Agent Quotes - Page 18

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I met one of my best resources because I cold-called the local FBI office one day early in my career with questions. The agent who took the call knew someone who knew someone who was ex-Army, trained in personal protection. The resulting introduction was one of the best, most enduring friendships I've ever enjoyed.

I love writing but hate starting. The page is awfully white, and it says, 'You may have fooled some of the people some of the time, but those days are over, giftless. I'm not your agent, and I'm not your mommy; I'm a white piece of paper. You wanna dance with me?' and I really, really don't. I'll go peaceable-like.

My agent and I try to be picky with roles so that I can drive my career in different directions and be different, creative characters. I want to be an actor for the rest of my life and to have fun with my career. So I told him that I wish I could do a movie that already has a fan base. And then 'Twilight' came along!

I first learned about kicking under pressure in 1996, my rookie year with the Patriots. I was signed as a free agent by a team that already had Matt Bahr, one of the best kickers around. To win the job, I had to show coach Bill Parcells that I could make kicks when they counted. That process started in training camp.

Many writers will get a contract by selling chapters and outlines or something like that. I wrote the entire novel, and when it was all finished, I would give it to my agent and say, 'Well, here's a novel; sell it if you can.' And they would do that, and it was good because I never had anyone looking over my shoulder.

If you put up a blog, people can cut out the middle man and get material to you. Which is really helpful because a lot of time there's really cool stuff out there that we just don't see. Because, y'know, the agent is acting in our best interest, but it does sometimes prevent some of the good stuff from getting through.

We did wanna change the name. We were actually putting names in a hat. It was the people making an income off Motley Crue that talked us out of it. The booking agent was getting them between a half a million and a million dollars a show as Motley Crue. Then there was the manager who got 10 to 15 percent off Motley Crue.

The smartest thing I ever did as a writer was hire a retired conservation agent to blaze a hiking trail for me. It's nothing fancy - just a narrow path that meanders for a little over a mile through the woods near my home. But that trail through the trees has become my therapist, my personal trainer, and my best editor.

To get a FISA warrant to spy on a suspected spy, the feds go before a super-secret court located in a sealed room in the Department of Justice. With no defense lawyers present, they need only show probable cause that the target is an 'agent of a foreign power' engaged in intelligence gathering against the United States.

Authors should do multiple submissions to agents. I mean, that's the way the business world works and whether or not the industry likes it or not, they can't stop you from submitting to multiple agents and you know what? If an agent misses out on you because they took too long with your query letter, tough luck for them.

No one guided me through it, but here is how it happened: I was in New York doing a play, and an agent got in touch with me and said he wanted to take me out for lunch. In the theatre, they never want to take you out for lunch, so I thought, 'Yes!' I went, I ordered steak, and he told me he thought I should write for TV.

I wish that there was a program in college that taught you what to do about getting head shots, how to get an agent, how to get a manager, how to - none of that was taught. It was all your craft, and I'm very appreciative that they taught the craft in theater, but film and television are completely different than theater.

When I first lived in a model apartment... It was two bunk beds to a room, and the bathroom was constantly in use. I was bringing in Lucky Charms cereal, and one day an agent put a stop to that. She said, 'You're making all the girls fat.' They took it off our grocery order. That was the most dramatic thing that happened.

My first job in acting was in a Scott Baio movie called 'I Love N.Y.' My role was Italian Girl. I sent my 8x10 to a casting agent in the booklet, 'The Ross Report,' which is where all the agents were listed before that little thing called the Internet. I read for this tiny part. I couldn't have been more excited to get it.

When I saw 'Legally Blonde' on Broadway, I rang my agent and said 'I want to be seen for this,' but the rest weren't big choices, really. 'Hedda Gabler' was a phone call offering it to me, and as I've said before quite embarrassingly, I didn't know the play, so I didn't sit there thinking 'I would now like to tackle Ibsen.'

I was 12 when I ordered my first guitar out of the worn and discolored pages of a Sears, Roebuck catalog. The story that I bought it on the installment plan is untrue, the invention of a Hollywood press agent. Local color. I paid cash, $8, money I had saved as a hired hand on my uncle Calvin's farm, baling and stacking hay.

