Quotes of All Topics . Occasions . Authors
I'm not the same guy that you may have seen from the 'I Get Wet' album. I'm not that same person, and I don't just mean that in a philosophical or conceptual way. It's not the same person at all.
I use the music to vent, and a lot of the stuff that I am writing about or was writing about contained a lot of anger and anxiety, stress and depression, so that's how the album came out so dark.
I have a crush on Steve Tyler. He's funny, he rocks, and has a voice like a god. There is another one who I have discovered can sing. I should try and make an album with him... it's Barack Obama!
On my first album I was wearing a lot of guys pants, baggy clothes and stuff like that. I was 17 and I was a little tomboy. And you would never see me wearing a dress or heels on my first record.
Putting out my album on my own label has been a great experience for me. It's been very inspiring. It's like a new start for me and having all this creative freedom is so liberating and exciting.
I acted in 'Almost Famous.' My album 'Fingerprints' won a Grammy Award in 2007. Even more prestigious, as far as my kids were concerned, I appeared in episodes of 'The Simpsons' and 'Family Guy.'
If you listen to the left track on their album, if you get The Best of the Mamas and Papas, you listen to the left track, you can still hear a little bit of my voice. My son discovered that once.
The album that defined my childhood was probably Ella Fitzgerald's 'Greatest Hits,' whereas my half-sister, who didn't have the same conservative upbringing, was listening to Cash Money and crunk.
Yeah, I came in at the end of the Notorious album, played on about five tracks and then we went on a tour. Then we did another album, Big Thing, and then we started writing songs together in 1989.
I don't wanna get into that space where a lot of guys now, their solo album is like eight or 10 songs with other people, you don't get an idea of who this guy is. I just wasn't interested in that.
I just woke up one morning, and I painted my Maybach red - I wrapped it, matter of fact, red - and I thought, 'I might as well change my album to 'Still Brazy' 'cause I gotta be real with myself.'
I have got an anthology album out. The American version has got the same mixes but the European version, I remixed them in the studio and added a couple of things that I have always wanted to add.
I have an incomplete album that I want to finish. I have been thinking about the plan during my days in jail, I have sung rock n' roll for forty years. After jail, I will continue to rock n' roll.
I would like to recommend 'After Putting On Makeup' off our 1st LP, 'The SHINee World.' All of our albums are meaningful to us, but I have more attachment towards it because it is our first album.
Lion Face Boy' is the first single from Seabear's sophomore album, 'We Built a Fire,' and it's a perfect display of the band's knack for constructing mountains of instrumentation on a simple idea.
When 'The Dark Side of the Moon' was a new album in 1973, a friend of mine walked into my room where I was working with a copy in his hand and said, 'You really have to do a play about this album.'
'Al Jamilat' is not just feminist. It's an album with songs that feature women: women who are in love, rebellious women, political activists, women who are more submissive, women who are in charge.
The only person I've worked with on my album was Kanye. And between the stuff that I've done and the stuff that he's assisted on and produced for me for this album, I don't even need anything else.
The new album is a childhood dream come true. Got to sing with Ronnie Spector, got to cover a bunch of songs that were influential in drawing a line between the punk form and original rock and roll.
My next project will be a Christian album, another one. I wrote the songs for the ones you're referring to, but I want to do some of my old gospel favorites. That's what my next album's going to be.
There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.
I feel like I always describe myself as a late bloomer. My first album, in my mind, was that I had a few songs I needed to take from incomplete demos to working with someone else and finishing them.
God would have to beam into me what I was doing and what the album actually sounded like because usually when I start a project like that, I already know what the album sounds like before I start it.
Tame Impala has two lives. One is the album, which is like a producer, and the other life is like a band: more of a live incarnation where we're basically a covers band for the albums that I produce.
It's a spirit that was given me and the relationships and meeting all these great people, Duke Ellington, Louis Armstrong; through Max I met a lot of people too. My first album was with Benny Carter.
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
I thought it was time to get a group together and the first person I thought of was Wayne Shorter. I called Wayne and in the meantime, Wayne called me to make an album with him, which was Super Nova.
I've tried to be more self-sufficient as I've gotten older. I'd like to not worry about whether they're going to sell my next album or book. Hell, William Blake wasn't even published in his lifetime.
I made a Christmas album a couple of years ago and just put it out on my Web site. It kind of smacked of this flavor. All of the reviews said it was Western swing even when it was Christmas standards.
We have always tried to treat every album differently and even from day one I think that each Asia album has been approached with care and thought and hopefully that shines through twenty years later.
Reggae was always a passion of mine. I used to say in interviews that I would love to do a reggae album. But it consumed my life being a hip-hop artist and being Heavy D, which I'm happy and proud of.
I appreciate the additional additives and preservatives that help sell a project, but I'm sticking to what works best for me. I gotta sell the album live on stage and make people believe in the songs.
I always had to wait until something hit me, and I could write it. But when I would cut an album, to me it represented the time that I spent since the last one. Just the way I was looking at the world.
It got to the point where I couldn't afford to borrow any more money to lose. Know what I mean? That was just before 'Frampton,' my fourth album. As we were recording it, I was very down and depressed.
I like 'Bewitched' off the first album because it's one of the happiest songs I've ever written and, as any writer will tell you, happy songs are a million times more difficult to write than sad songs.
Nothing me and Kanye can do musically was gonna match the event of what we were trying to do. So we were trying to deliver an album and experience at one time; that was the idea for 'Watch The Throne'.
I can understand why we got bad reviews. We went right over people's heads. One album would follow another and would have nothing to do with what we'd done before. People didn't know what was going on.
I have an independent record label called Favored Nations on which I released an album by an artist called Johnny A, who plays an arch top Gibson through a Marshall, but the tone is all in his fingers.
Puff is more of a mentor rather than someone who's directly involved in my movement or helping me put my album together. It's not like me and him party together. He's definitely more of, like, a mentor.
When we did 'Back In The Game' on the Wu-Tang 'Iron Flag' album, I did a verse about gambling. I didn't want to be 'back in the game' or 'back on the block' - that's typical. I made it all metaphorical.
The first song on my first album is not a song - it's a guitar solo! It's called 'Frenzy,' and it's pretty much nonstop maniacal guitar playing. I had just turned 19, and I had some serious muscle then.
We've had a number 1 album in the UK and that was a really big thing for me. So now all we've got to do is do it in America and that will have the domino effect of doing it across the rest of the world.
That's the funny thing - if there was a year and half or two years of us being a band like every other band and then getting signed, we would probably have made 'Pretty. Odd.' as our first album instead.
I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.
My best album is called In Search Of A Song. That was my best shot right there. My finest hour, as they say. I could listen to the whole thing all the way through. There's nothing really crammed into it.
Back in '75 I had five albums in the top 10. Simultaneously. And among them the number one album and the number one single. And my name was mentioned twice or three times in the Guinness Book of Records.
I'm sure if we had made an album that was more traditional would have been released immediately. When we actually play this music on stage and people become familiar with it, it will become more popular.
I was an artist, I was executive producer on my first album, so I've always had to manage both. I couldn't get a record deal. It wasn't by choice - I couldn't get a record deal, so I had to figure it out.
The No. 1 best-selling Christmas album of all time is from Kenneth Bruce Gorelick, the Jewish smooth-jazz legend Kenny G. American Jews have always produced a lot of holiday music, just not Hanukkah music.
Even though there are some great keyboard players on the album, there are a number of songs with no keyboard on them and the backing is all guitar oriented. This is first time I've ever done this actually.