Quotes of All Topics . Occasions . Authors
When I had photographed Prince William's mother, I brought along a CD of Dalida, a French singer, that we played on set all day to relax everyone. I decided to do the same thing for Catherine and William. The contrast of the contemporary informal music playing in the beautiful rooms with so much history caused a lot of laughter.
Well 'Monday Night Football,' I think the players kind of like it because they like the attention, and it's a lot of attention. But on the other hand, it's a disruption of the routine we used to have to play on Monday night. If you're a player, you sit around all day waiting for a game. It's different than when you play at noon.
When you're on set all day, and you don't look people in the eye, it's really relaxing. Normally when you talk to someone, a lot of the conversation is in the body language and in the eye contact and stuff. And if you don't do that, if you just listen to the words, it's quite relaxing, because there's just one thing to focus on.
I'm not really a girly girl, so for the most part, I'm really into wearing baggy clothes. A little on the grungy side of things for the dance world. I'm not really into the tutus or the flower hair clips, either. As dancers, we're pretty much next to naked with each other all day, so you kind of get used to being not so clothed.
My grandmother took me to church on Sunday all day long, every Sunday into the night. Then Monday evening was the missionary meeting. Tuesday evening was usher board meeting. Wednesday evening was prayer meeting. Thursday evening was visit the sick. Friday evening was choir practice. I mean, and at all those gatherings, we sang.
Oh my God, I'm so excited. I love Comic-Con, it feels like a weird nerd camp. All my nerd friends are there and all the comic book writers I know and then a lot of actors, too, and you hang out with these people for just a few days, but you hang out with them all day, every day. It's like camp - it's like a weird camp. I love it.
I'd still stand in line all day to get into an AC/DC show, because that was the one show when I was younger that kind of changed my life. Because it was a little wrong. I think I was 14 or 15, first concert without the parents, you know, and they were all worried because we were going to an AC/DC show, and it was an amphitheater.
I was the dude you didn't wanna go to school with, because I would come to school and get on your shoes. If you had a hole in your pants, I'd talk about it all day long. If your hair was messed up, if you had buck teeth, I'd talk about it all day long. And I made people laugh doing it, but it wasn't like I thought I was a comedian.
From day one, snowboarding led me down a totally different path, and it's that path that's kept me laughing and continually intrigued. I love the satisfaction at the end of the day of overcoming my fears, of spending all day outside working hard, and there's nothing better than the feeling of landing a new trick for the first time.
I used to think that if I was ever so lucky as to get a book deal that I would write all the time. All day, every day. I'd write three books a year. The truth, though, is that writing all day isn't really feasible. I could do it, but I'd be folding in on a lot of other aspects of my life, things I care about. And I wouldn't be happy.
I heard opera all day long. From the time I was 9 years old, I was imitating the singers; later I studied opera. But we also got Western television and radio, from the Americans in West Berlin. When I was 11 years old, I turned into a hippie and gave flowers to policemen. And when I was 21 and left Berlin for London, I became a punk.
'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.
I record all night and sleep all day. It started because you're excited about the music and you want to stay up longer, but over 15 years, it's become a habit. In my circle, I think a lot of musicians operate like this. When the place is quiet, you're more creative. I have plenty of people I can call at 4 A.M. and know they'll be up.
I know, for me, that I have always been very conscious of how I dress when I go to the studio, I'm very conscious of my body language when I'm working - a lot of times, I'm the only female in the room. It's a very male-dominated profession. I'm always around guys. Guys are going to try you all day, and they're going to flirt all day.
The whole point of art school is that you're going to be able to have nudes all day long and a teacher who is there to move you. It's great. I did a tiny bit in the one school in Paris, and it was wonderful because you'd have a nude taking a crazy position, and you'd have 10 seconds to do a drawing. Then you'd do a one-minute drawing.
The 'OK Plateau' is that place we all get to where we just stop getting better at something. Take typing, for example. You might type and type and type all day long, but once you reach a certain level, you just don't get appreciably faster. That's because it's become automatic. You've moved it to the back of your mind's filing cabinet.
All questions of process require an answer that begins with a very important sentence, and the sentence is: 'Everybody is different.' Whatever way of working you name - methodical, haphazard, gets up early in the morning, sleeps all day, works at night, revises immensely, never revises at all - someone has made great work with that way.
The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.
People ask me, 'Is being a parent the be-all, end-all?' And I say, 'Oh, it definitely is up to the person, and it is difficult, it can be very difficult, and it can be extremely healing.' That's what I have found, that the children are mirrors. Everyone is a mirror, but children especially because they're day and night and all day long.
Our main character is Klem Ristovych, the most senior detective in the MCPD. Klem's a dinosaur, the oldest cop working the Fuse, and nobody can believe she hasn't retired yet. Hell, she can hardly believe it herself. But what else is she going to do? Sit at home and watch soap operas all day? She'd throw herself out of an airlock first.
I think taking vacations and turning off the phone and only doing emails or social media for a specific short amount of time helps with work/life balance. If I'm checking it all day I start to feel cuckoo-bird. So I just do it once or twice a day instead of a thousand. And then remembering that it doesn't matter. It just doesn't matter.
Perfect happiness would be knowing that all my family and friends were happy and safe. Then I'd go to a tropical island with my husband where it was gorgeous and fun all day long and interesting and fun all evening. Good food and dancing would be nice, too, and weekly visits from those safe and happy family and friends. Plus world peace.
Sitting with a deck of cards in your hand all day is an obsession. Visiting print shops and bookstores and libraries is an obsession. And writing about this is an obsession. I think, in general, most collectors are obsessed. I think the only form of a rationalized greed is when you're collecting something you are supposedly serious about.
I drive out to this quail farm, where I get a lot of these incredible quail eggs, which I eat all day long. And I eat a lot of superfoods like goji, cacao and chia seeds, things like that. And I like unpasteurised milk of the goat and the sheep. They send it once a week from Pennsylvania, from the Amish farms, and I get it in Los Angeles.
Fans give me abuse all the time. Nearly every team does that. If I wasn't a good player, you wouldn't feel like you need to boo me the whole game. So do that if it makes you feel better, but it does spur me on. It's like, 'You expect something from me; that's why you're doing this,' so I don't mind it. They can boo me all day long, really.
Fighting for one's freedom, struggling towards being free, is like struggling to be a poet or a good Christian or a good Jew or a good Muslim or good Zen Buddhist. You work all day long and achieve some kind of level of success by nightfall, go to sleep and wake up the next morning with the job still to be done. So you start all over again.
I would have to say the most challenging thing about directing is the sheer stamina because... as a director, you're always doing something. Someone always needs to talk to you. There are always decisions to be made and every day for as long as the movie goes on. So it's a marathon... You don't have to look nice, but it's all day every day.
I quite clearly remember driving home at 9 a.m., after shooting all day, in a bathrobe, with bodypaint all over my face, and going through McDonald's drive-thru. I ordered a coffee to make sure I didn't crash on the way home. And the girl working there, she didn't even bat an eyelid. I guess it's a regular thing down in Hastings McDonald's.
God bless my mother - she's long gone now, but she'd work all day and go to school at night. She started out in life as a housekeeper at 15 years old, totally on her own, and she retired as a college professor. But there were some hard times. It's not easy for a woman who's only trying to do the best for her kid but who could never be home.
The writing process is more... it becomes a case of more like a diary for me. I mean, I write stuff down all day whenever I'm experiencing something that I think would be important for me to look at later on. You know, whether it be for writing lyrics or just for a memory, like, 'Oh, my gosh, I can't believe I was feeling that way at that time'.
