Quotes of All Topics . Occasions . Authors
When I was around the ages of 9, 10, and 11, I loved watching Marat Safin because I found his game exciting. Since he retired, I would say that my idol has been Andy Murray.
PFF has already changed the way I think about building a team and play-calling. I can remember a time when everybody thought Andy Reid was crazy for passing 60% of the time.
I could remember thinking when I met him, 'Wow, that's Andy Sanders from Houston. He's really good.' And he tells me he said, 'Wow, that's Jimmy Walker. He hits it really far.'
People of a certain age look back on the Mayberry of 'The Andy Griffith Show' and become almost as homesick for that simple fictional hamlet as they do for their own home towns.
I've got two contracts in my life. One, with my wife because we're married. And, two, I've got a contract to protect Andy Dalton. I'll do both of those to the best of my ability.
Andy and I decided to get married in August of 2014, and just 4 days after we married, he passed away. For me, I carry my relationship with Andy with me in my LGBT advocacy work.
Poor Andy Nave was killed. He refused to surrender and was shot by Dick Fields. I felt sorry as he used to be quite friendly towards me before the war, but it could not be helped.
Andy was an offbeat personality, shy and insecure. The whole reason for taking a camera with him wherever he went was because he was so shy. He'd break the ice by taking pictures.
Look, when I started out, mainstream culture was Sinatra, Perry Como, Andy Williams, Sound of Music. There was no fitting into it then and of course, there's no fitting into it now.
There's no tradition today except initials, 'CSI,' 'NCIS,' all the rest. Even with reruns today, people don't know there was a 'Dick Van Dyke Show,' or 'Andy Griffith,' or 'Cheers.'
Being married to Andy has given me a new appreciation for my body. He's taught me that it's not how thin you are that matters. It's how your body performs, how it endures wear and tear.
Like everybody, I wanted to meet Andy Warhol. I was impressed by his work and how daring he was. I think he changed the cinema completely, simply by opening his camera and letting it go.
I've always enjoyed the big stunt scenes that I've had - from the barn fire when I first started in 'Emmerdale,' to years later when Victoria started a fire and Andy had to rescue people.
Andy Reid really dominated the NFC with Donovan McNabb as his best quarterback, got to a Super Bowl. Then he goes to the AFC, wins with Alex Smith. He's won with five or six quarterbacks.
In the little town where I live in Hampshire County, Massachusetts, we now have a 'Public Safety Complex' around the corner from what used to be our hokey Andy Griffith-esque fire station.
If you're trying to work the art game, if you're like Andy Warhol or something, then you're in with cake-eaters of society. You want to get in with them and please them and get their money.
I would go to the all-night grocery store and pretend that I was at Studio 54 because it was the only place open all night. Truman Capote in the frozen foods. Andy Warhol over in vegetables.
He is the best. Andy Robertson looks like a freak of nature. I watch him play and in every game he gives the same commitment. His consistency levels are extremely high. He is just brilliant.
Andy Gray is a great pundit and a great co-commentator. I couldn't co-commentate for love nor money. I've tried but I just can't do it, so as an all-rounder I'd say Andy's much better than I am.
What made Andy famous was the years I managed him. I created the Velvet Underground and told him not to worry about them because they would help his career. All those things I did created his fame.
It's a magpie aesthetic: If something is hideous, that's interesting. It's kind of the same sensibility that Andy Warhol had. He was interested in everything and soaked up what he saw like a sponge.
25 years ago, when I started in New York, I had the pleasure to cook for Andy Warhol. At the time, I could have traded art for food - I should have done so, because I could get his work for nothing!
I've pretty much been portrayed as every style thing you can be. After Wimbledon you are Andy Everyman, who everybody is rooting for. I think the meat and potatoes of who I am hasn't been covered yet.
She's leaving when the president has one of the highest approval ratings on record. From here, it can only go down. And when it does, you know who they're going to blame. They're gonna blame Andy Card!
I left it entirely in the hands of the 'Emmerdale' team and had no input into how Andy would leave. I put my full trust in them to come up with a way for him to leave that was fitting for the character.
I didn't grow up with Broadway music. My mother played Perry Como, while I listened to Andy Williams records. Later on it was Cream, Grand Funk Railroad and lots of R&B like the Isley Bros. and Parliament.
I was a product of Andy Warhol's Factory. All I did was sit there and observe these incredibly talented and creative people who were continually making art, and it was impossible not to be affected by that.
