I have a following, but it's small. I have this level of fame where people spot me in the airport, consistently, but they always think they're the only one who ever has. People will think they win a prize when they recognize me.

I acted out a lot. I was very nerdy. I was very isolated, which I made up for by kind of talking and trying to entertain people and get them to like me, so I did theatre and improv in high school and college, but always as a hobby.

Every now and then, people will recognize me at restaurants or Universal Studios or something. I'll always take a picture with them if they want. I mean, that's what telling stories and acting for a living are for - for the people.

A part of me is always envious of people who live in the present and are sustained by a sense of spontaneity. Even dogs have that capacity: they're always wanting to participate in something, and I don't often have that element in me.

What you don't see is scarier than what you do. Categorization is always kind of arbitrary, but people have called 'Preservation' a 'psychological thriller.' To me, psychological thriller basically means 'a horror movie without the blood.'

I loved to dance and went to Studio 54 at least twice a week. But I always felt nervous around the people there. I was in awe of that whole Halston-Liza Minnelli crowd. To me, they were the real celebrities, and I was just a girl from Idaho.

It's always shocking to people, because sometimes when I go on the road and I DJ, they think I'm just gonna perform, so to see me really DJing and playing their favorite song and really rockin', it's a shock to people, and definitely to DJs.

I always enjoyed playing ball, and it didn't matter to me whether I played with white kids or black. I never understood why an issue was made of who I played with, and I never felt comfortable, when I grew up, telling other people how to act.

I enjoy just showing people other sides of me, especially everyone always sees me in my helmet and ski suit. It's nice to just show everyone me, just me in my everyday clothes or just me in high heels or just me not in my ski gear, basically.

People always make a lot about how I don't carry grudges. That's my religious upbringing. I went nine years without missing Sunday school. Lutheran. I can't live with hatred inside of me. That's what I learned. I ain't scared of dying, either.

Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.

I had parties in church halls. My mama knew people that had venues and all that, and I knew a lot of people from forever. I was always popular growing up. She used to get me the spots, and I used to have parties. Probably about 300, 400 people.

I was never really aware of being famous. Being in a magazine or on a billboard - that really didn't register to me at all when I was younger. People would come up to me and recognize me, but I was very fortunate in that people were always so warm.

Most people know that Lita has been, as far as my wrestling career is concerned, a big influence even before I came to the WWE. We met when I was working the independent scene in North Carolina. She's always been so kind to me and helped me out a lot.

Weight issues, race issues will always be there and if you allow them to get to you and you allow them to affect you then yes they affect you. But my thing is I have so many other things to worry about I can't worry about other people's perception of me.

I always loved asking everybody when I arrived in England, from the drivers who picked me up to the people at the hotel to people I met when I was walking in the park, almost everyone at some point would say, 'Everyone loves Ant & Dec!' From eight to 80.

I have a problem when people say something's real or not real, or normal or abnormal. The meaning of those words for me is very personal and subjective. I've always been confused and never had a clearcut understanding of the meaning of those kinds of words.

I play with a chip on my shoulder always, I feel like people don't always give me credit for my skills and talents and that's just the way it is. I also don't care too much, I don't feel like I'm crazy disrespected. I have a chip on my shoulder at all times.

With The Fugees initially, and even with 'Miseducation', it was very hip-hop - always a singing over beats. I don't think people have really heard me sing out. So if I do record again, perhaps it will have an expanded context. Where people can hear a bit more.

I started out as a dancer as a kid; I've been dancing since I was 4. So, performing was always part of what I was. I don't know if it I enjoyed the response I got from people or if I liked having an audience, but there's something in me that wanted to perform.

I'll put it like this: When I was in high school, I would never win a popularity contest back then... it was always somebody else that got picked first for whatever reason. But all those people that went before me usually dropped the ball... then I'd get my shot.

You know, I always when people ask me, like, what is my most favorite song, I quote Duke Ellington, when they would ask him, what's his favorite composition? And I say, I haven't written it yet. Because, you know, there are different songs for different occasions.

I own my own company, so I've never had businessmen telling me what to do or getting worried if something doesn't sell. I've always had my own access to the public, because I started off making my clothes for a little shop and so I've always had people buying them.

I gave Mitt Romney some donations for his campaign because he was a friend, and friendship came first. I've always been a Democrat, and I've had different views than Mitt Romney. I'm not Mitt Romney, and I think people will realize that when they meet me out there.

I was lucky I always got along with girls. It was never like a big deal. I had a lot of girls that I was friends with that I wasn't sexual with. I think having two older sisters made me comfortable like that. I just like people, so I can just go up and say whatever.

