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I moved out to Los Angeles with the idea of becoming a director, which thousands, if not tens and hundreds of thousands, of people do, every year. It's a very competitive field, of course. I immediately got swept away into the visual side of things, starting with visual effects, and then designing.
In certain parts of the world - where I'm at right now in New York, you're going to pay a whole lot more. In Los Angeles, your average starter home is a million dollars. So I need more money in Los Angeles to live like a normal person. If I live in another city, Iowa maybe, I wouldn't need as much.
When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.
The handwriting is on the wall: if you want to have your franchises viable, then you can't have a situation where New York and Chicago and Los Angeles are doing very, very well, and some other teams are, but, I would say, a significant percentage of the teams in our league are struggling financially.
A lot of the people in Northern California and parts of Oregon have decided that we are not on the same page as San Francisco and Portland and Los Angeles. I don't know if six states is a solution because is Washington, D.C. and the rest of the country really going to give California 10 new senators?
'Battle: Los Angeles' - I've got to say this was easily one of the most physically trying things that I've ever done in my life because I play a Marine in the film, and they had us training with real live Marines for, like, three weeks. It gave me a whole new respect for just the armed forces, period.
Dr. King said, 'We are all tied together in a garment of mutual destiny.' Which says to me no matter how well I may be doing in Hollywood, if a young brother or sister in Louisiana, the South Bronx, the South Side of Chicago, South Central Los Angeles - is not doing well, then I'm not doing very well.
I was in a bookstore one afternoon, and I stumbled across this book called 'A Guide to Film Schools.' I always loved movies growing up and had never even conceived that it was something you could do for a living. Realizing most of them were in Los Angeles and knowing that was warm, I ended up applying.
The first time I performed at the Comedy Store in Los Angeles, I was in the back of the room doing vocal exercises. 'Me-me-me, my-my-my, mo-mo-mo.' And I'm looking around, and no one else is doing it. I'm like, 'They must have done it before they came to the club.' I came to realize that I was an idiot.
I think private school is much better at customer service and making the parents feel better, especially in Los Angeles. It's almost like a spa for the parents where you drop your kids off, where they give you a beautifully baked thing and let the parents write their own newsletter about global warming.
Wells Fargo's internal review only covers unauthorized accounts dating back to 2011. News reports and court documents suggest these problems might have existed long before then. The 2013 'Los Angeles Times' articles led to the L.A. city attorney's office investigation into Wells Fargo's sales practices.
When I was 11, I moved to Los Angeles to live with my father and stepmother and my half brothers. I became really close to my stepmother, and I am still very close to my brothers. My stepmother is the actress Shirley Jones, who was in 'The Partridge Family' alongside me, so we worked together for years.
When you get quick fame and success and exposure, it makes you feel dizzy, and I didn't want to lose my balance 'cause that's something I've been struggling with for so many years. I'm not fond of the idea of making it in Hollywood. That's not my aim; otherwise, I would have settled down in Los Angeles.
You would think with me living in Los Angeles I would go to the beach all the time, but we don't. It's the same as visiting the Statue of Liberty. If you don't live in N.Y.C., it's the first stop on your family vacation, but if you live there, you only go if you have relatives visiting from out of town!
It was when '21' came out. I was in Los Angeles and my face was everywhere: on buses, on posters, on the side of buildings. I didn't feel that blown away by it. I was still hungry to prove myself. I realised that quite quickly, that I had to find something that challenged me from an acting point of view.
Half of my family is in Los Angeles, so my cousin was the first person to play me, like, Snoop Dogg, and I would always feel like, 'OMG, I shouldn't be listening to this,' and my other cousin was the first to introduce me to Aaliyah, so every time I'd go to the West Coast, I'd get those West Coast vibes.
Thank God, I have sort of a pan-European accent rather than Russian, which doesn't sound very pleasantly to Americans. For them, we speak with a rather rude pitch, and that might be our actors' problem there. Now I've begun working with language coaches in Los Angeles to get rid of the accent completely.
