Quotes of All Topics . Occasions . Authors
At first, we lived in very, very small places... with my mom cleaning houses and scrounging up just enough to keep us in town with a working car. She introduced me to my first agent, and I started with stand-in work, then eventually commercials and television guest-shots.
I think that a really good agent should be able to get the right publisher, which the agent has already figured out, get as much money as she can from that publisher, and make a deal, rather than have the amount of money determine the sale. That's what the best agents do.
Recovery is an ongoing project that is really discrete from everything else in my life. It allows me to be an agent, allows me to write, allows me to be married, allows me to be part of a family. The writing is not a support beam of recovery but a happy consequence of it.
I think the process of 'SNL' is still pretty formal. You make an audition tape, your agent sends it in, they watch people's tapes, and then they invite people to perform at a comedy club in Los Angeles or New York. But I don't know how much actual scouting they do online.
If you haven't taken a writing class, take a writing class. I took every class that was available in my area. I went to conferences inside and outside my area to network with people. That's how I got my agent. I found my agent through another agent who was at a conference.
I think I sort of blossomed, so to speak, around 17. I started to get hips and put on weight, which I was very happy about. And that's when I met this agent, who told me I had to lose 10 pounds. I said, 'You've got to be kidding me. I finally got it on - I'm not losing it!'
'The Secret Agent,' Joseph Conrad's 1907 novel about an anarchist plot to blow up the Royal Observatory at Greenwich - in fact, a scheme by a secret police agent to stir up a government backlash - has acquired a kind of cult status as the classic novel for the post-9/11 age.
I was just 18 years old, excited about being drafted to the N.B.A. I felt like all of Houston was watching me. My high school was watching me. I think they had a draft party at my coach's house. I'll never forget that day, being in the green room with my family and my agent.
If you look at any successful professional - a salesperson, a marketer, a real estate agent, a trader - they all have the same qualities as the con man. The only difference is that one side uses their talents in the right direction and the con man is taking the easy way out.
I had just gotten a job on 'Preacher' on AMC and was in New Orleans starting work on that. My agent called and said 'Are you sitting down?' and I said 'No' and he said 'Scott Rudin wants you to do 'Hello, Dolly!' and all I could say was 'Oh my God, I'll have to call you back.'
I'm so independent in writing stuff and controlling what I do. Sometimes I get calls from people asking to be in their movie, but I'm always writing or editing, and I can never get around to doing it. I'm so much more interested in my own stuff. I think I drive my agent crazy.
Authors don't tend to stay with the same agents and editors over their entire lifetimes, but Grafton worked with Marian Wood, her editor at Putnam, from Kinsey's first outing, and signed with Molly Friedrich, still her literary agent, with the publication of 'B Is for Burglar.'
I arrived back in Argentina and a week after I had the offer from Arsenal. They called my agent and my family and I thought it was all about signing a new contract for my club in Argentina because they wanted to offer me one at the time, but it was actually to sign for Arsenal.
Gravity may put the planets into motion, but without the divine Power, it could never put them into such a circulating motion as they have about the Sun; and therefore, for this as well as other reasons, I am compelled to ascribe the frame of this System to an intelligent Agent.
I came out to California to live with my mom in Orange County for a while, and then I came up to Hollywood. I had just turned nineteen. I took an acting class at Playhouse West and decided, 'Wow, I think I can do this!' I studied really hard for three years before I got an agent.
I started out with a business and psychology major, and then I started doing plays and concentrating more and more on theater. I dropped out of college and moved to New York and studied theater at The Neighborhood Playhouse. I did that for a couple of years and then got an agent.
What agent is there other than the Creator of the heavens and earth who can know whatever occurs in our heart, down to its most subtle and secret thoughts, and illuminate the future for us by establishing the Hereafter, saving us from the countless suffocating waves of the world?
For a while, I became a model scout and agent, thinking naively I could change the industry from the inside, and even kicked off the famous 'size zero debate' with an article I wrote to the 'Evening Standard' about my concerns from behind the curtain of the business, back in 2005.
You come out of your MFA program with a cogent clutch of stories, trying to get an agent interested, and she or he admits these are quality, sure, but this agent actually needs something the publisher can make money on. So you get kind of bullied by the market into writing a novel.
The need for reflection and restraint of power is what led Louis Freeh to order that all new agent classes visit the Holocaust Museum here in Washington so they could see and feel and hear in a palpable way the consequences of abuse of power on a massive, almost unimaginable scale.
I said, 'I'm going to the United States to study with Stella Adler and do movies because nobody here has done it and my passion is films.' But I came here and I didn't speak English, I didn't have a green card, I didn't know I had to have an agent, I couldn't drive, I was dyslexic.
I got a call from my agent saying you have an offer to voice a cartoon by the name of 'My Little Pony.' And that's pretty much what went in my ear. So I asked him the three questions that actors always ask. I need to see the script, when and how much, which were legitimate questions.
In 2007, Michael Grimm, former Marine, former FBI agent, accountant and attorney, was poised for success as a small business owner. Instead, as alleged, Grimm made the choice to go from upholding the law to breaking it. In so doing, he turned his back on every oath he had ever taken.
I've had those periods in my career when I was sitting around waiting for a phone call and had an agent who was doing the same thing rather than going out there to shake the bushes looking for a job for me. It's a frustrating game, that's the downside of this business - the rejection.
I auditioned for 'Moonlight' without knowing anything. I went in the room, and I didn't know the lines as well as I should have. I didn't know a thing about the script. I wasn't told anything. I heard it was a low-budget film, and my agent told me to do it. I was super-ignorant to it.
You have to list all your special skills on a form when you get an agent. There's fencing, stage combat, horse riding, motorbike riding, Spanish, French, German, whatever. I just ticked everything. I talk about 10 languages according to that form. I even ticked the extreme sports box.
