Quotes of All Topics . Occasions . Authors
I always loved doing a movie with Daldry. That's always a huge factor for me.
My career has always revolved around what I do and don't want my sisters and brothers seeing me doing.
An album is such a personal thing. It's something I always wanted to do. It's me doing me, singing as me.
My schedule is always tight. But I like to have the pressure of having to finish doing something; it gives me an added edge.
Shape and color are my two strong things. And by doing this, drawing plants has always led me into my paintings and my sculptures.
For me, hour-long drama was always the thing I felt the most comfortable doing, and I've played so many dramatic roles in the theater.
Playing roles that are intense and damaged has always come more easily to me than doing comedies or lighter stuff - that would be taking a huge risk for me.
Nonfiction is more personal for me. It's more personal in that it's more direct, and actually it's always been more direct, even when I first started doing pieces.
I always get scared of traffic cops when I'm driving, like I freak out even when I'm not doing anything wrong. I still think they're going to pull me over and arrest me.
There's something about Alan Arkin. Even when he's doing nothing, he makes me laugh. I've always had that reaction to him: he's got a weary world-view that makes him perfectly cast.
I always had trouble being proud of how they were using me in WCW. It was hard for me to be interested in what they were doing, and what they were doing with me was pretty pathetic.
Me mum used to always have the radio on - even now she has it on in every room. Me girlfriend sort of blames that reason for me not doing that well at school - constant noise, really.
Every job I've inherited, like 'Strictly's It Takes Two' and the radio show with Zoe Ball or 'Big Brother' with Emma Willis, I'll always ring them first and say, 'Are you OK with me doing it?'
I don't think anyone in the WWE really knew that I did parkour. I mean, some of the guys have seen me doing it backstage in arenas before and have always asked about it, but the office didn't know.
I loved stories as a kid, both being read to me and enjoying on my own. All these stories inspired my imagination, and that's what I have always aimed at doing for my readers: ignite their imaginations.
In Michigan, if you want to act, it's local theater, it's high school theater and it's going to camp and putting on plays in the summer, and I always loved doing that. There was something that just drew me to it.
Audiences have taken a liking for supernatural and fantasy shows. The genre is doing well on the small screen, and I wanted to get into that mould. I have never played a naagin, and such roles have always intrigued me.
As I've gotten older, I've realized the element that sounds like The Gaslight Anthem that's mine is always going to be me. The other three-fourths of it is going to be the other guys. I can't stop doing what I do naturally, whether I'm in The Gaslight Anthem or my own thing.
Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.
I think it was 1987 - something like that - or '86, and I thought, 'When you go equity and you're gonna get paid, you'll finally be able to make a living.' But it was not to be so. I always bartended and waited tables so I ended up not doing theater for about a year because nobody would hire me.
When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.