Quotes of All Topics . Occasions . Authors
Writing poetry makes you intensely conscious of how words sound, both aloud and inside the head of the reader. You learn the weight of words and how they sound to the ear.
An hour or two spent in writing from dictation, another hour or two in reading aloud, a little geography and a little history and a little physics made the day pass busily.
I read the Bible to myself; I'll take any translation, any edition, and read it aloud, just to hear the language, hear the rhythm, and remind myself how beautiful English is.
Reading aloud could be humiliating, I was shy about doing it. Bear in mind I failed my English GCSE and A levels, which goes to prove that if I can embrace it, so can anyone.
Every time you read a poem aloud to yourself in the presence of others, you are reading it into yourself and them. Voice helps to carry words farther and deeper than the eye.
When I was 14 or 15, our teacher introduced us to Dickens' 'A Tale of Two Cities.' It was just for entertainment - we read it aloud - and all of a sudden it became a treasure.
The apostles were moved, not so much by an intellectual apprehension, as by a spiritual illumination. They met men, and the need of those men whom they met cried aloud to them.
I was lucky enough to have a mother who took me to the library - the public library - twice a week, Wednesdays and Saturdays. And also bought me books. And also read aloud to me.
The UNLV championship game against Duke, I didn't shoot the last shot. Choked. It took 10 years for me to say that. I had to be in the NBA five, six years for me to say that aloud.
I surrendered to a world of my imagination, reenacting all those wonderful tales my father would read aloud to me. I became a very active reader, especially history and Shakespeare.
If you need proof of how the oral relates to the written, consider that many great novelists, including Joyce and Hemingway, never submitted a piece of work without reading it aloud.
It might be an idea for all literary critics to read the books they analyse aloud - it certainly helps to fix them in the mind, while providing a readymade seminar with your audience.
If I'm made to pick one transcendent reading experience, then it was listening to Miss Sarzin as - if we'd been very, very good - she read the next chapter of 'The Hobbit' aloud to us.
In Girls Aloud, there's always someone there to help out, to jump in on difficult questions and to moan with about how hard we're working. That camaraderie isn't there when you're solo.
The thing I care about is my weight - I'm as fanatical about it as a member of Girls Aloud. I weigh myself every morning. I know exactly what I want to be - 82kg - and I try to stick to it.
Advertising is, actually, a simple phenomenon in terms of economics. It is merely a substitute for a personal sales force - an extension, if you will, of the merchant who cries aloud his wares.
I'm trying to make the poems as musical as I can - from the inception. So that whether they're read on the page, or people read them aloud, or I read them aloud, the musicality will be kind of a given.
I don't find writing easy. That is because I do take great care: I rewrite a lot. If anything is sort of clumsy and not possible to read aloud to oneself, which I think one should do... it doesn't work.
It was weird. I joined this band because my life was all about singing. Then Girls Aloud became successful, and suddenly it wasn't just about being able to sing any more. It turned into a beauty contest.
I found many ways around my dyslexia, but I still have trouble transforming words into sounds. I have to memorize and rehearse before reading anything aloud to avoid embarrassing myself by mispronouncing words.
I am tired and sick of war. Its glory is all moonshine. It is only those who have neither fired a shot nor heard the shrieks and groans of the wounded who cry aloud for blood, for vengeance, for desolation. War is hell.
You start realizing that good prose is crunchy. There's texture in your mouth as you say it. You realize bad writing, bland writing, has no texture, no taste, no corners in your mouth. I'm a great believer in reading aloud.
People wonder aloud about whether I am an okay mother. That is obviously painful because it's so important to me. It's hard to hear that people think I'm not a capable mother and a good person, that they just think I'm nuts.
Books are mute as far as sound is concerned. It follows that reading aloud is a combination of two distinct operations, of two 'languages.' It is something far more complex than speaking and reading taken separately by themselves.
I do read all my work aloud as I'm working - this has made it a little hard to adjust to my husband's retirement. I can shout the shouty parts if I'm alone in the house, but of course, I feel a fool if someone is there to hear me.
Around the time that Girls Aloud was at its biggest, I was offered some huge acting roles in America. I decided to stay loyal to the band rather than take those other opportunities. Sometimes I wonder whether I should have just taken them.
I remember the days beginning at sixteen, seventeen years old in Girls Aloud. Nobody knew us, nobody cared. We'd do university shows and people threw beers cans at us. All sorts of crazy things! We had to work really hard to get where we did.
Louis Walsh, he made me audition for Girls Aloud, he said, 'If you don't, I won't speak to you again.' I was like, 'We don't speak that much anyway.' I went and it all worked out well, I wouldn't have gone to the audition if it wasn't for him.
I think the reason I'm a writer is because first, I was a reader. I loved to read. I read a lot of adventure stories and mystery books, and I have wonderful memories of my mom reading picture books aloud to me. I learned that words are powerful.
