Quotes of All Topics . Occasions . Authors
A handful of sand is an anthology of the universe.
An anthology of quotations is a museum of utterances.
I had the idea to do an anthology about instrument-making.
I like the anthology concept. I wish more shows would do it.
I believe in anthologies, although I know they offer only a glimpse.
The Psalms, the anthology of the hymns of Israel, are still used by Christians.
I think in my mum's house, I still have my revision notes from my GCSE anthology book!
The anthology format is completely normal to me. That's just how TV works in my experience.
Anthology shows as a whole scare people. The networks can't quite get their heads around it.
You apply the skills you use to produce your own book to make an anthology. Shaping. Rhythm.
I am also working on a couple of short stories for anthologies. This is new to me and Im enjoying it.
I've never heard of that anthology [Vance Randolph, Pissing in the Snow], but you can be sure I'll buy it now.
Many years, I would publish four books - an anthology, a book of criticism, a new book of poems, a book of essays.
'Flip' is an anthology of four short films, and I am in the one called 'Massage,' along with Sandeepa Dhar and Viraj Patel.
A well chosen anthology is a complete dispensary of medicine for the more common mental disorders, and may be used as much for prevention as cure.
Now, to read poetry at all is to have an ideal anthology of one's own, and in that possession to be incapable of content with the anthologies of all the world besides.
David Burnett was the son of Martha Foley, who edited the Best American Short Stories series. She hired me to work with David and her to read stories for the anthology.
The great thing about an anthology is that each year is its own 10-hour movie, and the only requirement is that it's the best 10-hour movie that I can make out of the story.
I grew up in New York City. In elementary school, I was a charter member of the Scribble Scrabble Club, and in high school, my poems were published in an anthology of student poetry.
In late 2001, I contributed a short story called 'Castaways' to an anthology called 'In Laymon's Terms,' which was a tribute to Richard Laymon, who had passed away earlier that year.
I would love to do an anthology show based on the character of Jesse B. Semple that Langston Hughes wrote about. He's sort of a Forrest Gump character in the midst of 20th century Harlem.
We don't attempt to have any theme for a number of the anthology, or to have any particular sequence. We just put in things that we like, and then we try to alternate the prose and the poetry.
I had been writing poems and stories since I learned to make letters. I had placed poems in a hardcover anthology at the age of 6. And I knew more big words than anyone else in the 10th grade.
Not everything that can be extracted appears in anthologies of quotations, in commonplace books, or on the back of Celestial Seasonings boxes. Only certain sorts of extracts become quotations.
And at some point I would like to talk my publisher into doing an anthology of my poetry alongside some teen readers' poetry. It would be fun, and really wonderful to get their stuff out there.
I have got an anthology album out. The American version has got the same mixes but the European version, I remixed them in the studio and added a couple of things that I have always wanted to add.
There have been a lot of horror anthologies as of late; movies like V/H/S and The ABCs of Death have brought the anthology back in style. We sort of felt like, "Why don't we do one and do our own thing?"
Most television shows are going to require an actor sign up from four to six years, but an anthology show really amounts to five or six months at the most. I thought serious actors might be attracted to that.
It got to the point where most of my time went toward writing novels. I would still occasionally write short stories, but only when I was commissioned by an editor to write for a themed anthology or special issue.
The animal encounter poem is now so distinct a genre that it would be possible to create a full-length anthology from deer encounter poems alone, and many varieties of experience would emerge from such an exercise.
When I was about 14, in about 1984, I decided to become a great poet. Faber & Faber was going to publish me, and when Ted Hughes read my first anthology he would invite me to Yorkshire for meat pies and mentorship.
When I first quit my day job, I was terrified. I called my editors and said I'm trying to make a go of this, and they threw every contract at me they could. And for two years, I had a book or an anthology out every month.
I'll tell you what I miss most. What I would love to do, more than anything, is just anthologies. With an anthology you can tell any story and be in every division of television. We don't have any anthologies anymore, do we?
For me, it's been a treat to interact with authors who were publishing when I was a young reader. Judy Blume once gave me a pep talk at a writing conference. I had a short story featured in the same anthology as Beverly Cleary. Magic.
One of the things I am most excited about personally is a five-issue anthology I put together, 'Legends of Red Sonja,' which is full of wonderful little short stories written exclusively by my favorite female writers of comics, prose, and gaming.
In 1935, Faber & Faber published an anthology entitled 'My Best Western Story' in which the genre's leading practitioners contributed what they considered their finest. Alas, literature the stories ain't; they appear more like fossils from a spent mine.
My first encounter with James was when I was seventeen. My brother brought home from the public library a science fiction anthology, which included 'The Beast in the Jungle.' It swept me away. I had a strange, somewhat uncanny feeling that it was the story of my life.
I think the takeaway is 'The Guest Book' is incredibly unexpected in every way. I know, when I was reading the script, I was surprised with every page turn. It's kind of an anthology, and it really pushed the envelope. It's a risk-taking show, and it's just a lot of fun.
As a kid, I lived almost entirely inside books, and eventually the books started returning the favor. A lot of my internal world feels like an anthology, or a library. It's eclectic and disorganized, but I can browse in it, and that hugely shapes both what and how I write.
In 2009, I edited, under the aegis of the Library of America, an anthology called 'Becoming Americans: Immigrants Tell Their Stories from Jamestown to Today.' It featured immigrants from different backgrounds, from black slaves like Phillis Wheatley to Yiddish-language speakers like Henry Roth.
Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment - we're living inside commercials.
I was in juvenile detention center, and I was in Rikers Island. And there was an anthology written by the inmates called 'The Pen,' and I - you know, I had a crush on a girl, and she left me when I was incarcerated. And I found this poem in this anthology that talked about having your heart broken and being incarcerated.