Quotes of All Topics . Occasions . Authors
A lot of Knxwledge's instrumentals just brought out this tone and swagger that I had played with before but had never really pinpointed before on my Anderson .Paak stuff. But then it just came so easily.
When I started working as a writer-director, that's when he became Paul Thomas Anderson and I became Paul W.S. Anderson. Neither of us can write and direct an American movie under the name Paul Anderson.
I never have met any heroes - except one. The exception is Ian Anderson, flute player extraordinaire, creative musical talent for more than 40 years, and the man most associated with the band Jethro Tull.
There are certain people who I worked with, Pamela Anderson, Arnold Schwarzenegger, they are figures. And they know this. They don't pretend to be good actors. They were made by the industry into figures.
I'm topical as hell. That's not going to change if I lose weight. There are a lot of comics that do 'fat jokes' better than I do - Louie Anderson, John Pinette, Gabriel Iglesias. These guys are phenomenal.
I remember watching Anderson Silva fight Dan Henderson at UFC 82. I had never really watched MMA, but I looked up to Dan Henderson. He was a wrestler, like me, but also a tough, powerful mixed martial artist.
The great 'New York Times' columnist Dave Anderson famously slept one year in a child's race-car bed. There he was, Pulitzer Prize and all, snoring as his feet dangled over the rear tires of Lightning McQueen.
Tailor Made will help Ferrari's clients tailor their cars in a very personal, specific way. It's a bespoke service, like visiting Huntsman or Anderson & Sheppard or whoever your favourite Savile Row tailor is.
I have this original style that I want to show to the world. I don't want to be kind of this beat down, bruise-you-up kind of dude and have Karl Anderson cut all my promos for me. I don't want to have to do that.
I believe I can beat Anderson Silva, and I believe that the skills that I have is something he'd have hard time dealing with, but to compete against the guy, first and foremost, would be an honor in and of itself.
It's not just the light weights that give a long toned look with the Tracy Anderson Method, it's using the body in different rotations while contracting and releasing the muscle, causing it to stretch and lengthen.
Anderson Cooper's on-air reaction to Bob Simon's death; Wolf Blitzer personalizing his experience in going back to Auschwitz where his grandparents lost their lives - I think that has all made our air more authentic.
The first documentary I saw that tried to show the actual experience of being a soldier in combat was 'The Anderson Platoon,' by French director Pierre Schoendoerffer, which won the Oscar for best documentary in 1967.
Look what happened when I fought Anderson Silva. It can't possibly get worse than that. I've already seen the bottom and it wasn't that bad. I made it through. I survived. It's fighting. It's not the end of the world.
You can come up with all the gameplans that you want but the guys in the middle have to execute those plans. If Jimmy Anderson or Stuart Broad serves up a leg-stump half-volley, you can't turn round and blame Andy Flower.
Here are the five guys I learned the business from: Barry Windham, Ricky Steamboat, Arn Anderson, Larry Zbyszko, and Bobby Eaton. Those guys taught me how to do everything in the ring. I learned so much from each of them.
I'm a huge Wes Anderson fan. I literally love every single film. He hasn't made a bad film; I've seen every single one. They've all been brilliant, from 'Bottle Rocket' up to 'Moonrise Kingdom,' they've all been wonderful.
Although 'The Anderson Platoon' was what we would now call an 'embedded film' - with all the ambiguities that term implies - somehow Schoendoerffer got away with showing things as they really were from a grunt's perspective.
I really like Cain Velasquez. I like his pace that he puts on; he is mentally and physically breaking everybody he goes with. He's just tenacious and relentless. I like Anderson Silva, too. I like his style. He's very relaxed.
I would love to work with Dustin Hoffman, John Malkovich, Omar Epps, Martin Scorsese, Josh Mond, Woody Allen, Paul Thomas Anderson, and David O. Russell, just to name a few. Those guys are absolutely brilliant at what they do.
I really like dramas that have a tone of comedy in them or the opposite, and those are done by people like Alexander Payne and Jason Reitman but also Spike Jonze and David O. Russell and Paul Thomas Anderson, the Coen Brothers.
News, after all, is a spin of words and pictures. It's a kind of music. There are beats in a newscast, a newspaper story. Ed Murrow sounded like Ed Murrow. Huntley and Brinkley sounded different. Anderson Cooper, different still.
After more than a decade as the editor of 'Wired' magazine, Chris Anderson started the company of his dreams - a robotics manufacturing company called 3D Robotics - to produce the autonomous flying vehicles coming out of DIY Drones.
I would love to do a small indie comedy, like a Wes Anderson movie or, like, an ensemble comedy like 'The Royal Tenenbaums' or 'Little Miss Sunshine.' I like comedies like that, that have a lot of heart and are about family dynamics.
The best incarnation of The Four Horsemen was undoubtedly the unit comprised of Ric Flair, Barry Windham, Arn Anderson and Tully Blanchard, along with talented manager JJ Dillon, which will be inducted into the WWE Hall of Fame in 2012.
