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The joke I wanted to put into one of the promos for this new season, was to have a guy come up to me and say, Hey! Tony! I love your show, I've watched you every night since you started! And then I'd say, Ah! You're the one!

It would be really cool to have my dad here to witness this, to see his grandchildren, to see this woman that I chose to share my life with, to just come walk on set and be like, 'Ah, this is how you make TV shows and movies.'

Ah, to be a conservative climate change denier. While real scientists must do all the research and engage in heated debates about just how bad things are going to be, the deniers can rest easy in the bliss of willful ignorance.

The kids look at me, 'Ah, you're my hero.' I want to teach those kids. 'Hey listen, God is my hero. He died on the cross for my sins, and He's the one. That's how I wanna live - like Him - and I want you guys to do the same thing.

When I was kid, I remember playing 'Vogue' by Madonna over and over and over again. And ah, you know, something about the beat was really cool, and Madonna, visually, was on TV all the time and I thought she was just so beautiful.

I'm much more attracted personally to governments going their full term. It's very hard to have a fixed term election I know with ah... a parliamentary democracy, but I've always had an instinct to say there should be a fixed term.

If we would have had the 262 at our disposal - even with all the delays - if we could have had in '44, ah, let's say three hundred operational, that day we could have stopped the American daytime bombing offensive, that's for sure.

We have an unknown distance yet to run, an unknown river to explore. What falls there are, we know not; what rocks beset the channel, we know not; what walls ride over the river, we know not. Ah, well! we may conjecture many things.

At first, when you go to premieres and award shows, you're thinking, 'How the hell am I here? All these people I've never met are here, and it's so cool!' And then, as time goes on, it's a little bit like, 'Ah... it's more like work.'

I always had musicians in my band having children, and their wives were the ones at home taking care of the kids. So I never thought much of it. And then suddenly I'm the parent, but I'm the woman, and it's like, 'Ah, what happens now?'

I'm sure those rumors are spread, but it's just ah - we're really good friend. We've been since day one in Hollywood. In class, we've been together in school. We've gotten really close, but I don't know about the more than friends stuff.

Growing up, for me, it was in a musical family, so my mum and her brothers and sisters always sang. Every time I tried to join their group when I was little, they were like, 'Ah, darling, you're not too good - just sit back and watch us.'

'Last Man On Earth,' I have to say, is a love for me. I mean, a true passion. To people who haven't watched it or who've watched a little and thought, 'Ah, I don't know where this is going,' or whatever, I urge them to check it out again.

Irony is the recourse of the weak-minded wimp, I think. I hate bands that deliver their songs with knowing smiles on their faces, so that if those songs fall flat they can say 'Ah well, we never really meant it anyway.' It's so dishonest.

I've never been in a band where someone goes, 'Ah, I've got the perfect name! And it's because I climbed Mount Fuji, and at the top a golden dove came down...' It's always a bunch of guys sitting around going, 'How about Rotten Chipmunks?'

The Russians were responsible for the Chekov character. They put in 'Pravda' that, 'Ah, the ugly Americans are at it again. They do a space show, and they forget to include the people who were in space first.' And I said, 'My God, they're right.'

Boys have been wearing skirts for some time now. My three assistants wear mini skirts. They come to work on their motorcycles wearing mini skirts. The French saw the idea on the streets and have done it in better fabrics, and now everyone says, 'Ah!'

There's a time in everyone's career where you go, 'Ah, this is hard - how long am I going to have to do this?' But the rewards are so great. Who gets to go on the podium and hear the national anthem? The whole nation singing! Money can't buy you that.

When I was working with Tom Ford, he would just look at me and ask, 'Will you wear it?' I'd say, 'Ah, too long, too short, lower waist, deeper V, unbutton' - that sort of thing. I don't create clothes, but I definitely know how to make them come alive.

I think what it is, is that fighters have become business people. I actually love what I'm doing. When you're a business person, sometimes you think of it as, 'Ah, it's work.' I love what I do, but then, on the other end, some guys do this as a living.

When I'm making music... or writing a bar... I'm not thinking, 'Ah, I can't wait to put this on Spotify! I can't wait to put this on Apple Music!' I don't make music for that. I make music so I can see it - I need to see the reaction. I need to feel it.

I'm so confusing to wrestling promoters, and I'm used to that, but because I stayed in ECW and learned how to express myself the way, ah, that I could connect with my fans, it made my strong Rob Van Dam character uncompromising... and I owe that to ECW.

Acting was merely a pastime; I wanted to make films. But theatre, ah - now that was a labour of love. Can there be anything better than performing without retakes and cuts, in front of people you can see, hearing them breathe in the darkness of the hall?

The hardest thing is that the people who don't know anything about fighting, they label you. Once they get to know me, they're like, 'Ah, you're not anything like I thought.' That's probably the hardest thing about being a fighter - everything else is easy.

Ah, Scotland. I am three-parts Scottish and terribly proud of it, although maybe we should divide it into eighths, because my two-eighths are Danish and English, the Lumley part. But the bulk of the rest of me is Scottish - and Scottish ministers especially.

I remember telling the 'Tangled' crew about grimace moments: how when you watch a movie that you worked on and you think, 'Ah, I wish we could have done that scene better,' or, 'I wish that we'd had the time or the money to fix that particular story problem.'

I make a film - and once I've made it, everyone comes along and says 'Ah! This is a film that's political, or social', or whatever. But I'm not telling the story that they see. I made a film, told a story, but I wasn't thinking about exactly what it all meant.