If I'm serious, yes, I'd like to have done what Shakespeare did... to act and write. You learn so much from acting. One of our great writers, Alan Bennett, does both supremely well. When I write a story, I tend to speak it aloud as I'm writing it.
My idea of teaching literature is just to read great passages aloud or to look at it the way a writer does, which is what I try to do. Which is to say, 'How does this writer do this? How did he order his scenes? Do you notice any pattern to his sentences?'
Much of my reading time over the last decade and a half has been spent reading aloud to my children. Those children's bedtime rituals of supper, bath, stories, and sleep have been a staple of my life and some of the best, most special times I can remember.
I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
If I hear an interesting turn of phrase on TV, I'll repeat it back - I just like to roll it around on my tongue. The same goes for dialog: I'll either speak it aloud or whisper it. I definitely sit in front of my computer and mutter. People have mentioned it.
I was a terrible reader as a kid. I mean terrible. Super slow and very unfocused. It took me forever to read a book, and I remember being well into high school and still needing my mom to sit down and read aloud to me so I could pass my English tests and such.
I talk to myself. It's my worst habit. I often muse aloud, or, when people drive me crazy, I curse them aloud. I might do a ranting monologue about how pissed off I am about them, occasionally forgetting that they might still be in the room; now, that's weird!
I have found little that is 'good' about human beings on the whole. In my experience most of them are trash, no matter whether they publicly subscribe to this or that ethical doctrine or to none at all. That is something that you cannot say aloud, or perhaps even think.
I was brought up in Zimbabwe, and there were seven of us in my family, so it was difficult to read aloud to us all. There weren't that many picture books around in the Fifties in Zimbabwe. My favourite was Heinrich Hoffmann's Struwwelpeter, which was really frightening.
I remember that as I was writing a poem on 'Snow' when I was eight, I said aloud, 'I wish I could have the ability to write down the feelings I have now when I am little, because when I grow up, I will know how to write, but I will have forgotten what being little feels like.'
I read stories aloud at every stage. I listen to my writer friends when they kindly offer criticism. I listen to my husband when he tells me something doesn't seem right. I have my mother's boyfriend, Loring Janes, read to make sure I get everything right with the machines and guns.
Ray Bradbury published his first story 29 years before I was born. He established himself as an international writer long before I arrived. When my mom was nine months pregnant with me, my father read Bradbury aloud to her as I listened intently, in utero. And I later became his biographer.
When I'm writing the text for a book like 'Little White Rabbit,' I read it aloud, alone, in my studio, again and again and again - because the rhythm has to be exactly right. After I get my manuscript to the point where I think it is perfect, I begin to think about what I want the art to look like.
When I discovered that, through acting, you can speak a beautiful language aloud and have a relationship to language that isn't one that's just eyes-to-page, pen-to-page - it's one that's full-bodied, full-voiced, full-heart... it really opened my heart and made me feel like I could be a storyteller.
The language of all the interpretations, the translations, of the Judaic Bible and the Christian Bible, is musical, just wonderful. I read the Bible to myself; I'll take any translation, any edition, and read it aloud, just to hear the language, hear the rhythm, and remind myself how beautiful English is.
When we launched a new company, I reviewed the ads and marketing materials and asked those presenting the campaign to read everything aloud to test the phrasing and concept. If I could grasp it quickly, then it passed with muster. We would get our message across only if it was understandable at first glance.
The gay bunting erects his white crest, and gives utterance to the joy he feels in the presence of his brooding mate; the willow grouse on the rock crows his challenge aloud; each floweret, chilled by the night air, expands its pure petals; the gentle breeze shakes from the blades of grass the heavy dewdrops.
Do not flinch from experiences that might destroy your beliefs. The thought you cannot think controls you more than thoughts you speak aloud. Submit yourself to ordeals and test yourself in fire. Relinquish the emotion which rests upon a mistaken belief, and seek to feel fully that emotion which fits the facts.
It's funny to see how people react to the project, to read their thoughts, and I wonder aloud, 'Did they even watch the movie? Did they even get it?' I know we, myself and the entire cast, put a lot of heart, love and humor into 'Meet the Peeples'. I'm very proud of that film and what we were able to accomplish.
I've only cried at one book, but I'm too embarrassed to tell you which. It wasn't terribly intellectual. I will admit, though, to crying when I've read books aloud to my elementary class. We read a biography of Gandhi once, and it was very difficult to read the part where Gandhi was killed, because they were waiting for a happy ending.
You could time a suburban story by your watch: it lasts as long as it takes a small furry animal that's lonely to find friends, or a small furry animal that's lost to find its parents; it lasts as long as a quick avowal of love; it lasts precisely as long as the average parent is disposed on a Tuesday night to spend reading aloud to children.