Quotes of All Topics . Occasions . Authors
I always say that the most resourceful people in the world are drag queens.
The world has always gone forward when people have dared to have crazy ideas.
I was always interested in making clothing that is worn by people in the real world.
People of this world are deluded. They're always longing for something - always, in a word, seeking.
The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
The whole problem with the world is that fools and fanatics are always so certain of themselves, but wiser people are full of doubts.
'World of Warcraft' was not always a smooth situation. People who played 'World of Warcraft' during the first year can attest to that.
Advertising gets such a bashing from the world. At parties you are always asked, 'Aren't you just selling people things they don't want?'
Being an artist and a human in this world always means confronting people who make you feel like you have to act according to their rules.
Comedy is obviously a matter of personal taste and the world always needs a clown and some people have no taste at all and any clown will do.
The world is always reinventing itself, and so should you. I used to say, 'I haven't started yet.' Sadly, most people don't develop their potential.
I feel like with anything you choose to do in this world, there are always gonna be people who disagree. But I've had a lot more supporters than critics.
I'm one of the most insecure people in the world, always have been, and when you're a fat kid, you try to make the fat jokes before other people make them.
I always used to say hybrids would rule the world - people who have an understanding of many cultures and can relate to them with ease. And then along came Obama.
Bad things do happen in the world, like war, natural disasters, disease. But out of those situations always arise stories of ordinary people doing extraordinary things.
I had always thought of Chris as my kid brother and watching how this kid, as I still thought of him, had affected so many people's lives around the world was incredible.
'Existence' is about the world of roughly 2050, and terrible things have happened, but guess what? People have reacted to the terrible things by coping, as they always have.
Technology is huge; I wanted to learn about it. People might say that's odd, but I think it's odd if artists aren't interested in the world around them. I'm always chasing that.
There are people in the world who aren't necessarily Christians, but they're just naturally nice people who do a lot for other people. Those people will almost always be prosperous people.
There are two kinds of people; those who are always well and those who are always sick. Most of the evils of the world come from the first sort and most of the achievement from the second.
In the animation world, people who understand pencils and paper usually aren't computer people, and the computer people usually aren't the artistic people, so they always stand on opposite sides of the line.
I've been traveling all over the world for 25 years, performing, talking to people, studying their cultures and musical instruments, and I always come away with more questions in my head than can be answered.
I always say that my favorite people to interview are the people who are at the beginning and the ends of their lives because they have two alternate perspectives of the world, and neither of them are less profound.
There are no absolutes in this world, and there will always be mistakes that are made within brokerage firms; there will always be people who set out to deceive the regulators and even deceive their own senior management.
Many people who I respected were disappointed when I started 'Wine Library TV.' They thought I was dumbing down wine, but I always knew I was one of the biggest producers of new wine drinkers in the world, and people are realizing it now.
CNN will always be the channel people turn on when wars and horrible disasters happen. The 'trick' is getting people to also want to watch it when there aren't hundreds or thousands of people somewhere in the world currently in mortal peril.
Much as I wish it were not so, we do live in a dangerous world. It has, in fact, always been this way. Our earliest ancestors had to worry about predators, natural disasters, disease, and - unique among our species - attacks by other people.
It has been my observation that the happiest of people, the vibrant doers of the world, are almost always those who are using - who are putting into play, calling upon, depending upon-the greatest number of their God-given talents and capabilities.
I've always written about people who have very abstracted in a certain way. I write about scientists and artists and musicians. I write about people who live in their heads who are very obsessed about a certain set of details in the physical world.
The world is a bell curve. Classroom test scores, employee performance in a company or how many people really, really like you. No matter the population you're studying, they always fit neatly across the standard deviations of the famous bell curve.
Comedy is a reaction to the world, and I think it really helps to be an outsider. I've always been very interested in people's behavior, to the point of being obsessed - seeing what people needed and reading them, I think that's the backbone of comedy.
It is unfortunate that in every industry, there are people who take advantage of needy people, but I would like to tell all the budding actors not to be vulnerable and always have a backup plan because rejection in auditions and films is not the end of the world.
My mother was always in those films where it's the end of the world and a meteor's about to hit London; there's only six people left, and one of them's in purple underwear. That was always my mother, running from this meteor in purple underwear and spraining her ankle.
I've always been interested in apologetics, the topic of different world views and, 'Why are we here?' and 'Where are we going?' I grew up in the church, and sometimes kids who grew up in a church can be sheltered and can't engage with people with different world views.
A lot of people will always say, 'I really know nothing about the ancient world.' But there's lots and lots of things people know. Partly, they've been encouraged to think they're ignorant about it. In some ways, the job to do is show people that they know much more than they'd like to admit.
I've often heard people say that managing creative people is the hardest thing in the world. 'They're never happy, they drive up the cost of things, blah blah blah.' I just manage people the way I always wanted to be managed. That is, to be creatively challenged, but never to be told what to do.
I've always stood on one fact - that all over the world, there are only two things, the Establishment and the poor people. The poor people are a massive majority and across the world they are exploited in different kinds of ways. The Establishment depends on exploiting raw materials and the poor.
I feel really privileged that I've been able to be an activist and a musician for over 20 years now, and I've always been able to say whatever I want. I think that's something we Americans really take for granted, but it's a big deal, and it's not something most people in the world are able to do.
It's always hard, when introducing readers to a new world/set of rules, not to lay it all out manual-style in the opening chapters but make sure to put the action and the characters at the front. If people don't become invested in them and in the story, the world in which it's set will become a burden.
I guess I was just always one of those guys who asked those fundamental questions: 'Who am I? What's this for? Why? What does this mean? Is this real?' All these pretty basic questions. I like making movies about people who are self-conscious in that way, and are trying to feel their way through the world.