Quotes of All Topics . Occasions . Authors
Before I had kids I'd go out on the road for months and months at a time, but now I don't think I'd want to do that anymore, because I'd miss too much time at home, so it's just a matter of monitoring how much work that I do and how much time I'm on the road.
The fear that you come to a show called 'American Horror Story' with is yours. That being said, I'm glad people are afraid, and I hope that I'm contributing to their fear. I'm really not afraid of my own darkness anymore. I'm not afraid of what I'm capable of.
My biggest concern is that America is drifting towards mediocrity and that people don't recognize - and by people I'm meaning Washington - don't recognize the sense of urgency and the fact that I don't think this is a crisis anymore. I think it's an emergency.
We associate the North Atlantic with cod. The motto of Newfoundland used to be 'In cod we trust.' It was a joke, but it was essentially true. But there is no cod anymore. And that's extraordinary. It's all because of either greed or politics - Canadian politics.
There's a real purity in New Zealand that doesn't exist in the states. It's actually not an easy thing to find in our world anymore. It's a unique place because it is so far away from the rest of the world. There is a sense of isolation and also being protected.
The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them, like the premieres and the screenings.
Because of the Turing completeness theory, everything one Turing-complete language can do can theoretically be done by another Turing-complete language, but at a different cost. You can do everything in assembler, but no one wants to program in assembler anymore.
It's very difficult to understand, but I'm looking for a nonnarrative, multiscreen, present-tense cinema. Narrative is an artifact created by us. It does not exist at all in nature; it is a construct made by us, and I wonder whether we need the narrative anymore.
I've had fun doing romantic comedies, but I just can't anymore. There's nothing fulfilling creatively, there's nowhere to grow, nothing to learn from it or for yourself. I'd rather just be home with my family or write music until that special project comes my way.
I feel like I've done Pete Hornberger, and that is a painting I have signed, and I don't need to play that character anymore. So I'll get offers for panicky, pathetic guys, and while it's a great compliment to get them, I feel like I don't need to play that again.
There's always those few people that are like, 'Why don't you play any of the material off your first two records?' And I'm like, 'For the same reason that I don't play with G.I. Joe dolls anymore.' It's like, 'I'm a grown-up.' I wrote that music when I was a kid.
I believe that you control your destiny, that you can be what you want to be. You can also stop and say, 'No, I won't do it, I won't behave his way anymore. I'm lonely and I need people around me, maybe I have to change my methods of behaving,' and then you do it.
The thing with playing live is, most of the audience is in their 20s and 30s. If you're older than that, you don't tend to go out to shows anymore. So it's good if you can attract a younger audience because they've got the energy to get up off the sofa and go out.
I was in 'Seussical,' and I was in a cage onstage in a purple yarn suit singing backup, and I was like: 'I've had it. I can't do this anymore.' I will say for the record that I did love the show, but I was like: 'I want to do something else. I need a little more.'
I don't understand why it's not okay to be plus-size. I don't know why people hate that phrase. Many models have built their careers as plus-size women and then suddenly don't want to be called that anymore. But you're still cashing checks from plus-size designers.
You know, at the end of the day, the only thing you have is trust and honor in this world. That's all you have. All you have is your reputation built on trust and your personal honor. When you don't have that anymore, well, you know, there you go. Trust was broken.
I think there's a danger that we're moving towards a state where the people we are expected to admire are almost not human anymore, and I don't like that. I prefer it when someone looks like a nice person, and you think, 'I could have a laugh with them in the pub.'
My school friends are really understanding and still want to hang out with me. Ever since I was in sixth grade, I was at the gym every day to work out while my friends were getting their nails done or going to the mall. I used to feel left out, but I don't anymore.
I just can't stand the fact that they're going out on their own - I love having my kids around, and I'm angry at them for going out and becoming independent. I want to tuck them in and drive them to school in the morning, but they just won't let me do that anymore.
Well, I just can't play the game anymore. I'm 63 years old, and I've been in the business for 40 years now. I take good advice and direction really well, but I don't need somebody that finished college two years ago to come in and tell me what I should be recording.
I used to just go up to strangers and tell them really elaborate stories about who I was and where I was from and try to spice my story, which I didn't think was very exciting at all. That gave me a sense of life, a sense of excitement - but I don't do that anymore.
The little things I used to take for granted before I don't take for granted anymore. This whole situation has evolved me into a better person. Mentally, I'm much stronger, I'm more loving. I'm a man now. Cancer has played a huge role into making me into this person.
I've spent a lifetime trying not to offend people - that's one thing that Mormons are really good at is smiling and shaking your hand and doing everything they can to not offend you. And I have gotten to this point in life where I don't want to live that way anymore.
It's just madness. First email. Then instant message. Then MySpace. Then Facebook. Then LinkedIn. Then Twitter. It's not enough anymore to 'Just do it.' Now we have to tell everyone we are doing it, when we are doing it, where we are doing it and why we are doing it.
After we released 'Drakengard 3', I think everyone was well sick of all the games I made by then, and I really didn't really want to work anymore. I was thinking I'd probably just go and hide in the mountains and live out the rest of my life as a hermit or something.