The Dallas model, prominent in the South and Southwest, sees a growing population as a sign of urban health. Cities liberally permit housing construction to accommodate new residents. The Los Angeles model, common on the West Coast and in the Northeast Corridor, discourages growth by limiting new housing.
I wake up every morning and I feel like I'm juggling glass balls. I live in Los Angeles, my business is run out of London, and most evenings I'm cuddled up in front of Skype, in my dressing gown, speaking with my studio in London. I travel a lot, my team travel a lot, but I wouldn't have it any other way.
I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
In March 2010, I attended an art opening for Kimberly Brooks's show 'The Stylist Project' in Los Angeles. It was a starry celebration hosted by Dior and 'Vanity Fair' to benefit P.S. Arts. But even as fun-to-gape-at actresses like Christina Hendricks arrived, I couldn't take my eyes off the oil portraits.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
I wrote my first screenplay on a lark, because it was a storytelling format that felt like a familiar shorthand - we all watch movies, don't we? But even though I grew up in Los Angeles, my family was entirely unconnected with the movie industry, and I never truly believed that it would one day be my fate.
One of our books has been made into a musical, 'The Great American Mousical,' which I directed at the Goodspeed Opera House in Connecticut. And another, 'Simeon's Gift,' has been adapted for a symphony orchestra and five performers. I'm also a very proud member of the board of the Los Angeles Philharmonic.
I have an avocado tree at my place in Los Angeles - it's the smoother-skinned one, which tends to be a little stringy. Often the birds or raccoons get the avocados before I can harvest them. I have figs, too, which are great with prosciutto, of course. I have limes and lemons, which I use to make lemonade.
I was reading an article with Stevie Ray Vaughan a long time ago, and the number '1959' stuck out to me for some reason. So I started searching those out as the band got more popular and I could actually afford one. And I found this one in Los Angeles. That's what introduced me to the whole world of 1959s.
Now that I think about it, I was arrested in 1992. Some people may think of that as a bad thing, but I feel good about it. I chained myself to the gate of a phone book factory, a GTE factory in Los Angeles. They were using thousand-year-old trees to make phone books. I think that's a total waste of a tree.
I lived for 15 years in Los Angeles, and I still can't believe that the handsomest man in the world, Cary Grant, and the greatest performer in the world, Fred Astaire, and Johnny Carson, one after another - they were all in my home at different times. I celebrated my 50th birthday with them. Unforgettable.
Cold weather probably played a bigger role in bringing back the hat, but sadly, the hat common to New Jersey guidos, South Carolina rednecks, Idaho potato farmers and Los Angeles gang bangers is the ubiquitous 'tractor hat,' which is derived from the cheap baseball style cap with the adjustable plastic tab.
In recent years, our planet has been warming at an alarming rate and seen record-breaking temperatures. We are now witnessing the sixth mass extinction event in the earth's geologic history. Our sea levels are rising at an alarming rate, threatening our largest cities, like New York, Los Angeles, and Miami.
Even the cleanest air, at the centre of the South Pacific or somewhere over Antarctica, has two hundred thousand assorted bits and pieces in every lungful. And this count rises to two million or more in the thick of the Serengeti migration, or over a six-lane highway during rush hour in downtown Los Angeles.
If 'Star Wars' wasn't enough to prepare me for a dark future, there was the 'Planet of the Apes' franchise, conveniently repeated for me in Los Angeles on KABC's Channel Seven 3:30 movie. Apes enslaving humans! Mutants with boils and an atom bomb! Ape riots in Century City! They killed baby Caesar's parents!
Unlike accredited zoos like the Bronx Zoo, San Diego Zoo, the Los Angeles Zoo, these are private menageries, and these people are frightened and there is an existential fear that they are going to be shut down by the government, by PETA, by HSUS, by animal rights groups. So they, generally, are very guarded.
I grew up in Glen Ellyn, which is about 20 miles west of Chicago. I attended Glenbard South High School and University of Illinois. I didn't study acting until I moved to Los Angeles after college, but the fact that I was raised in the Chicago area set the stage for all of my comedic and acting sensibilities.
