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I'm a huge Ang Lee fan and a huge Larry McMurtry fan.
Ang Lee was educated in the West and his English is good.
I had attraction to work with Ang Lee. I wanted to work with him.
Wong Kar-wai and Ang Lee are two Asian directors I'm really fond of.
Ang Lee - he is amazing. I think doing a film with him would be breathtaking.
The opportunity, number one, to work with Ang Lee is an amazing thing for me.
I'm not Ang Lee who knows so much about western market and the taste of western audiences.
I didn't expect people would embrace 'Ang Probinsyano' the way they did during its first year.
The thing that is so great about Ang Lee is the diversity in his filmmaking, from 'Brokeback...' to 'The Hulk.'
My first film that I got right after 'Spring Awakening' was called 'Taking Woodstock,' and Ang Lee was the director.
One of the things that Ang brings to all of his projects is his deep sense of being a double exile, an outsider's outsider.
You can use martial arts to tell a different story. Ang Lee used martial arts in 'Crouching Tiger, Hidden Dragon' to talk about love.
The one thing Marvel does is think outside the box, going all the way back to Ang Lee directing the first 'Hulk.' They like to go outside the genre.
Ang Lee and 'Hulk,' for instance - a movie about a guy with different-colored skin and a lot of repressed rage? Sounds like the perfect film for an Asian, to me!
From beginning to end I worried that Ang Lee wouldn't be satisfied with my work. So I worked as hard as I could to earn his trust, because you only get a chance like this once.
But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great.
I think one of the worst notes I think I've ever received was Ang Lee on 'Brokeback Mountain.' He came in on coverage, and he was like, 'More, more handsome.' I was like, 'I'll try that.'
'Brokeback Mountain' just blew me away. I'll always remember talking to Heath Ledger just after he finished that movie and he was going on about working with Ang and how incredible he was.
We were talking about the kissing in the movie just recently. Clearly, it's pretty challenging material, but Ang said two men herding sheep was far more sexual than two men having sex on screen.
I like so many different directors: Scorsese, Coppola, Cassavetes, Jarmusch, Gus van Sant, Woody Allen and the greats like Fellini, Bergman, Tarkovsky and among current filmmakers von Trier, Ang Lee, Wong Kar-wai.
Ang Lee is very precise. He will show you everything, and will let you know what he is thinking about the whole project. There are a lot of rehearsals before shooting, and you already reach a certain standard. Then he will ask for more.
I did my 'Hulk,' but it was not easy. If I do another Hulk film it will always be compared to the Ang Lee thing, and my first one... if I come back, I'd love to do another superhero, something different that I can really put my touch on.
That's a great feeling to know that I'm going into a project that I have no idea what will become of that movie, but I really trust Ang Lee. And I really trusted Ron. It's just really nice to work with people that you feel that way about.
Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie, you have to fit right in. You have to understand Ang, respect him and be part of the team and not be in charge of it - he is in charge of it.
I think Ang Lee is a very, very talented director. He used martial arts to talk about love and girl, you know... But Zhang Yimou tried to use martial arts film to talk about Chinese culture, Chinese people. What do they think, what do they want and what do they hope the world will become.