My real name is Elizabeth, but I had a nanny growing up who called me 'Elizabeanie.' So from 4 months old, my brothers were, like, 'Let's call her Beanie.' To show people the validity of it, I always say that if I met the president, I would say, 'Hi, my name is Beanie.'

Generally, in Gujarati families, people get married early, and all my friends are married with two kids. My father had told me, 'If you do not find a right partner, do not get married'; that's the advice he has always given me. So, I will never compromise in my marriage.

I have this little, tiny Dusty Rhodes figure they make in Japan that people always give me in my bag. I set it next to the title and took a picture of it in my bag. That was my big goal in the industry. I wasn't able to achieve that in his lifetime, but he always believed.

The only person who ever called me Paul was my father, so I always associate it with doing something wrong, you know. So, you know, occasionally, people will come up to me on the street and try to, you know, ingratiate themselves and call me Paul. I don't like it, actually.

I lived in a little shack in Santa Monica, and I was working on 'The O.C.' and when it started airing, I took my laundry down to the laundromat like I always had, and so many people along the two blocks I walked and in the laundromat stopped me and asked me for photographs.

There is certainly a higher percentage of wit in British comedy than in American comedy. What always tickles me is the way in which people try to use their intellect to get themselves out of tricky situations but never quite manage to do so - much to their enormous embarrassment.

Because I'm a big guy, I was always playing the bad guy or whatever, but after I did 'The Blind Side,' where I played a father who's a really loving, likeable sort of person, a lot of those barriers were broken down. People saw me as something softer, not so much as a heavy anymore.

I don't need anyone creatively to tell me how I'm supposed to be. Only I know the answer to that. Only I know what I would say. That's always been my outlook. I haven't really worried about rubbing people wrong because I only know how to be Bray. And Bray is always going to be Bray.

I came up from growing up with a lot of Catholic guilt, a lot of punk rock, hipster guilt in the later years where I think people have thrown a lot of things on me. Where I always felt like I'm not supposed to tell the horn section what to play or I don't want to come off egotistical.

I was really sensitive because people would say they thought I was a boy or call me a boy and stuff like that. I always had my hair back and, like I said, baggy clothes. So it was kind of sad. I didn't know what to do about it, and I didn't know what I was doing wrong because I was just being me.

I think this is a part of John McCain that a lot of people don't know about, is that he took younger senators under his wing. And, in my case, I - he taught me so much about national security and foreign policy, even when we didn't always agree. He took me four times with him to Iraq and Afghanistan.

It was incredibly daunting for me to go from 'Son Of Rambow' to 'Narnia' because of the natural jump that there is that is dictated by budget, and the number of people working on it. Even though a lot more people saw 'Son Of Rambow' than we expected, a lot more people were always going to go and see 'Narnia'.

I'm trying to open up my range and really sing more. With The Fugees initially, and even with 'Miseducation,' it was very hip-hop - always a singing over beats. I don't think people have really heard me sing out. So if I do record again, perhaps it will have an expanded context. Where people can hear a bit more.

I meet a lot of people who are awkward around me now. I was always embarrassed about that; the more attention I got, the less I wanted it and the more it would manifest in a physical way and I would be hunched over about it. I'm just starting to realise now that it's not my problem, it's somebody else's problem.

It is always the case that when something emerges - which, of course, from the perspective of the former West Germany looks very different - then people say, 'She hasn't told us this yet' and 'She hasn't told us that yet.' I don't know - maybe there are other things I didn't talk about because no one ever asked me.

Fans are always asking me where I get my ideas from. The answer is that I'm very curious, and I get inspiration from everywhere. I read the newspapers voraciously, so I know what's going on in real crime. I pay attention to the strange stories people tell me, and I also read a lot of scientific and forensic journals.

The murder of my husband by the railways has altered the way I think about everything. I had always thought that the majority of people were decent and honourable. In the wake of the crash, what made me angry more than anything else was the realisation that this was not true. I still find it very hard to come to terms with.

There is a sense in which the United States ambassador speaks to the United States, as well as for the United States. I have always seen my role as a thermostat rather than a thermometer. So I'm going to be actively working... for my own concerns. I have always had people advise me on what to say, but never on what not to say.

I'm all about entertaining and keeping a reader on the edge of their seat, so to me, the social issues have to be meaningful and give the book what's really 'at stake,' but ultimately it's not about them - it's always a personal story of everyday people thrust into life-threatening situations and having to perform heroic acts.

The secret to understanding me is, I'm not trying to be anybody other than who I actually am. People want candid, refreshing leadership. And I've always tried to go with solutions. You know, I've always tried to say, here's how we get our economy growing, here's why we get our debt under control. That's what Mitt Romney is offering.

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