I've read quite a few readers' reviews of my book on Amazon, saying, 'Ah, he criticises the free market, he advocates central planning.' I don't do that for a minute! But this is our black and white, dichotomous way of thinking - which has really been harmful.

Ah, 'Kismet,' or Carry On Camel, as we called it. I thought the show was shocking. It was the worst designed production ever but it's got a fantastic score. It's not an awfully good book though. You really have to work hard to eke out any laughs from that script.

I know right a way there's a person that's very insecure; that he's trying to out do me. And, ah, like I was saying before, if you give one-hundred percent of your best, and you may have fault, but there is nothing you can do, because you gave one-hundred percent.

I remember one of the first gigs I played with that amp was at a local church. They wanted someone to fill in with the guitar and my friend say, 'Ah, he can play.' And so I dragged the amplifier down and started playing and everybody started yelling 'turn it down!'

The normal profits of a business concern in the United States are six, eight, ten, and sometimes twelve percent. But war-time profits - ah! that is another matter - twenty, sixty, one hundred, three hundred, and even eighteen hundred per cent - the sky is the limit.

When I was a kid, I used to cry every time I lost a game, up until, like, the 8th grade. I used to go ballistic. I used to go crazy. If I cried, it'd be like, 'Ah, Chris is crying again... damn it... come on, get in the car.' All that over one game. I hated to lose.

I want to show my range before I fall into any typecasting. I've turned down a lot of things trying to wait. But at the end of my career, whether that be tomorrow or 40 years from now, I would like to look back and be able to say, 'Ah, I never fell into any gimmicks.'

Every time you jump to another format in the 'picture business,' meaning film, television, commercials, the people in the other format go, 'Ah, yeah, you made a lot of features, but you don't know how to do TV' or the commercial people go, 'Oh, you can't do 30 seconds.'

Ah, there's a director. Astonishing, Spike Lee. A feisty guy, but a guy who's, I think, incredibly misunderstood. I think people review his politics or his color as opposed to his filmmaking sometimes. Because he's a wonderful, wonderful filmmaker and a lover of the art.

I have been a fan of Yoo Ah In's for a long time. Every time I watched one of his films, I would think to myself, 'How does he act like that?' and greatly admired his acting abilities. I felt that I would be able to learn and improve a lot as an actor, just by observing.

Ah, 'Pather Panchali' was the most inspiring film that I wrote music for, and it was so spontaneously done. I saw the film, composed on the spot, along with myself and only four other musicians, and everything was done within 4-1/2 hours, I think an all-time record anywhere.

When I'm a little kid watching Chicago Bears games, hot salsa would be on the table and the first time I was like, 'Ah, this is hot Dad, get mild salsa,' and he was like: 'Not in my house. We have real salsa. And if you can't handle real salsa then you can just eat dry chips.'

The hardest thing as an actor is that you work really hard constantly for these roles, and you invest so much in it. And when they don't come to fruition and nobody sees them, there's a part of you that dies a little bit. It's like, 'Ah! But I worked so hard!' But that's the business.

Why do men outperform women on the SAT? The SAT's supposed to predict college grades. Women do better in high school and they do better in college. What's the problem here? Ah, the more you use, the more you start accepting that the SAT's coachable, the more problems you have with it.

Ah, the power of two. There's nothing quite like it. Especially when it comes to paying utility bills, parenting, cooking elaborate meals, purchasing a grown-up bed, jumping rope and lifting heavy machinery. The world favours pairs. Who wants to waste the wood building an ark for singletons?

I used to have all these plans and think 'Ah, I have my whole life figured out', but then I realized no matter how much I plan: life happens! So I find myself living day to day trying to do my best, embracing every moment as a learning opportunity and chance to get to know myself a little more.

The fear of life, the fear of burdens and of duties, of annoyances and of catastrophes! The fear of life, which makes us, through dread of its sufferings, refuse its joys. Ah! I tell you, this cowardliness enrages me; I cannot forgive it. We must live - live a complete life - live all our life.

I got my degree in acting and theater, and then I had a teacher who told me to take a class with The Groundlings. And for a second, I thought, 'Well, I don't know about that. I'm a serious actress.' And then I did, and I loved it, and I said, 'Ah, well, I guess this is what I'm going to do now.'

Because bisexual people almost have a foot in the gay and the straight world, their friends can misunderstand them too. Like if a bisexual man starts dating another man, people are like 'Ah, he's gay,' but you know, bisexual people remain bisexual, and their attractions can change and flux over time.

I think a lot of us have some form of body dysmorphia... You're looking in the mirror, and you're kind of disassociated in some way. I think a good reminder is to actually, physically touch yourself. 'Ah, okay, this is what my arm feels like. It's not what I'm mutating in my head. I'm not some sort of scary monster.'

Every time I perform or sing, I have an 'ah ha' moment. When I look at my blog and people reach out to me anonymously and speak of how I sing and how my music has touched them, it's an 'ah ha' moment. I'm constantly getting that, and I don't want that to ever stop, because it's reassuring me that I'm doing something right.

When I grew up, I never saw anyone looking like me on TV, you know? I'm so glad to see a lot more of us on television, whether it's Mindy Kaling or it's Irrfan Khan or Freida Pinto. You know, I hope, like, little girls across the world can just look at me and say, 'Ah, I want to be that!' Indian or not, it shouldn't matter.

Even though I support the blue side of Manchester's football heritage, I don't really mind that wherever I go in the world it's not Manchester City that starts the conversation. 'Ah, yes, Manchester United,' is the response when I say where I come from. It's commonplace everywhere - in Europe, Africa, Asia and even the U.S.

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