In this day and age, social media is a huge part of a business, which I actually love. It's a phenomenal platform to share your message, keep others and myself inspired and help keep your students connected to your events. The hardest part is the anonymous ability to say whatever you want.

There's so many parts of your life, you know? People say that you don't get any better after the age of about forty or something like that, as a performer. I find all that to be a misconception. I don't feel bad about the way I present stuff. The calendar and the mirror - they're bastards.

This was a Golden Age, a time of high adventure, rich living and hard dying... but nobody thought so. This was a future of fortune and theft, pillage and rapine, culture and vice... but nobody admitted it. This was an age of extremes, a fascinating century of freaks... but nobody loved it.

I grew up on a farm in a small town where you do or say one thing and everybody knows about it. You see it happen, there's always the town gossip - 'Oh did you hear about so and so, or did you hear what went on in this household?' So I learned at a very young age just to keep my mouth shut.

The way I looked when I started modelling - I was a skinny schoolgirl, stuffing tissues into my little 32A bra. I wasn't trying to be that thin; I was perfectly healthy, but still - that look is a total impossibility for women over the age of 20. Fashion has a lot to answer for, doesn't it?

Different groups are differentially vulnerable to advertising; and their vulnerability varies not so much with the character or quantity of advertisements as with the informational resources they can claim by age, education, station in life, and government guarantees of consumer protection.

I was the kind of entrepreneur that never really felt I made it. When Mike Olefield's "Tubular Bells" [Virgin Records' first release] sold 8 or 10 million copies, I suppose, at age 19, I could've possibly retired on the money. Instead, I immediately pushed the boat and took that risk again.

While in the course of ages the nucleus of social custom inscribed in law has been subjected to but slight and gradual modifications, the other portion has been largely developed in directions indicated by the interests of the dominant classes, and to the injury of the classes they oppress.

In the industrial age and in analog clocks, a minute is some portion of an hour which is some portion of a day. You know, in the digital age, a minute is just a number. It's just 3:23. It's almost this absolute duration that doesn't have a connection to where the sun is or where our day is.

The experience of reading a printed comic book will never change, but now, thanks to the digital age, there are many different ways to enjoy the same story. Digital comic books, of course, can be interactive in many different ways, allowing the reader to feel like a participant in the story.

The purpose of the mission must be thoroughly understood beforehand, and the men must be inspired with a sense of personal dedication that knows no limitations... In an age of high technology and Jedi Knights, we often overlook the need for personal involvement, but we do so at our own risk.

I think that in our culture there is this message to males that any time you can have sex with an attractive female, you should do it. But for females you always have to guard yourself against it, sort of keep sex at bay. You don't want to get a reputation, especially when you are under age.

Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. Truth is, there aren't any grown-ups. Not one, in the whole wide world.

The worst thing about this particular end (of my youth) and the beginning (of middle age) is that for the first time in my life, I realize I don't know where I'm going. My wants are simple: a job that I like and a guy whom I love. And on the eve of my thirteth, I must face that I am 0 for 2.

I basically just make films that interest me. And I don't want to make the same film twice, you know? But I've never found a franchise, so... I guess I'm lot poorer because of that, but... what astonishes me is that, at my age, I can still find things that interest me. And that's tremendous.

Hope requires a very careful symbolization. It must not be expressed too fully in the present tense because hope one can touch and handle is not likely to retain its promissory call to a new future. Hope expressed only in the present tense will no doubt be coopted by the managers of this age

...[the photographer] can be considered a kind of disembodied burrowing eye, a conspirator against time and its hammers. His work, print after print of it, seems to call to be shown before the decay which it portrays flattens all... Here are the records of the age before an imminent collapse.

At the age of 12 I won the school prize for Best English Essay. The prize was a copy of Somerset Maugham's 'Introduction To Modern English And American Literature.' To this day I keep it on the shelf between my collection of Forester's works and the little urn that contains my mother's ashes.

Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.

Drunkenness is not only the cause of crime, but it is crime; and if any encourage drunkenness for the sake of the profit derived from the sale of drink, they are guilty of a form of moral assassination as criminal as any that has ever been practiced by the braves of any country or of any age.

There's an overlap of people we've used from previous films and we also like to obviously bring in new people so we get a fresh voice and opinion when you bring them in. All different ages and genders and everything, you just want a wide spectrum of people who are coming in to see what works.

My dad is Dominican, my mother's Puerto Rican, and I got into bachata at the age of 10 or 11. When I started listening, it had a reputation for being music for hick people. I thought that had to be changed. I was born and raised in the Bronx, and I knew you make something cool if you're cool.

I did Albert Hall, I got to play the Hall of Fame with Prince. So I've done that kind of stuff for ages. It wasn't until after we finished working on Brainwash, my dad's album after he died, then it was like 'That phase is over in my life now, now we can get on with our music, with our band.'

We live in an age where people are like, "I'd love to catch up. Maybe text me later? But don't call because I don't really listen to my messages. But if you text me..." We've displaced interaction into sound bites and untethered phrases and sentences that come up on the phone as Twitter feed.

There happened in the Middle Ages what has happened so often since then. Those who were the beneficiaries of the established order were bent on defending it, not so much, perhaps, because it guaranteed their interests, as because it seemed to them indispensable to the preservation of society.

