, they've been dead 10-plus years and people talk about them everyday. I'm gonna try to speak everything into existence. I know the music is my key to get there.

Cancer is too real, and too awful, and I can't make it good or magical. I couldn't even read a book where a character had cancer, for a while... But now I've reached a point where I don't think about cancer nonstop anymore, and sometimes I worry about that - I'm going to forget what I went through; I'm going to forget how horrible it was.

My mum died of leukemia when I was in high school - she lost her life at 40. It was very hard, and I didn't do that much in Chicago after that. I actually sat around and didn't do anything for three years. I didn't know what I wanted to do anymore because my everything was gone. I was a mama's boy, and I had to turn into a man real quick.

You're sort of programmed a certain way because of your environment. That's all you know. But we don't have that anymore because of the internet. Because of the internet we're all communicating with each other all across the board, so you're getting information from people all around the world, hitting a much more diverse slice of culture.

I wanted to start something in New York that focused on making products locally and, because I'd just had my second child, didn't want to be traveling halfway across the world anymore. Originally, I wanted to open up a gallery space and sell things like cushions or blankets that didn't have a season, and have friends or artists contribute.

People don't know about the human part of me that really cares about the world. For instance, I don't know what I feel about wearing my furs anymore. I worked so hard to have a fur coat, and I don't want to wear it anymore because I'm so wrapped up in the animals. I have real deep thoughts about it because I care about the world and nature.

Because America doesn't have a strong textile industry anymore, we have to bring things like fabrics, zippers, and color tape into the U.S., and having so many elements involved in production adds to the amount of waste. You might have some things coming from Italy, a button coming from China, or lining coming from Korea; it's just endless.

I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.

Something happened to the State of Israel. What was morally obvious in 1948 is not so obvious anymore. When the State of Israel was established, it was, for the parents and grandparents of these young Jews, a miracle. It was David and Goliath. We were the just cause. It was about values. We were small, but we were the good guys in the world!

I contend that there really are no more con men. There's no need for con men anymore. There's no need for the very sophisticated, suave guy, the well-dressed guy. Today, you steal with the computer from thousands of miles away - from China, from Libya, from Hong Kong. Your victim's never going to see you, so there's no need to be any of that.

I drank for about 25 years getting over the loss of my father and I took the anger out on myself. I did a good job at beating myself up at sometimes. I don't drink anymore but my alcoholic head occasionally says different. 'Nil By Mouth' was a love letter to my father because I needed to resolve some issues in order to be able to forgive him.

I've calmed down. Looking back, I was engaged more in dramas than I was in relationships. I've spent a lot of my life being in it for the plot, and I don't do that anymore. I'm satisfied. I'm not competing with myself. I accomplished things I wanted to do, so everything I do now is because I want to, not because I'm trying to prove something.

I reached rock bottom halfway through college. And it was - because of all the pressure that I think we're talking about right now - the pressure to learn how to budget, the pressure to really abandon everything that you ever learned. You don't have a comfort zone anymore. You don't have your neighborhood. You don't have your family with you.

I think the real problem is that nobody buys albums anymore, so you don't get the depth of the artists that are out today. What you get is whatever they felt is politically correct to get on there and actually make some impact. I think that's where you're losing your depth. You're only getting the very top of everything. It really bothers me.

Because I was independent for such a long time, and I was always just feeding my fans - every month, I'd be giving them something new. So I had to adjust to the process of making a record. And after signing with a label, there are just certain things you can't do anymore. It was frustrating at first, but as the months went by, I got used to it.

The reason that we're seeing so many people flee the Left - I like to call them liberal refugees, like myself - is because they do not allow you to think freely. If you agree with them 95 percent and disagree on 5 percent, you are essentially excommunicated. You're not allowed to be a liberal anymore. You're not allowed to be a Democrat anymore.

People who are ambitious - politicians who crave power - think that they're in control of it, but at some point, the movement that they started overtakes them, and they lose the ability to direct things anymore, and they become essentially riders on a wild stallion, and wherever the movement goes, wherever power takes them, they have to go along.

That's the great irony of allowing passionate people to work from home. A manager's natural instinct is to worry that her workers aren't getting enough work done. But the real threat is that they will wind up working too hard. And because the manager isn't sitting across from her worker anymore, she can't look in the person's eyes and see burnout.

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