Philosophically I am, or at least have been, a follower of Sartre. I am very interested in the choices we make, or don't make, in life-defining matters. That moment of 'angst' and its consequences can be such a cruel thing.

What crime writers are doing connects deeper into a cultural hunger. Crime is important. When you open up a book that has a body that's dead, that matters. It matters more than a certain level of suburban angst; it really does.

When I was in high school, I was writing a lot. I dealt with my high school angst by writing short plays and short films. I was obsessed with reading 'Entertainment Weekly' and 'Premiere' and 'Movieline' and all those magazines.

People in third-world countries are less eager to see movies full of angst over existential problems, and who can blame them. They've got other fish to fry. They'd rather see a few great dance routines and the guy end up with the girl.

Acting has given me a way to channel my angst. I feel like an overweight, pimply faced kid a lot of the time - and finding a way to access that insecurity, and put it toward something creative is incredibly rewarding. I feel very lucky.

The trap in Hamlet is he's the most passive of Shakespeare's characters. He's not a Richard III, not out there taking a lot of action. It's a lot of asides and soliloquies where he's wrapped in angst, and that's not a very interesting character.

My dad was a terrible father. Dreadful. But he had a very difficult childhood. He was fostered - he never knew who his father was. So he had a very different attitude to family and kids. I don't have any issues. I'm not suffering some secret angst.

I was in China when Pokemon fever hit, and I got it bad. But as I got older, I didn't stay with it. My binder full of rares has since disappeared. I have refused to play the other games like the newest 'Pokemon X/Y' out of some misplaced hipster angst.

I actually got to write with one of my musical heroes, a guy named Raine Maida from Our Lady Peace. I got to sit down and write some songs with him, and that was pretty heavy. I listened to Our Lady Peace growing up. It got me through the teenage angst.

My mother was a Muslim and dad a Hindu. I got the best upbringing that anyone could. Never did I see any angst in my family owing to that: each practiced their own religion. My existence is the harmony that these two communities can achieve if they try.

I'm very much in the trenches, and I don't live in the lap of luxury. I come from a working-class military family. We watch the news and read the paper and vote, so there's always something to be upset about. I always have a certain amount of angst in my back pocket.

One of the biggest factors fueling the angst over drug prices in the U.S. is that some older medicines that should be sold cheaply as generics are still priced very high, often owing to a dwindling number of generic competitors and the rising cost of producing these drugs.

We're both getting older, our children are starting to leave home. But I can say that I'm just as passionate a songwriter now in my 50s as I was in my 20s. But instead of talking about the general kind of angst that I felt as a teenager, I'm writing about more specific issues.

Modern technology has taken the angst out of achieving the perfect shot. For me, the only thing that counts is the idea behind the image: what you want to see and what you're trying to say. The idea is crucial. You have to think of something you want to say and expand upon it.

While the West tries to turn its civilization into cultural variety hour, Islam tries to turn Muslim lands into a cultural monolith. The same West that justifies the rap culture thinks that every Muslim terrorist bombing is an expression of economic angst or social alienation.

Sports are the ultimate secular religion. Instead of being worried about whether your kids will be okay or how your job is going, you have your team, and you can focus all of your angst and your hopes and dreams on your team. I am in no way saying it always relieves any of this!

We put too much on contemporary dancers. A lot of them cannot change styles; a lot of them can't do anything else other than run around the stage reaching and stretching in anguish to somebody off camera that I never understand who it is. But it's the teenage angst they have to live with.

In Afghan society, parents play a central role in the lives of their children; the parent-child relationship is fundamental to who you are and what you become and how you perceive yourself, and it is laden with contradictions, with tension, with anger, with love, with loathing, with angst.

I think there's a, you know, certain kind of freedom for me when I get on stage. Maybe it's because I've held it back for so long that it's made me a little bit of angst inside. It's kind of like this energy needs to come out. And there's a certain sense, you know, of freedom when I get on that stage.

War is big business. It's a lot of money going to and fro, and unfortunately a lot of angst, and a lot of fear, and a lot of doubt. And eventually a lot of wonderful people, like soldiers, like men and women that are out there trying to do the best they can, they come back being wounded on many levels.

I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.

Lesley Gore's part-time field was pop singer, and in her brief but urgent prime, she was the Queen of Teen Angst. She endured heartbreak as a birthday girl betrayed by her beau in 'It's My Party,' savored revenge in the sequel 'Judy's Turn to Cry' and belted the proto-feminist anthem 'You Don't Own Me.'

When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst.

There is that awful moment when you realize that you're falling in love. That should be the most joyful moment, and actually it's not. It's always a moment that's full of fear because you know, as night follows day, the joy is going to rapidly be followed by some pain or other. All the angst of a relationship.

Initially, I think I was eager to get off Staten Island and go away for school, that kind of thing. Then what you do maybe 10 years after that, you start maybe appreciating all the great things about the place you grew up. You can go back and enjoy it because you don't have that angst or sense of struggle to get away anymore.

Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.

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