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Hulk Hogan slamming Andre the Giant. I remember watching WrestleMania with my family and friends on TV... 93,000 people in the Silverdome. When Hogan picked up Andre, I got goosebumps.
I'm glad to see on a first-hand basis how both Andre Braugher and Andy Samberg work. They're both pretty esteemed in both of their fields, respectively - comedy-slash-dramatic acting work.
I feel like it took artists like Pimp C and Andre 3000 with 'International Players Anthem' - I feel like it took the Memphis sound to a certain peak but it never really broke into the mainstream.
When I was an adolescent, I abandoned my country at 23 years to come to Paris to know Andre Breton, the 'Pope of Surrealism.' And for three years, I was there working with him being a surrealist.
Andre Ward beat me fair and square on points in a boring fight, a dull affair. Same as when he beat Kessler. Headbutted him to bits, but he knows how to win. He wins ugly, but he knows how to win.
'Wrestlemania 34' was a great moment, winning that Andre the Giant Battle Royal, and I got to bring my creation - the Ultimate Deletion - to 'Raw' in the main event slot. Lot of cool stuff I've got to do.
I remember Agassi playing Federer in Basel, Switzerland in 1998, and Andre was already saying at that time that Federer would be tough. Usually at the time players are 17, you can see if they will be great.
So many of us can recall growing up with Gene Okerlund as the voice of our childhoods while interviewing the likes of Andre The Giant, Hulk Hogan, Roddy Piper, Ultimate Warrior, Randy Savage, Sting, and others.
We protected Andre Johnson, given him long-term contracts. Brian Cushing's got a long-term contract. Arian Foster. So certain key players, core players, we've tried not to tie them up for a long period of time.
For me, I think Andre Drummond is going to be a superstar. We didn't have that. We had a lot of very good players. I think Drummond will be a superstar if he continues to work. The media, everyone is behind him.
There are some guys you have problems beating because of their style - I always had difficulties with guys like Michael Chang and Andre Agassi because their returns were so good and they played so well in defence.
Just as I could tell you about my first Andre Norton novel or my first L'Engle or my first Asimov, I could write a paragraph about how each of these writers influenced me, my writing, and my thoughts, and do to this day.
I used to love Andre The Giant. I could sit around all day and listen to Andre stories. He was such a wonderful, unique guy who everyone loved being around. The thing about Andre, he just had this magical mystique about him.
You will all laugh and say I wouldn't have a chance, but I would knock Andre Ward out - or I will outbox him. He is a pound-for-pound great, but I can match him on the inside, and he has never fought anyone who could do that.
My very favorite wrestler of all time was Andre the Giant. He was sort of like my best friend, believe it or not, and I have a picture in 'People' magazine of me sitting on his lap when I was 8 years old after 'WrestleMania I.'
Well unfortunately I didn't work with Andre much. But rap is a strong presence in the culture and anyone is going to grateful for its appearance, grateful for any kind of music that has the kind of effect that rap has had on us all.
Luckily, I had a guy like Andre Johnson to show me the ropes. He's had many quarterbacks in his career and he still had a successful career. Just having a guy like that to tell me to control what I can control, that's really all you can do.
I think if you look at Andre then and now, you look at two different models. Of course it's personal preference, I think Andre now is a great role model for the kids. He has started training differently than he was before, and so on and so on.
Andre Agassi was my rival in the '90s, and I think as we got older we sort of transcended the game. He was probably the best player I ever played over my career. There's a list of players that were tough, but Andre, certainly, he was the most unique.
When I came out in '95, even though it was part of the storyline, I was known as the next evolution of Andre, the next giant. I was that young, athletic, trash-talking monster. That was my introduction to the industry, and I was able to build on that.
I never imagined as a kid that anybody could beat up 'Mr. Wonderful' Paul Orndorff because Gorilla Monsoon and Bobby Heenan convinced me he was the toughest guy, that Andre The Giant was bigger than life, that Hulk Hogan was amazing and dug down deep.
One of my earliest memories was watching Ken Patera and Big John Studd cut Andre The Giant's hair. That was the first thing that had a serious effect on me emotionally. I was just moping around the house all day. I couldn't believe they did this to Andre The Giant.
I won four world titles, got beat twice - but avenged one of those losses - and the other loss was on points to someone who was unbeaten in Andre Ward. I had a comfortable, successful career and it wasn't through natural ability but through dedication and hard work.
I was on the board of Andre Agassi's foundation, and seeing the way it operated blew my mind. In 2002, I told my wife, I want to start a foundation to give back, I want it to be for kids in hard circumstances, and I want it to be culinary-driven, because that's who I am.
Even the thunderous master-blasters, like Andre Russell and MS Dhoni, men who now make scoring more than 20 runs per over look simple, often thrive on the right side of an incredibly slender gap between six and out. They are not more lucky than anyone else. They are more brilliant.
I don't see many explosions or ten-car crashes in the course of my life, so I don't put them into my movies. I would love to live in a society where 'My Dinner with Andre' made $100,000,000. Then I would be in the mainstream. I could do that stuff easier than I could do 'Meatballs.'
Because I'm a bald, dim-witted writer, people think I couldn't possibly be her husband, so they occasionally confuse me for someone more glamorous. At O'Hare airport, a man asked if he could take Rebecca's photo. When I reflexively stepped away, he said, 'No, no, no. I want your picture too, Andre Agassi.'
One of my friends, Bruno Andrade, was so quick, he just used to knock the ball past whoever he was playing against, and I thought, 'Why can't I do that?' Until then, I would try to dribble and maybe try a stepover, but Andre would just knock it then - beep, beep - and he was so fast, he would get there first.
It is hard to imagine Andre Le Notre laying out the exquisite landscape designs for Vaux-le-Vicomte, and later the magnificent Chateau de Versailles, with no high hill to stand on, no helicopter to fly in, and no drone to show him the complexities of the terrain. Yet he did, and with extreme precision, accuracy, and high style.
I was very proud to hear that my friend Andre Johnson was like, 'Man, I'm going back to school.' I was so excited because, yeah you have great talent. You do everything on Sundays, you do everything on the field, but you went to college, and I'm not saying that you forgot about it, but that was on your mind when you first went.
Undertaker certainly is a cornerstone of WWE, and just as I say to myself that I really would have liked to been able to get to know and certainly get in the ring with Andre the Giant, just because of all the respect and folklore that went around with Andre, I think The Undertaker has that same sort of respect and folklore around him.
Music is one of those businesses in which, if you're talented and hustle hard enough, you can make it - specifically as an entrepreneur. If you look as far back as Berry Gordy, Russell Simmons, Andre Harrell, L.A. Reid, and Sean 'Diddy' Combs, there's a whole lineage of successful black entrepreneurs who have built their own companies from scratch.