My favorite era was the '60s because it was filled with incredible creative newness, from panty hose to landing on the moon to Twiggy and Andy Warhol - I loved them, and they loved to wear my silver clothes.
When I was in my formative years, I rejected Frank Sinatra, Bing Crosby, Andy Williams, and Dean Martin. I now realise they were all great artists, but at the time, as a young man, you have to clear the decks.
The West Indies team I played for in the 1970s and 80s was truly blessed to have so many brilliant individuals in one group. We had many great fast bowlers but the deadliest was my fellow Antiguan Andy Roberts.
Andy Stasiuk was a newsman of the old school of front-page journalism - tough, knowledgeable, cynical, single-minded and fun. He covered the news as a happy warrior in an era of cutthroat editorial competition.
When I started writing the screenplay for 'The Queen,' about the aftermath of the death of Princess Diana, both Stephen Frears, the director, and Andy Harries, the producer, begged me not to put Tony Blair in it.
I can't deal with the ears in 'Star Trek.' I only saw the first 'Star Wars' movie, and I don't think I saw an entire 'Star Trek' TV show, and I certainly didn't see the movie. I like 'Andy Griffith' and 'Deadwood.'
Sammy Davis, Andy Williams, Tony Bennett... their records sell in the millions; when I do it, it just trickles. But for the composer and lyricist, there's a tidy bit to be made that way, too, so I don't really mind.
Well, when I came to Hollywood, there were three names really of Latin actors, three or four names, maybe five. There was Raul Julia, Edward James Olmos, Andy Garcia, Antonio Banderas, Jimmy Smits. Now there's a lot.
The first thing I ever got my hands on was Andy Griffith's 'What It Was, Was Football.' I was fascinated with the fact that every syllable made it funny, and I would laugh even though I didn't know what any of it meant.
I developed a theory that, in many ways, the early 'Andy Griffith' episodes especially were an awful lot like a Capra movie. They were a lot like 'Mr. Deeds' or a lot like 'It's a Wonderful Life' in tone and presentation.
When someone can, on a worldwide level, make someone laugh, that's power. A lot my heroes - Eddie Murphy, Will Ferrell, the Wayans, Adam Sandler - they get it. And I've always felt that Andy Samberg is the future of comedy.
Andy was a nonverbal person; you couldn't get directions out of him. All he knew was what was modern in art was what wasn't art: The telephone was art, the pizza was art, but what was hanging on walls in museums wasn't art.
I like film books at the bottom of the barrel and art books at the top. 'The Ghastly One,' by Jimmy McDonough, is a hilarious biography of one of the most hideous directors who ever picked up a movie camera - Andy Milligan.
Andy Grammer is probably the closest friend I have in the music industry, so touring with him was just incredible. He's such a soulful, kind guy, and he gives great advice. And he also scares me a lot. He does a lot of pranks.
The 'Backlisted' podcast describes itself as 'giving new life to old books'. In each episode, John Mitchinson and Andy Miller are joined by a guest from the world of books who brings along some overlooked gem to enthuse about.
I'm a huge fan of Andy Kaufman. He made his living just being all sorts of characters, and nobody really knowing who the real Andy Kaufman is. And in a sense, I don't think any of you know who the real Trisha Paytas is either.
When I played Candy Darling in 'I Shot Andy Warhol,' that was easy to play that part. They made me into a woman: I'm in heels; I'm waxed. I'm gonna find the femininity and lay on the bed and take the voice of an old movie star.
The only thing the Pop Artists had in common is that we all had been commercial artists in some manner. Lichtenstein was a draftsman; I was a billboard painter, but we didn't work together. I didn't meet Andy Warhol until 1964.
Remember the picture of the president in the classroom, being told of the attack by chief of staff Andy Card? The American people thought they were seeing a man suddenly thrust into a grave challenge no one could have anticipated.
I've always had the idea that multi-millionaire rock stars should work harder than anyone because they have the ability to do it. Look at an artist like Andy Warhol. He never stopped working, even after he didn't need to work again.
I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
Track and road cycling are very different things. It is easy to look at them both as cycling but going from the road to the track is like asking Andy Murray to play squash: yes, it's a racket sport like tennis, but it's not the same.
I think it is just something in my head that tells me to keep believing. Andy Spence, my manager at Everton, wrote me a little card before we came away and wrote at the bottom, 'Just remember, it only takes a second to score a goal.'