Quotes of All Topics . Occasions . Authors
I was always interested in choreography - in making people think and feel something.
I always feel as if I'm a disappointment: that people want a grand dame in furs like Barbara Taylor Bradford.
I've always enjoyed things a little more chaotic than most people would prefer. I feel that I run well in chaos.
I feel like young people, more than anyone in the country, always have their moral compass on perfectly straight.
I feel everyone is put here for a reason. Everyone has a calling. I always thought my real calling was to help other people.
I feel sympathy for the working class lad. I've always championed about ticket prices and try to equate that to people's salaries.
There's always going to be comparisons, and that's unavoidable. There are people out there who feel I hit my peak with Magician and have gone downhill since.
The moralist is the person who tells people that they ought to be unselfish, when they still feel like egos, and his efforts are always and invariably futile.
I'm always touched by people's different stories of who they are and why they made the choices that they made. I feel so empowered by the story behind the person.
I don't go to the afterparties. I think people always feel if I go to the afterparties, they have to behave well, which, after all, is not the point of an afterparty.
Sometimes when you make mistakes at big clubs you get punished. With Arsenal, people always seem to blame the defence for defeats. But I feel really safe behind them.
When people are like, 'What do you think of this vampire craze?' - well, I don't really feel like it ever ended, personally, 'cause I've always been into them, like 'Underworld.'
I always feel like people in general are much weirder and insane than anybody really wants to admit. How dare somebody watch anything and go, 'That's not real!' Go on the subway. For five minutes.
I really feel like because I had my son so young, I didn't want everyone's help. I think people felt entitled to give advice, so I'm always very sensitive to moms and letting them feel their way out.
With any kind of mean girl, or anyone who bullies anyone, there's always a reason for it. There is that sadness in them or insecurity that makes them feel like they need to act out or hurt other people.
We always play clubs. It's not something that I feel above. Those are my favorite shows because they're intimate, they're tight, their sweaty, they're hot. You're close to the people. Those are my favorites.
I've always felt, as a person, that I wanted to make people feel included and loved because I think at some point in all of our lives, we've felt not included and unworthy, especially in terms of appearances.
You always gotta reach the people who feel bad about themselves or insecure about themselves, and I think 'Like 'Em All' was just a perfect song for all the girls, and I think that's why it blew up like it did.
As a viewer of TV shows, I always like shows more when I just feel like the people in charge have a plan. You can just tell sometimes, 'Oh, there's a plan there. They have an idea for how this is going to unfold.'
It's very surreal. It seems like everywhere I go, people always talk about 'Indiana Jones,' and I realized over the years it has made a huge impact on their childhoods... I feel very fortunate to be a part of this.
I do have esteem issues when it comes to reading and writing. I always feel kind of self-conscious about letting people read something that I wrote, because the last thing I wanna hear is, 'You spelled everything wrong.'
I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.
I certainly direct with confidence even if I'm not confident. I learned early on as an actor that confidence can be faked, and it's not always a terrible thing to do. A lot of times if people feel you're confident, then they're confident.
It's always that tricky thing with a remake, especially when it's something that's well loved. You're coming to something that has a built-in fascination, but with that comes people ready to feel disgruntled that it's being remade at all.
I'd rather go after the people who are the guardians or what we're doing - the news people and the politicians and that sort of thing. I always feel like those should be my targets, not really entertainers. That's just my personal opinion.
I never feel comfortable! I'm always anxious. I'm always all over the board. That said, I like doing comedy because it's easy to tell when you're getting it right because people laugh, and you can hear it, and they're smiling, and you can see it.
Politicians always think they know what people feel. It's a fallacy, because there is no such thing as 'the people.' It is a discursive device for summoning the people that you want. You're constructing the people, you're not reflecting the people.
We don't even know what our desire is. We ask other people to tell us our desires. We would like our desires to come from our deepest selves, our personal depths - but if it did, it would not be desire. Desire is always for something we feel we lack.
Like most people - unless they're very practised at it or have no warm blood at all in their veins - I feel a little apprehensive about the red carpet. It's always a bit bewildering when people are taking pictures and asking questions before the ceremony.
I'm not comfortable being around too many people. I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff. So most of the characters I play are people who don't always feel comfortable beyond their small circle of friends.
Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?