Quotes of All Topics . Occasions . Authors
Cable penetrates 70 percent of American audiences now.
American audiences tend to be more expressive than British ones.
American audiences and European and Asian audiences are so different.
American audiences very rarely deal with material outside their borders.
American audiences, a lot of people couldn't understand a word of 'The Witch.'
I make American films for American audiences and Asian films for Asian audiences.
I think American audiences like gangster movies. You know, it's part of the culture.
American audiences are just the same as any other audiences. Except a bit more boring.
My American audiences are pretty mixed. I get all sorts of people, old and young. It's nice.
'Hotel Rwanda' is an American product, not a Rwandan one, made primarily for American audiences.
The American audiences are more vocal and enthusiastic. British audiences tend to sit back a little more.
I think American audiences are open to people with accents and different nationalities being on the screen.
Often, American audiences are underestimated by producers and movie studios. They often think we're dumber than we are.
What's interesting is the show allows for the awkward pauses to be captured, which makes it stylistically unique, especially for American audiences.
When I was general director of City Opera, we were pioneers in the practice of projecting supertitles so that American audiences finally could know what all the singing was about.
I think American audiences are quite interesting in that they can handle almost any amount of violence, but the moment the violence becomes sexual violence it immediately becomes an issue.
I experienced many moments when we were able to overcome language barriers. When they like something during our shows, American audiences would tend to show our fox signs or move their bodies.
I've built a solid career there, but America's ten times the size. Now that we're onto the third record, I feel like the stars have aligned and American audiences are embracing my music even more.
If Mr. Chan ever makes another movie like 'The Tuxedo,' it's American audiences that will see him in court. With 'Shanghai Knights,' he has come through with one of his best. This time, it's personable.
American audiences are great. They get what I am doing, but as my band will tell you, nowhere tops the Irish audience. They are just brilliant. They are very open, but the Americans and Spanish come a close second.
British audiences tend to want to see their own lives reflected on TV, whereas American audiences are quite aspirational and enjoy high-concept shows that show them lives that are perhaps slightly more exciting than they aspire to.
'Sing It Again Rod' touches all the solo bases since Stewart's departure from the Jeff Beck Band, wherein he cut his teeth on American audiences for $75 a week plus expenses, and wisely ignores his generally inferior work with the Faces.
The Spanish and the American audiences are lunatics. They are very passionate and, like the Irish, they don't have as many inhibitions. If you are playing somewhere like Austria or Sweden, it takes them a little while to come out of themselves.
American audiences tend to underappreciate the British, but 240 years ago they were us: They were the most powerful nation on Earth. Their mercantile empire spanned the planet. They had the most potent and experienced army and navy the world had ever seen.
I've gotten more flack from the remake nature of our 'Being Human' from American audiences than I have from British fans. Every fan of the BBC original that I've bumped into seemed very excited and interested in seeing what we did with it - at least to my face!
I understand why creative people like dark, but American audiences don't like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.