I never actually sought out an agent or a publishing house. A friend of mine named David Simmer got wind of what I was doing, and he sent one of my books to a literary lawyer in Los Angeles. He loved it, and he sent it to other people, including an agent, and he picked me up, and that's how 'Bird Box' got to where it is now.

I have always been good at auditioning, but maybe because I had a good trick at the beginning. I would pretend that my agent gave me the wrong scene or lines. They would take pity on me and hand me the right scene. I would act like I had never seen this before - and then do pretty well considering I had already rehearsed it.

I had to act in a school play when I was about ten years old. I really didn't want to do it. But everyone had to do it so I didn't have a choice. A talent agent came and watched it and later gave me some work. It's funny because I'd always known that I wanted a movie career. I just didn't think that I would be in the movies.

A writer can spend a decade working obsessively on a novel, but in the commerce of publishing, many of the most important decisions about any book will be made based on very short pitches - from literary agent to editor to sales rep to bookstore buyer to a potential reader standing in the bookstore, asking, 'What's it about?'

I don't believe in an outside agent that creates the world, then walks away. But I feel very strongly there is an intelligence at work in every flower, in every blade of grass, in every cell of my body. And it is that intelligence that, I wouldn't say created the universe. It is creating the universe. It's an ongoing process.

I remember my agent calling and saying 'this may be really weird, but would you have any interest in WWE?' I was like, 'isn't that wrestling? And the last time I saw a WWE match was in my women's studies class at the University of Michigan, and they picked it apart. But she implored me to watch, and instantly I was interested.

Skylar is my first name and Astin is my middle name, and my real last name is Lipstein. When I was 15, I think my first agent just kind of did it for me. I'm not ashamed, I'm not embarrassed, but she said it was just less specific to one thing and she kind of chopped it off. But forever to my friends I will be Skylar Lipstein.

After doing some research with my agent, we found out Klipsch was an official Colts partner, and they were based in Indianapolis, which only added to my esteem for the company. I also have a passion for design and technology that developed while I was at Stanford and appreciate the quality of Klipsch's speakers and headphones.

The average American returning from a trip abroad likely - and understandably - assumes the contents of his or her electronic device does not come close to meeting the threshold of 'criminal' activity, such as would give a government agent the right to seize and peruse their iPad just because they are returning from a vacation.

When I got my very first phone call that I'd hit the 'New York Times' list, I had a small rush of 'I've made it!' But the next morning, it occurred to me I didn't know what it was, so I called my agent and asked what being a 'New York Times' bestselling author really meant. He informed me that I was now a thousand pound gorilla.

It's really hard to get a coffee with someone. I have to call my agent, my agent calls their agent, their agent calls their manager, the manager calls back, the actor sends someone to the manager... then you get, 'Yeah, yeah, I'd love to have dinner at six,' and all I wanted was coffee! It can take, like, six days to get coffee.

I was an Army intelligence agent and a veteran during the Cold War, assigned to West Germany. I was the chairman of the National Commission on Homeland Security and Terrorism for the United States for five years. I was a person who has dealt extensively with these homeland security issues. I was a governor during the 9/11 attack.

No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new.

I think the free agent process is a little bit different because other major pro sports like the NBA or NHL, you're looking at 30 teams. You have 30 options. You don't really have that in this industry. There is one name that stands above all else, and that's WWE. So to really be on top, that's where you have to apply your trade.

With 'Free Agent Nation,' I was figuring out how to write a book along with writing the book. Now I think I've kind of, sort of figured out how to write a book a little bit better. But the process remains not that different - slow; laborious; tiny, incremental progress each day, punctuated by feelings of despair and self-loathing.

My father is an actor, so he brought me into his agency when I was young. It wasn't something I wanted to do until high school, when I started taking theater and really liked it. Then an agent found me and wanted me to come out to Los Angeles and give it a shot. I gave myself six months, but it only took me like a week to get a job.

In so many ways, being a literary agent is an irresistible job to me. Not only does it involve all the things I love - being an advocate for others, problem solving, and going to meetings - yes, that's true, I love meetings, though everyone says it's bizarre! - but most importantly, I love working with people whose writing excites me.

My first agent dissuaded me from calling myself 'Cumberbatch.' I had six months of not very productive time with her, so I changed agents. The new one said, 'Why aren't you using your family name? It's a real attention-grabber.' I worried, 'How much is it going to cost to put my name in lights?' But then I decided that's not my problem.