I'm pretty happy not to be an insider anymore. There's just no common ground. I don't know if it's distrust or that the politics is substantially more partisan than the public. But there's no pressure to make a grand bargain on fiscal matters, on growth, on anything.
I know that when a fighter is out of the ring for more than two years, when he comes back he isn't the same anymore. Each fighter is different. But each must think, even if something goes wrong, 'I have to make this decision and live with it for the rest of my life.'
All these fifty-year-old guys wearing baseball caps and shorts and acting like children. It winds me up. Men don't have to take responsibility anymore. Most of the guys I know would punch me on the nose for saying this, but maybe we do have to bring back conscription.
This is the conundrum of the present regimes in the Arab world. They still want to control youth; they want to be in control as they did in the 1950s and '60s. But that doesn't work anymore. Now with just a Wi-Fi link, you can understand what's happening in the world.
One of my lungs is half gone, and the other half, because I smoked for years, has a lesion. So I can't swim anymore and had the swimming pool covered over. Now it's what I call the dance pavilion, and so I and my friends sit out and put music on and watch people dance.
'Alexander, Who's Trying His Best to Be the Best Boy Ever' was inspired by a combination of my grandson, my son, and myself - all those times when each of us has decided that we're just not going to get into trouble anymore. But it's so hard to be good all of the time!
Prejudice of any kind implies that you are identified with the thinking mind. It means you don't see the other human being anymore, but only your own concept of that human being. To reduce the aliveness of another human being to a concept is already a form of violence.
The Men at Work thing is always there, it's always going to be there. It's not something I consciously think that much about anymore. The thing that stays with you is the songs, which is a good thing for me, because the songs are the things that stand the test of time.
I trained for the drums for about two weeks, and then rocking out in front of an entire crowd was sort of like a dream come true. And now, Guitar Hero, I can't do that anymore. It's nothing like doing it on stage. I kinda wish I had a fake band, and we could go on tour.
There's no more film. Film is gone. We photograph digitally and electronically. We don't really use film the same way anymore - it's disappearing little by little. Things change. We have to change with them. There's no point in liking or not liking it. It is what it is.
It's a wonderful side effect of what we're doing, to give someone the strength to come out of the closet to their family, or simply present themselves aesthetically in a way they feel happy with, whether or not their friends are going to be allowed to like them anymore.
I gave up my struggle with perfection a long time ago. That is a concept I don't find very interesting anymore. Everyone just wants to look good in the photographs. I think that is where some of the pressure comes from. Be happy. Be yourself, the day is about a lot more.
I kind of got more interested in writing after I turned in my last college essay and nobody was going to tell me what kind of academic papers to write anymore. I could write whatever I wanted, and I realized that I actually liked it when I could choose what I would write.
Before we really started writing our own songs in the James Gang, we'd play covers, and then, in the middle of them, we'd go for a jam for four or five minutes. At some point, we had six or seven of those sections, and we didn't need to cover other people's songs anymore.
I don't look at certain things on TV anymore. I don't listen to certain music anymore. I make sure my kids don't listen to it. It's funny because back in the days I could look at comedy shows and all kind of stuff and you didn't even realize how much cursing it had in it.
Every day is different when I'm home, but mainly I just surf. There's no nightlife or shopping, so it's pretty mellow but really nice to come back to after a trip or an event. If you're traveling, you're all stressed out, then you get to Kauai, and nothing matters anymore.
I do this thing at every party: I go to a party, I stand around for, like, 45 minutes, and then I turn to my wife and say, 'I think we should go home.' And then we leave, and then I wake up the next morning and say to my wife, 'We don't go out anymore.' It's a great trick.
The juvenile sea squirt wanders through the sea searching for a suitable rock or hunk of coral to cling to and make its home for life. For this task, it has a rudimentary nervous system. When it finds its spot and takes root, it doesn't need its brain anymore so it eats it!
Grime, in particular, is not really about pirate radio and local raves on top of pubs anymore. There are things I miss about those times but as an up-and-coming MC, back then, I would have loved to have had SoundCloud and YouTube and all these platforms to promote my music.
In Hollywood, they think drawn animation doesn't work anymore, computers are the way. They forget that the reason computers are the way is that Pixar makes good movies. So everybody tries to copy Pixar. They're relying too much on the technology and not enough on the artists.
I had a really traumatizing experience growing up. When I was, like, 10 or 11, I was vegan. I'm not anymore, but I was, and I went to this hot dog place because I heard they had a veggie dog. I took a bite, and literally - I kid you not - it was a carrot in a bun. Horrifying.
I love getting the pontoon boat out, and I don't get to do it as much anymore. If I know in two weeks or a month from now I've got three days off, I can start planning for that stuff, getting out there with friends and family and relaxing, just floating around and hanging out.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
I've met so many remarkable people so far, coming up through stand-up all these years, who just aren't alive anymore. Because they are dead. Some really great people who helped change my life and career, people like Richard Pryor, Sam Kinison, Rodney Dangerfield, Johnny Carson.
There's nothing wrong with the screaming style of singing, and I'll be the first to admit that it conveys an emotion. But I'm getting older, and I can't scream and shout about the same things anymore. The songs I'm writing with Stone Sour call for a lighter, different approach.