There's a bizarre prejudice that exists in the New York publishing establishment that any work outside the tri-state area is being done by trained chimpanzees, that geography screens out sensibility. There's an idea that all Los Angeles writing is about the movie industry, that it's vulgar, shallow and banal.
More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.
I love, love writing about Los Angeles. I love exploring every part of it. And I find, rather than a burden, it's actually one of the most enjoyable parts of the writing process for me. I love everything about L.A. Okay, not the traffic. But I love the way it looks. I love the geography. I love the diversity.
Wherever I go, people ask: 'What is she? What is she?' There has always been an agenda - they're excluding me or including me in something with that question. It is the first thing agents in Los Angeles ask me. And then I'd hear: 'You're not black enough, you're too black, you're Italian - no, you're Spanish.'
This is one of the last unique things to do in the business of sports, to return the National Football League to the city of Los Angeles. I happen to love the city of Los Angeles; I happen to love the NFL - and to somehow be a part of that, a helper in that process, is something I've always been interested in.
When 'Real People' aired in 1979, we did OK in Los Angeles and New York. What kept that show from being canceled were the ratings from the middle of the country, and that's what kept us in the top five. I learned then from co-hosting that it was important to focus on the country between Los Angeles and New York.
It took five days to drive to Los Angeles by myself. I listened to Abbey Road for six hours at a time and watched the desert open up before me again and again. I saw the sun set and rise at the Grand Canyon, and I sang out over the cliffs, picked up tumble weeds along the way and threw them in the back of my car.
I did tons of theater in school, and then when I was 16 and got my driver's license, I started driving to Los Angeles, along with my friend Eric Stoltz, who was a year ahead of me and was doing the same thing. So we had the same manager, and we started auditioning for things and doing commercials when we were 16.
If the air quality is terrible in Los Angeles, if a particular university is unusually expensive, if crime is on the rise in Dallas, or if a company has a lot of recalled toys, transparency can spur change. Whenever public or private institutions have to answer to the public, their performance is likely to improve.
My parents are both very funny but they're also relatively soft-spoken, normal human beings while I'm just a lunatic. I don't know where this loud, ballsy, hammy ridiculousness came from. I'm just glad I followed my goals and my parents did too. It's not like we even had a plan when I dragged my mom to Los Angeles.
In the late 1960s, Ontario Airport was a throwback to a bygone era. Located 35 miles east of downtown Los Angeles, the airport served only two carriers, Western and Bonanza. Passengers could catch regional flights to San Francisco, Sacramento, Las Vegas, Palm Springs, Phoenix and Los Angeles, and that was about it.
I don't mind staying in one place for a while - I like to spend a lot of time in Los Angeles. It's a place where nobody goes out, where people will leave you alone. People in Los Angeles love themselves and they love what they do and they leave you alone. If you're isolated, you have a real advantage. You can work.
I spend a fair bit of time in Los Angeles, and there is much I love about the place - the weather, the food, the beaches and the golf. And a few things I don't. Like the way an enormous number of mentally ill people seem to be forced to live on the streets with little or nothing in the way of government assistance.
I have way more freedom in Los Angeles and in the U.S. But it's funny because when I have a meeting with producers or people from the industry, we go to a restaurant to meet someone, and nobody knows me. But all of the sudden, the entire kitchen comes out, and they start taking pictures with me, or at valet parking.
I remember where I was when I first heard 'Boyz N The Hood' - 126th Street and Normandy, South Central, Los Angeles. I remember that I was on my porch. What they described in that song was so vivid and so clear to me because it was the kind of life I was used to witnessing and partly experiencing in my neighborhood.
Prior to working for Fox, I worked for ABC and NBC, spent a lot of time at CNN, and almost ended up at CBS. I worked for a bunch of local stations in Los Angeles and had a talk-radio show at KABC for six years. In other words, I'm fortunate enough to have been around, and Fox News is the best place I've ever worked.