Well, PT Anderson sent me a script of Boogie Nights which I let lay around my house for about three months, then one day I'm cleaning my office and decided that I'd better read this before the guy calls me back. I never put it down, bro.
I must be the last person online to have been struck with this realization, but it's amazing how the Internet has empowered hundreds of ordinary people, turning them into little Diane Sawyers and Anderson Coopers as they snap and blog away.
I guess because you study the character and you do all those things. But when it comes down to it, it's still my performance, it's still my interpretation. I'm not going to, you know, be a clone - well, I was a clone of Richard Dean Anderson!
I think Woody Allen calls it 'anxiety of influence.' When you're in your formative years and you watch a movie that makes you want to make movies... For Wes Anderson, it's Truffaut. I'm sure for P.T. Anderson it was Scorsese and Jonathan Demme.
I trained with Olympics Athlete Jeanette Kwakye - who is amazing! And Shani Anderson, who is an excellent Olympic runner. We trained five times a week; running, circuits, weights, working out in the gym, and on the track. It was an insane time.
When I got out of high school, I was working in restaurants in New York City, when I heard Bill Anderson from The Neighborhood Playhouse was doing private lessons. I started taking classes, and it was a lot of improv and Meisner and repetition.
I had an issue with dyslexia before they understood what dyslexia was. One of my teachers, Mrs. Anderson, taught me to look at it like a curveball. The ball breaks the same way every time. Once you get used to it, you can handle it pretty well.
I learned everything from WWE. Ken Anderson trained me in Green Bay. The were looking for a midget for Fit Finlay, and Ken said that I have the guy. He can take bumps. He can work. He will do great, it was literally off to the races from then on.
My chief literary influences have been Paul Laurence Dunbar, Carl Sandburg, and Walt Whitman. My favorite public figures include Jimmy Durante, Marlene Dietrich, Mary McLeod Bethune, Mrs. Franklin D. Roosevelt, Marian Anderson, and Henry Armstrong.
It doesn't matter if I'm a rival of Anderson Silva's or not; I'm also very objective. And I'm not going to take something from a guy that he earned. Anderson Silva earned the right to be called the greatest of all time. And those are just the facts.
Imagine Chael Sonnen walking into Chute Boxe and training with Wanderlei Silva, Anderson Silva, or any of the coaches. Do you think they would have let him train after all the things he said about Brazil? No. They would have defended Brazil's honor.
I have the same pet peeve as Anderson Cooper, which is bare feet in public. I hate it. It so grosses me out, especially in New York. Oh my God, New York in the summer with people and their feet in their sandals and their flip-flops, like get it away!
My first published novel was 'Mother of Demons,' which is simply 'The High Crusade' standing on its head. Poul Anderson placed his medieval human heroes in a futuristic alien setting; I placed my futuristic human heroes in a bronze age alien setting.
Rick Wakeman and Jon Anderson have rejoined and gone off again and rejoined, but I've been there the whole time, and even though Alan White is the 'new' drummer, he has been there since 1972, so he also deserves the credit for being around for 20 years.
I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.
In all, I was in 16 movies, including 'The Bishop's Wife' with Cary Grant, Loretta Young and David Niven; I was in 'Rio Grande' with John Wayne, 'Albuquerque' with Randall Scott, 'Blue Skies' with Bing Crosby and 'Hans Christian Anderson' with Danny Kaye.
I would love to work with anybody who has a good story to tell - Patrick Graham, Vikramaditya Motwane, Anurag Kashyap, Neeraj Ghaywan, Coen Brothers, Wes Anderson. I don't know why I was not considered for that Indian guy's part in 'The Grand Budapest Hotel.'
There are movies that I love tonally, that I would love to emulate. Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but dark film.
You're there to score runs. If you don't do that over a period of time, people will look elsewhere. That hasn't changed and that'll never change, whether it's myself or Jimmy Anderson, you've got to play to a certain level to be picked for England or even Essex.
Obviously, the cinematography of films is art, just as a still shot can be art. If I'm watching a Wes Anderson movie, the colour palettes alone, and the way they're painted, could be art. With music, you're a little bit limited, of course, because it's only audio.
The difference between Marilyn Monroe and the early Pamela Anderson is not that great. What's amazing is that the taste of American men and international tastes in terms of beauty have essentially stayed the same. Styles change, but our view of beauty stays the same.
Wes Anderson's mind must be an exciting place for a story idea to be born. It immediately becomes more than a series of events and is transformed into a world with its own rules, in which everything is driven by emotions and desires as convincing as they are magical.
I think the book that really kind of woke me up a little bit when I was starting to write was 'Winesburg, Ohio' by Sherwood Anderson. I was in grad school at Brown, going for an M.A. in creative writing. Those stories seemed to me to be doing away with pretty writing.
I love storytellers. When I was growing up, my inspirations were watching Eddie Murphy, Dennis Wolfberg, and Louie Anderson. These guys were great at telling stories, and I made that my own style, talking about things that happened to me and trying to make them funny.