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I believe it's not 100 percent right to kneel during the national anthem, because you have to respect what many have done for this nation. I think kneeling prior to the anthem, like the Dallas Cowboys have done, is right.
When I'm dead, somebody can write my biography. I wrote a national hymn, an anthem, which I don't want to present to that country. But I have a deal with my wife - when I'm dead, she should offer it, because then I'm safe.
That first game was so hyped up, and it was obviously my first experience of a crowd in a World Cup. When I first walked out and heard the national anthem, it was just an unreal experience. I didn't expect a crowd like that.
My heart's in stage. Making 'Quadrophenia' was exciting because we were riding around on scooters with no crash helmets. But 'hurry up and wait' is the anthem of films. Everybody wants you ready, and then you sit doing nothing.
Every band wants to be have a song that is that big, that will pretty much live on forever. I don't know too many new bands that will have a 'Free Bird' that will be around 30 years later. It's become a national anthem of sorts.
What I worry about is, if you are on the side of feeling it's disrespectful to kneel during the anthem, that somehow you're racist, or somehow you're not in favor of bettering this country and finding equality and common ground.
I remember seeing the Olympics when I was 13. I always wanted to know how it felt to stand on top of the podium hearing your country's anthem while watching your flag being raised in something you poured your heart and soul into.
Leaving Impact was a very difficult decision, as I had six months left on a very lucrative and talent-friendly contract. Anthem lived up to that contract and always treated me with the utmost respect as a businessman and a person.
I argued for years to have the Canadian anthem played at the US Open Racquetball Championship and on the 11th year, I got it. I teared up a bit when I heard the anthem. It was a highlight of my career, better than some of my wins.
When I heard the royal family wanted to have me perform in celebration of Prince William's marriage, I knew I had to give them a little something. 'Wet' is the perfect anthem for Prince William or any playa to get the club smokin'.
I had so much backlash because, before in NXT, I used to come out with the Bulgarian national anthem. And people were like, 'Oh, why are you embarrassing the anthem?' How am I embarrassing the anthem? I'm from the freaking country.
We've been doing work outside of the anthem since the beginning. Before the anthem even started, players were involved in these types of social justice issues. The anthem protests or demonstrations just brought eyes and attention to it.
When I did the national anthem, I did a soulful, kind of gospel-y version, but it was controversial with the war veterans, just the people who wanted to hear it the old, clinical, atmospheric way, and I didn't want to sing it like that.
I know these are going to sound like school reading-list suggestions, but if you like dystopian fiction, you should check out some of the originals: 'Anthem,' by Ayn Rand; '1984,' by George Orwell; or 'Brave New World,' by Aldous Huxley.
The Olympic Gold medal in 1968 was definitely the highest moment of my career. It was a dream come true. I was a 19-year-old boy, and it was just amazing to be standing on top of the podium and hearing the National Anthem in the background.
I've heard a lot of people say you need white athletes to get involved in the anthem protests. I've said before I'll never kneel for an anthem, because the flag means something different for everybody in this country, but I support my peers.
'The Star-Spangled Banner' should've never been made into our national anthem. That President Woodrow Wilson, widely thought to be one of the most bigoted presidents ever elected, chose it as our national anthem, is painfully telling as well.
Kneeling for the anthem does nothing to advance solutions to racial injustice, police brutality, or any other social plight. It is a slap in the face to patriotism itself. It is a statement that America as a country is no longer worth standing for.
I savored my time on top of the podium by watching the American flag rise up out of the crowd as the anthem played, thinking about how every single second of training I've done was for this minute and how many people played a role in my achievement.
There's a time in everyone's career where you go, 'Ah, this is hard - how long am I going to have to do this?' But the rewards are so great. Who gets to go on the podium and hear the national anthem? The whole nation singing! Money can't buy you that.
'Spectrum' is in part a disco song. But we play it hard, and it's a real euphoric, wailing tune. It's kind of like a total house anthem, in a way, but it seems to be going down really well. We've got all the grunge kids going mad for disco house raves.
I went to see England against Switzerland at Wembley with my dad and brother, too. That was in 2008, Fabio Capello's first game in charge. Jermaine Jenas scored, and we won 2-1. I remember the national anthem was incredible. I sang it with pride - always do.
Each goal, each win, going to different buildings, the rivalries, the excitement - it is something. I try to catch myself, you know, in the warm-ups, when you're on the line and the anthem and you get to some milestones and stuff. It's such a neat experience.
One thing that bothers me is the way that people use veterans and troops almost as a shield. They say that's the reason they stand and that veterans deserve to be honored and respected during the anthem. But where is that outrage in taking better care of veterans?
When I did the anthem, I did it with the understanding in my heart and mind that I did it because I'm a patriot. I was trying to be a grateful patriot. I was expressing my feelings for America when I did the anthem my way instead of just singing it with an orchestra.
I've been to New Zealand before, many times. And of course it has a significance to me because I do have something that's very special in New Zealand. I have '10 Guitars,' which is a very popular song, and I understand it's like the second national anthem over there.
For 'The Anthem,' a lot of my fans were like 'Oh, man, he's getting lazy making just, like, a pop format tune that everyone's doing these days.' But on this album, I wanted to write songs with vocals that would get stuck in my head, not just movements of instrumentals.