I was on the national Pentathlon team for a few years, but there was no funding for athletes in Canada. I was in a massive amount of personal debt at the age of 21, so I joined a little modelling and talent agency to get a some work, to do anything so that I didn't have to drop out of school.

She was a curious woman, whose dresses always looked as if they had been designed in a rage and put on in a tempest. She was usually in love with somebody, and, as her passion was never returned, she had kept all her illusions. She tried to look picturesque, but only succeeded in being untidy.

In order to help usher in the golden age we must see the good in people. We must know it is there, no matter how deeply it may be buried. Yes, apathy is there and selfishness is there - but good is there also. It is not through judgment that the good can be reached, but through love and faith.

I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in.

When Julian ascended the throne, he declared his impatience to embrace and reward the Syrian sophist, who had preserved, in a degenerate age, the Grecian purity of taste, of manners and of religion. The emperor's prepossession was increased and justified by the discreet pride of his favourite.

Just as we reject racism, sexism, ageism, and heterosexism, we reject speciesism. The species of a sentient being is no more reason to deny the protection of this basic right than race, sex, age, or sexual orientation is a reason to deny membership in the human moral community to other humans.

There is a quiet repose and steadiness about the happiness of age, if the life has been well spent. Its feebleness is not painful. The nervous system has lost its acuteness. But, in mature years we feel that a burn, a scald, a cut, is more tolerable than it was in the sensitive period of youth.

When Republicans say, 'The first thing you do when you do deficit reduction is reduce rates,' it would be like Democrats saying, 'The first thing you do when you do deficit reduction is provide free Medicare at age 55.' We'd like to do that! But it won't bring the deficit down. That's for sure.

The true gospel is radically exclusive. Jesus is not a way; he is the way, and all other ways are no way at all... We live in an age of humanism - over the last several decades, man has fought to purge God from his conscience and culture. He has managed to make himself the center of all things.

Young people are more likely to be idealistic and think that radical change is both necessary and possible. They may not yet be stuck in the routinized and sterile life that work and age often bring, nor stuck in any kind of rigid way of thinking. They have great energy and can get things done.

I think we're in an age starved for genuine experiences, instead of cathartic phony experiences through the media, structured, engineered experiences. And those are the fast food, the masturbation of experience. They don't really exhaust any aspect of ourselves; they don't make us any stronger.

Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.

I wanted to be an actor from a young age, but actually becoming one and seen the ugly side of the world does feel different and sometimes unwelcome. There are shallow, vapid, untalented people zombieing the streets of Hollywood, adding decadence and immorality to an already extravagant business.

Basically, when I went to school in Sri Lanka from age five onward, the classes there were sometimes sorted into a hierarchy of your skin tone. So the fairer-skinned kids sat at the front row, and the darker-skinned kids sat at the back by the poor ones who played out in the street all day long.

At any decade in your life, our results suggest that there is a 40 to 50 percent chance of having a life crisis. There's a slight increase with age and in general women tend to experience more than men - but that could be because they may be more open to admitting that they have had a hard time.

Claude Debussy defined the guitar as an expressive harpsicord. I believe that is the best definition ever given of the Spanish guitar. This phrase is the starting point for my Concierto de Aranjuez Our guitar is the only survivor of the rich and anarchic instrumental wildlife of the Middle Ages.

What I like about narrative in general is when there is some incongruity between the form and content. Let's say, mixing up the gothic with a coming-of-age narrative. Telling a love story that's also a monster story. Mixing up superhero tropes with your monster tropes. I like category confusion.

There's to be a film about my life. I can give this as an exclusive now. Meryl Streep was offered the part but, no, I wanted Kate Winslet. Kylie Minogue is playing me in middle age. In old age, I'm not sure who's going to play me. I haven't got there yet. Perhaps Cate Blanchett. Or Jacki Weaver.

I think you can make fun of anything except things people can't help. They can't help their race or their sex or their age, so you ridicule their pretension or their ego instead. You can ridicule ideas - ideas don't have feelings. You can ridicule an idea that someone holds without hurting them.

In an age where there's so much active misinformation and its packaged very well and it looks the same when you see it on a Facebook page or you turn on your television. Where some overzealousness on the part of, you know, a U.S. official is equated with constant and severe repression elsewhere.

When we feel pressured to have achieved certain things by a particular age, it could ultimately hinder us. It's great to have goals but those specific benchmarks can easily become irrelevant once you ask yourself, 'where am I having the most impact?' 'Am I going after the stories I want to tell?'

It's quite liberating to get to a certain age, 'cos you're not chasing number one hits or trying to be an international superstar. I've done all that. I'm not out to prove much more to anyone but myself really, to be an artist and see if there is a new undiscovered music out there for me to make.

One of the great sophistries of our age, I think, is that merely because one has an inclination to do something, that therefore acting in accordance with that inclination is inevitable. That's contrary to our very nature as the Lord has revealed to us. We do have the power to control our behavior.

After ages during which the earth produced harmless trilobites and butterflies, evolution progressed to the point at which it generated Neros, Genghis Khans, and Hitlers. This, however, is a passing nightmare; in time the earth will become again incapable of supporting life, and peace will return.

You also want to look at how the tax system encourages and rewards pension saving. I have set as an ambition reversing the effects of Gordon Brown's tax raid which heralded the beginning of the age of responsibility. We are looking at some very specific tax measures on how we can encourage saving.

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