Some of the best auditions I've ever had have been when my agent called and said, 'They want you 20 minutes ago, in an office in Century City, to see you for something.' I'm not sitting there thinking for a week and a half, before I'm supposed to go in front of a network president to do something. That just gives you time to be nervous.

The FBI has built up substantial expertise to address cyber threats, both in the homeland and overseas. Here at home, the FBI serves as the executive agent for the National Cyber Investigative Joint Task Force (NCIJTF), which joins together 19 intelligence, law enforcement, and military agencies to coordinate cyber threat investigations.

It just so happened that my agent called and said, 'There's this movie 'Pitch Perfect.' Here are the sides.' I think I originally read for Bumper, because Donald didn't have much in the script, so I read all Bumper's lines. I beatboxed for them, because that's what my character was supposed to do. And then I was like, 'By the way, I rap.'

I'm an actor. The fact that I'm involved in Jigsaw, I don't approach Jigsaw any differently than I approached The Nordic in 'The Firm' or FBI Agent Stokes in 'Mississippi Burning.' It's the same deal. It's just that the effect is sometimes different. So I say, people ask me, 'How does it feel to be a horror icon?' I'm thrilled. It's great.

In 2011, I announced that I was going to retire, and my agent panicked. So she says: 'No, no, no. You have to write a book with your husband.' My husband is a writer of crime novels. His name is William Gordon. And so I had to accommodate to his style because that's what he writes. So we decided we'd give it a try. Well, we almost divorced.

Plot-wise, there's nothing particularly groundbreaking about 'Scalped.' It starts off as something we've seen plenty of times before: the story of an undercover FBI agent infiltrating a criminal organization and the story of the guy at the head of that organization. The twist was always the setting: a modern-day Native American reservation.

People have a good reason to be afraid of tear gas, considering it's a banned agent of war under the 1993 Chemical Weapons Convention. Here's the catch - there's a clause in the treaty that includes an exception for domestic use. Yes, it's illegal for the U.S. military to use tear gas against ISIS, but cool to use against American citizens.

Acting is rare. You can be rehearsing Ibsen with Sir Richard Eyre and suddenly he has to take a call on his mobile telling him his friend Arthur Miller has died. Or you can come back from a job on the Isle of Man to be told by your agent you're going straight out to South Africa on another shoot. There's not even any time to wash your pants.

My agent called me up and said, 'There is a tremendous female lead in the new 'Star Wars' film, and I think you're really going to like it.' The opportunity to play someone determined, who's trying to find her skills as a leader; to be in a fantasy movie; to be able to do a leading female role in a film of that scale - that's very, very rare.

'Triple Agent' is a different kind of read because it is, at its core, a pure narrative, the story of an intelligence operation that unfolds over the course of a year and then goes badly wrong. There's a lot of 'news' in the book, including an account of drone warfare that is as detailed, in my humble opinion, as any in the open-source arena.

I played sports. The acting thing was just a direct blessing from the Lord, because I lost my discipline to play sports, and I had this really cool professor grab me and kind of take me under his wing, and the ball just started rolling. Another professor introduced me to my first agent, and the next thing you know, I got to start doing films.

I followed a girl I met in Japan to Los Angeles and ended up working in a motorcycle store. I quit the job one night, went to a party in the Hollywood Hills and ended up yelling at a bunch of people. Someone saw me yelling and asked me to be in a play. The first night, there was an agent in the audience who took me on and sent me out for jobs.

I was asked to lose weight by a network for a TV pilot. The conversation happens because you get a job, and your agent or manager calls, and they say, 'They are so excited about you. They just think there is no one better for this part, and they want you to look and feel your best. They really feel that that could include losing 15 or 20 pounds.'

I found myself at Cambridge, loved my course, and met these amazing people who got me heavily involved. I presumed I would have to go to drama school, but I did a play with my uni friends, who were doing lots of pub theatre in London, and through that met my agent. She said 'Don't go to drama school. I'll get you a job' and two weeks later she did.

I was always a performer kid - like, annoyingly so. I would put on shows for my family and direct my friends in little plays, and my little sister, I'd make up dances with her. But when I was 12, that was when I started taking it seriously, and my mom for some reason believed in me and helped me find an agent in Cleveland, which did nothing for me.

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