For centuries in this country, black people were seen as three-fifths of a person. So when you hear the national anthem or you see an American flag as an African American person who has experienced the effects of that dehumanizing existence, it's not going to mean the same.
As I've gotten older, I've realized the element that sounds like The Gaslight Anthem that's mine is always going to be me. The other three-fourths of it is going to be the other guys. I can't stop doing what I do naturally, whether I'm in The Gaslight Anthem or my own thing.
I never went to war, but I served alongside some real heroes and grew deeply loyal to the service of those who fought and died. To me, as you might guess, the United States flag and National Anthem represent solemn reverence to combat veterans, the fallen and their families.
Saying Kaepernick is a distraction is based largely on opinion. You could say his decision to kneel for the national anthem was detrimental to the team. If that is so, I would hope you'd note that Kaepernick's teammates gave him the Len Eshmont Award at the end of the season.
I got tired of seeing people rush through the national anthem so they could have their popcorn and get to the game. Nobody ever sang the anthem with soul. It was always done clinically and they always stuck to the original. I put feeling into it. I sang it in a soulful manner.
'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
We're all Vanilla Ice. Look at Girl Talk and Danger Mouse. Look at William Burroughs, whose cut-up books antedate hip hop sampling by decades. Shakespeare remixed passages of Holinshed's 'Chronicles' in 'Henry VI.' Tchaikovsky's '1812 Overture' embeds the French national anthem.
I think it's important to realize that the players who are protesting aren't protesting the anthem. They're not protesting the flag. People kind of move the goalposts on them and try to tell them what they're protesting. But as they keep saying, that's not what they're protesting.
'Losing My Edge' was an anthem for the aging music nerd, with lyrics detailing a comically epic list of historical dates, bands and attended gigs: the anti-hipster's defence against 'the art-school Brooklynites in little jackets and borrowed nostalgia for the unremembered Eighties.'
Some anthems are great for sports. You've got the Russian national anthem... 'O Canada,' how wonderful is that for hockey... but I chose the Italian national song because at my first World Cup, I saw the Italians play four times, and they won all four times - they won the championship.
Geddy Lee and I went to the same grade school. He moved away when we were still young, but I remember him like I do all my friends from back then. Then in 1982, Dave Thomas and I were approached to do a record as the McKenzie Brothers on Anthem Records, the same label that Rush was on.
My dad was the district attorney of New Orleans for about 30 years. And when he opened his campaign headquarters back in the early '70s, when I was 5 years old, my mother wanted me to play the national anthem. And they got an upright piano on the back of a flatbed truck and I played it.
The most scared I'd ever been was the first time I sang at a rugby match, Australia versus New Zealand, in front of one hundred thousand people. I had a panic attack the night before because people have been booed off and never worked again... just singing one song, the national anthem.
There's actually a song called 'Vegas Lights,' which I wanted to be an anthem for Vegas, that represented how I felt when I went to the clubs. I felt this weird energy where everybody was having a good time, and it didn't matter. Dancing like nobody's watching. It was kind of beautiful.
I'm not a really religious person, but those moments onstage feel like some sort of religious experience because no one holds back, especially 'Stay With Me' when I finish the show. It kind of turns into an anthem when I perform it live, and it feels like there's a lot of love in the room.
I feel that I had been rescued from the gutter by America. One day I was under the gutter, chased by police, thinking dogs were going to get me. I laid there listening to the dogs and the gutter. The next day, there I am standing on the Olympic platform, and you hear the anthem. I was proud.
If you know anything about the issues in our country, you know we have a lot of deep-rooted anger and anxieties that spark a lot of passion. When you talk about our national anthem or the flag or race relations or the criminal justice system, it brings up a lot of those fears and insecurities.
Roadrunner wanted to make Born in the Flood the next Nickelback, but I didn't want to be that. I didn't want to be a huge rock star playing songs I didn't like. I didn't want to be stuck playing 'Anthem,' the song everybody liked but I didn't want to put on the record, for the next five years.
The pomp, power, and military bombast of 'La Marseillaise' draws me into the history of France and my own. The surname I was born with was French: D'Orsay; perhaps an ancestor was amongst those troops that marched to this evocative anthem for the first time as they entered Paris 200 years ago!
When Bill Clinton chose Al Gore in 1992 - from the same generational, ideological, and geographical background as his - it underscored his campaign's central argument that this was a clash between the past and the future, that 'Don't Stop Thinking About Tomorrow' was indeed the campaign's anthem.
Lesley Gore's part-time field was pop singer, and in her brief but urgent prime, she was the Queen of Teen Angst. She endured heartbreak as a birthday girl betrayed by her beau in 'It's My Party,' savored revenge in the sequel 'Judy's Turn to Cry' and belted the proto-feminist anthem 'You Don't Own Me.'
Maybe we like our politicians to appear like bumbling oafs. It certainly never did Ronald Reagan or George Bush any harm. The Italians still seem enamoured of Silvio Berlusconi - a man whose entry into a room is less likely to be greeted with the Italian national anthem than by the Benny Hill theme tune.
I thought, 'Maybe if I become a cheerleader, I can meet managers or agents. Maybe I can sing the national anthem at a game, and someone in the industry will hear me.' I saw everything as an opportunity to further my music. I was literally the cheerleader who had a mixtape in between her pom-poms at events.