Quotes of All Topics . Occasions . Authors
Every house has to have rules - even 'Animal House.'
We got some devastating reviews on Animal House at the start.
I don't want to make an 'Animal House.' I'm not interested in making 'Ghost Busters.'
When I auditioned for 'Animal House,' I had only done some plays at a local dinner theater in Virginia.
My goal is to show people that conservatives are funny. In fact, we're the rebels: we're 'Animal House.'
I just want to be like a little bit of Bluto from 'Animal House,' mixed with like some amazing diva like RuPaul.
I've seen Animal House two and a half times now at sneak previews with a real audience, and the reaction was great.
I'd see movies, comedies, and I loved 'Animal House', I loved all the John Hughes stuff, but I never saw me and my friends totally represented.
My first place in Nashville was like 'Animal House.' The whole band lived under one roof, and most nights the jam sessions ended close to sunrise.
My first student film was Orientation, which was basically the set-up for Animal House. There are a couple of scenes that we later borrowed in some form.
I saw 'Animal House' in the theater the night before I left for college. And for better or worse, it made an impression. Within a week, I was in a fraternity myself.
The first comedy screenplay that I wrote was Animal House and I always thought I could and should be a director but no one was about to give me that opportunity on Animal House.
Before 'Animal House' came out to open up a huge market, there just weren't parts for young guys. That genre of film was my ticket in... One of my first jobs was with Bill Murray in 'Stripes.'
I did 'Animal House' in 1978, then 'Local Hero' in 1983, and then in '88, 'Crossing Delancey.' And I realized that every three to five years, you need a big role to put you into the national psyche.
I remember when first, Stripes, and then Animal House came out - which I was really proud of, even though it was kind of loose and quite raucous - there were imitative movies that were not quite as good.
I turned down 'American Gigolo.' There are many films - like 'Ghostbusters' - that I turned down... The first one I did was 'Foul Play' with Goldie Hawn, but I turned down 'Animal House' - I turned that down.
'Animal House' was sort of the first real, contemporary, youthful voice of the baby boom generation. It spoke to that audience, and it spoke to that part of me which was saying, 'Out with the old, in with the new.'
I really only worked for about a month on 'Meatballs.' What happened was that Ivan Reitman figured out that studios wanted to meet everybody involved with 'Animal House' except the producer. So he thought he'd better start directing.
'Animal House' was my first movie, so I didn't have anything to compare it to. I was a sight gag more than anything else. So I can't say it was one of those things where your life changes. When the movie came out, I had to ask for the night off at the bar.
My siblings and I, we were raised on TV and films. Not a day went by that we weren't watching one of three movies - 'Caddyshack,' 'Animal House,' 'Beverly Hills Cop' - on rotation. Our comedy, our personalities were set watching 'Sesame Street': these really sort of wacky, Jim Henson-y characters.
First, I wanted to be Chris Farley. When I was growing up, Chris Farley was still on the stages and fun to us. In my house, John Belushi was king. I didn't grow up when he was - I was born in '78 - the reruns of Belushi in 'Animal House,' and knowing he was at Second City, he was viewed as a king in my house.