Quotes of All Topics . Occasions . Authors
I always expect people to be torn when they see one of my films and divided in some way.
Some people like to do everything always the same thing. That's another way: To do the same thing.
You are always going to have people criticizing, in one way or another, for their own personal reason.
I've always summed up my definition of fashion as the way that people present themselves on the public stage.
My position has always been, along with many other people, that any differences be resolved in a nonviolent way.
I've always been the same since I was a kid, maybe it was the way I was brought up, but I've never liked arrogant people.
I've always been alone. I grew up alone. I like it that way. Even when I'm in an arena surrounded by 10,000 people, I'm alone in my head.
There are people who are always anticipating trouble, and in this way they manage to enjoy many sorrows that never really happen to them.
I've always been very curious about fringe cultures where people temporarily adopt a different social model or way of presenting themselves.
I don't think I'm always right, but I would like to empower people to come to sound conclusions using a systematic way of looking at things.
I wish I trusted people more. But when I meet someone, the first thing is, 'What does this person want?' And I put up a defense mechanism. But I've always been that way.
People take toasting way too seriously - especially the clinking glasses part. There are always a few people who are seated too far away from each other to easily clink.
Everyone could always see Frank Lampard would become a head coach. The way he was as a player, always trying to help people and on everyone's case. I'm very happy for Chelsea.
And I'm always surprised when people have seen 'The Foot Fist Way', so when people bring that up, I'm always surprised that's reached other people besides my immediate friends.
I've always been a little more narrative, a little more linear, a little more direct. People instantly want to classify that as something retro. It's just a way of writing songs.
I made a living for 10 years making very typical TV commercials. But I always wanted to reach beyond that and do stuff that people might relate to in the way they relate to my nonbranded content.
Commitment. This is my favorite word because in some way, people who are committed are always much more interesting and much more reliable, and much more, I would say, deep than people who are not.
I always laugh and say I met God on the way up, and I got to know him on the way down. And so, as I'm crashing and losing everything, a lot of people run to God when they are struggling. And I was no exception.
I've always been of that mindset - when you're writing tunes with people, there's a traditional way of chopping things up, and then there's the way that feels right. If people contribute, you hit 'em accordingly.
I always have felt that most people don't have the first idea about what musicians, in the traditional sense - I don't mean in the modern media fake way, but traditionally - what they went through, what their lives were like.
I've always swung the same way. The difference is when I swing and miss, people say, 'He's swinging for the fences.' But when I swing and make contact people say, 'That's a nice swing.' But there's no difference, it's the same swing.
I'm an extremist so I'm either hated or loved. I think it's down to when I first got to Formula One not always knowing what I was saying, saying things that mean one thing but people were taking the other way and then people don't forget.
My only qualifications to be an actor were that I'm daring, and I'm a quick learner. I've always learnt by watching what other people do. It's the same with my writing. I write what I know. Structurally, I write in a very undisciplined way.
Everybody has that thing about them that makes them special, and sometimes we try to dull it down or we don't always want to expose it, and maybe we've been taught that way or whatever. It's just a matter of letting it out and letting it go and letting people in on it.
I never wanted to be liked by the majority of people, but there were always some people that I desperately wanted to be liked by. And so you've got to behave in a way that... the way I put it is that if you want to be a real intellectual, you've got to have someone to save you.
Donors want to meet famous people, and getting a high profile draw for a fundraiser is one way to boost both the crowd and the cash. It's why the president and the vice president are always in demand. These folks are in demand because people around the country want to meet them.
I really do like the independent way of working. You don't get much studio intrusion compared to when you're working on a big Hollywood film where there tends to always be loads of people interfering. The only problem, though, with independent features is that they are hard to sell.
One of my favourite Donald Byrd tracks is 'Think Twice,' and I didn't want to sample it. I've always enjoyed when other people have sampled it, so I wanted to instead of making a beat with it or something like that, or freak the beat of whatever. I wanted to just recreate it in my own way, like how I heard it.