I think what's important in a good manager and a good agent is that they know your vision and that they are passionate about you and believe in you. Because if they don't, then they're not going to work hard for you, and they're going to send you out on things that you don't want to do.
I wrote a novel, Ghost Road Rules, and as soon as it was done and polished, I began reaching out to agents. I ignored the frequent advice to 'shoot low and try for a low-level agent because they're the only ones that will take a flyer on a new author.' That sounded like bad advice to me.
You have to make a lot of sacrifices, and the main thing you have to sacrifice is your privacy. It's funny because when I was growing up, my daddy was and still is an insurance agent in our home town. He couldn't go anywhere without somebody recognizing him or needing something from him.
First, philosophy concerns itself with all kinds of issues that don't get much airtime in day-to-day life. What's the nature of reality? Can we ever truly know anything, and if so, how? What does it mean to be a moral agent? And while we're at it, is there any such thing as agency anyway?
I had a novel in the back of my mind when I won an Ian St James story competition in 1993. At the award ceremony an agent asked me if I was writing a novel. I showed her four or five chapters of what would become 'Behind the Scenes at the Museum' and to my surprise she auctioned them off.
I cling to the idea that Herman Melville had to work at the end of his career watching ships in a dock, as a shipping agent in New York. Any writer who thinks they should be given patronage because of their gift... you don't have to look too far in history to see that's just not the case.
I was picked up on a London street by a model agent. She took me to her office and then sent me to Paris to work in shows. It was supposed to be two weeks, but I ended up living there with my Zimbabwean boyfriend. I made enough money modeling and acting in French movies to buy a nice flat.
In high school, I was doing my magazine 'Rookie' and a lot of writing, and I became a little less interested in the fashion world. I was approached by an agent for writing, and I said I wanted to act as well. They sent me scripts, and then I got my first Broadway play, 'This Is Our Youth'.
'Mariah' was the first series-regular role for me, and that really came about because of 'Secret Honor.' That really was a direct result of that. Because now I had an agent and was submitted for that part, for James Malone. And... I was the casting director's first choice for James Malone.
Part of the satisfaction of tattling surely comes from showing oneself to adults as a good moral agent, a responsible being who is sensitive to right and wrong. But I would bet that children would tattle even if they could do so only anonymously. They would do it just to have justice done.
There were a lot of publishers that I loved, so the book went to auction. An auction is where you sit nervously by your phone and eat potato chips for two days waiting for your agent to text you numbers of the highest bid for each round. I ultimately went with Dervla Kelly at Rodale Books.
I didn't have an agent before 'Parks,' and once you're on a show, they're not going to make money off of you. So if you've already booked something without an agent, unless they really want to hustle during the downtime, there's seven months when they're not going to make money off of you.
I got 'Power' on my own through my agent and my team. I didn't know 50 until I got on the show. Because my character is so close to his, we spent a lot of time as friends. But even in that, I didn't really bring up music to him because I saw how everybody else was bringing up music to him.
By the time I left the bar, I was 30. I was a dishwasher. They call it a bar-back, but essentially, I washed dishes for a living. I had no high-school diploma, I had no agent, and my literary successes were non-existent... but it was the only thing I ever wanted to do, so I did feel trapped.
My agent said the part was that of an eccentric old grandfather-come-professor type who travels in space and time. Well, I wasn't that keen, but I agreed to meet the producer. Then, the moment this brilliant young producer, Verity Lambert, started telling me about 'Doctor Who,' l was hooked.
I think that some actors who make it in Hollywood are very talented. There are some of my heroes, the Meryl Streeps of the world, a lot of people that I love their work but I think a lot of it is luck, looks, strategic alliances and relationships, your agent and a lot of business components.
My first motion capture game was with Sony - 'NBA: The Life.' It was very ahead of its time. Brandon Akiaten, he was the writer and director. He had a real vision of what this game was meant to be; it was a basketball game where I was the Jerry Maguire sports agent type guy. And it was great!
When I was starting out, I didn't know what the hell I was doing and my person who was helping me out, I didn't even have an agent, got me five or six big auditions for leads in movies in 1986 that I had no business auditioning for. I think I ran out of three of them before I'd even finished.
I came to New York when I was eighteen years old, and the first audition that I ever went to was this huge cattle call at the Equity building where I had gone two days earlier to sign up - I didn't have an agent or anything. It was for 'Chicago.' There were probably three hundred people there.
I was quite discerning the first year and when I was doing 'The Vampire Diaries' thing I was like, 'I'm really not sure if I want to do this; it's this whole teen thing, which I've done in England.' My agent was like, 'Don't be silly, you'll make great money and everything.' But I wasn't sure.
I took acting classes in college, and once I graduated, I decided to give acting a shot when I couldn't really think of anything else to do. It took me a couple of years to get an agent, and my first big break was The Fanelli Boys, which was a sitcom on NBC. Then I did a few television movies.
There was a guy called Carlos Thompson, who was I think Argentinian, and he was doing a series called 'Sentimental Agent'. That was the very first thing that I did. It was supposed to be taking place in some exotic location, but in actual fact, it was Chertsey with a few shivering potted palms.
When I was told that I was doing a movie called 'Lola Rennt,' I was like, 'What?' I didn't get it, or the title. I started reading the script, and I still couldn't fathom that it was about a person named Lola running. Before my agent explained it to me, I couldn't even make any sense out of it.
I was fresh off the boat from Romania, and one of my clients was the agent to all of the '90s supermodels: Gail Elliott, Naomi Campbell, Stephanie Seymour, Cindy Crawford. I had no idea who these girls were! They were so gorgeous, absolutely the most beautiful women I have ever seen in my life.