Quotes of All Topics . Occasions . Authors
I've had the opportunity to wrestle Daniel Bryan through several phases of his career, except for his time in WWE. What I remember is that he was great the first time I wrestled him, and he kept getting better every match afterward.
I'm a firm believer in the idea that once we make a thing and release it, my turn to talk is done. Ideally, you're saying everything you want to say in the product you're making, and you don't have to add commentary to it afterwards.
I am quite short, but that never comes across when I'm onstage in front of people. When I get offstage and greet an audience afterwards, their first reaction is to comment on my height because it seems like a very drastic difference.
The politicians of New York have everything that is necessary to make proper decisions and they will have to live with what happens afterwards. The worst scenario is the politicians covering their eyes and turning it over to the FBI.
Heartbreak has definitely been a big inspiration for me. You can write about a bad situation and just feel so much better afterwards. For me it's very therapeutic. But love in general - even when it's good - is always very inspiring.
When you put on foundation with a brush, it's a heavy finish - but if you use a brush and then blend, it looks more like a moisturizer and much prettier. Then add concealer - applied with a fine brush - to the problem areas afterward.
When you have that privilege of being able to talk directly with your chairman, like I've had with Daniel Levy, that make things a lot easier. Afterwards, I know what we've said to each other, and we have a relationship built on trust.
Some parts stay with me for weeks afterward. It's these people that I play. They get under my skin, and I just can't let go of them. I have immersed myself into their lives and into their beings so much that they feel like a part of me.
For over a decade, I had played every week, so to then have a season when you are not - that physical and mental high when you build up to a game and come down afterwards - was missing. It takes a while to adjust and is quite confusing.
I like that part of the culture of 'MST3K' is this constant dialog on what movies could be done and what movies should be done. I've seen plenty of bad movies and walked out afterward thinking 'That would have been perfect for 'MST3K.''
Catholics should be proselytizing about a God who is love, who represents a hereafter where there's no hell, who wants you to lead a life where you can confess your sins and feel much better afterwards. Those are lovely concepts of God.
When I came out, and for many years afterwards, it had become a habit for me to sit and read and read and read, like an obsession. I would take 20 books, and not come out until I'd finished them. It took me a while to change that habit.
Acting was absolutely my first focus. I graduated high school in L.A., and two weeks afterwards, I moved to New York City, and I got a job in a mail room, and I got an agent, doing what actors do, with head shots and all the rest of it.
Drug companies say they need to charge ever-higher prices to cover their research costs, but they spend far less on research and development than they do on marketing and administration, and afterwards they actually keep more in profits.
Hanging out with my girlfriends is my sanity saver. We go out for a bad chick flick and dinner. I suggest you break free from the guys, see a really silly, girly movie, and get a little something to eat afterwards. It feels like a treat.
Now the only thing I miss about sex is the cigarette afterward. Next to the first one in the morning, it's the best one of all. It tasted so good that even if I had been frigid I would have pretended otherwise just to be able to smoke it.
When I work, I'm thinking in terms of purely visual effects and relations, and any verbal equivalent is something that comes afterwards. But it's inconceivable to me that I could experience things and not have them enter into my painting.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
Memory is very important, the memory of each photo taken, flowing at the same speed as the event. During the work, you have to be sure that you haven't left any holes, that you've captured everything, because afterwards it will be too late.
My primary instinct as an actor is not the big transformation. It's thrilling if a performer can do that well, but that's not me. Often with actors, it's a case of witnessing a big party piece but wondering afterwards, where's the substance?
As a young man you don't notice at all that you were, after all, badly affected. For years afterwards, at least ten years, I kept getting these dreams, in which I had to crawl through ruined houses, along passages I could hardly get through.
I became quite taken over by Johnson's personality at some points while writing the biography, and since I went straight on to The Closed Circle afterwards, I did sometimes feel I could hear him whispering in my ear while I was working on it.
Shortly afterwards my father told me that he might be going into the Eastern Zone of Germany. At that time my own mind was closer to his than it had ever been before, because he also believed that they are at least trying to build a new world.
When I did 'Rocky Horror,' I didn't want to meet the audience afterward, because they'd been having a good time yelling names at me all night, and I didn't really want to tell them that I didn't have such a good time being yelled at all night.
I had a band when I was 14, and we would play around in my hometown of Middlesbrough, and we'd go to the club afterwards, which was the Purple Onion then. There would be live bands playing, and in between that, the DJ would be playing records.
'Idol' was a great experience. It was a great stepping-stone. I got to meet a lot of amazing people through that and learn a lot of great things. But afterward - that's what I tell a lot of people - it's up to you to represent it as an artist.
I think South Africa would be in a lot worse position had you not had visionaries like the Mandelas or the Oliver Tambos or the people there who came together after... both during apartheid and afterwards to create and structure their society.
When I was a young man, Dirac was my hero. He made a breakthrough, a new method of doing physics. He had the courage to simply guess at the form of an equation, the equation we now call the Dirac equation, and to try to interpret it afterwards.
During my whole year as Miss America and afterward, I was calling agents, looking for advice and opportunities. When I was in New York or in Los Angeles doing different appearances, if I had time on my schedule, I tried to meet with executives.
A great many things have been pronounced untrue and absurd, and even impossible, by the highest authorities in the age in which they lived, which have afterwards, and, indeed, within a very short period, been found to be both possible and true.
When I'm feeling down on myself or not feeling good about who I am, or maybe something happened and I'm feeling depressed, I eat to fill that void. Afterwards I'll beat myself up about it. I regret doing it, but I'll turn around and do it again.
Comprehensive climate legislation must be passed so that we can ensure a world where this and future generations can experience the bliss of breathing clean crisp air, while fishing in the Adirondacks... and being able to eat the fish afterwards.
Why Galatasaray and not Liverpool? Because I am a winner - I play for prizes - so I went to Galatasaray because I thought that I would win more at Galatasaray and be champion than at Liverpool, and I think afterwards that I made the right choice.
If I go to a seminar and someone like you or someone like him is talking, I'm never part of the group that rushes him directly afterward. I always wait in the back corner with my head down until everyone is gone, and then I go up and do my thing.
The moment in which you make somebody laugh, you're only doing it to make them laugh and be happy. Then afterward you can be like, 'Oh, I just want the attention. I feel so good that everybody's listening to me and I got the approval that I need.'
I did not sit down and watch 'Baywatch' growing up. But I do specifically remember it coming on, and I remember it going off. I watched something that came on right before and then going back to that channel to watch what was coming on afterwards.
I try to avoid the temptation with time as a total indicator for what my possibilities are for the marathon. It's the not the best indicator, but it's more how you feel, how you cover the distance and how you are able to do the training afterward.
I don't like flirting, and when I love someone, I always give everything, maybe too much. And then you have to work at it all the time. I mean, the first months are always great, but afterwards it becomes hard work. It's not as passionate and crazy.
I would like to see more of the making of just regular television shows. Like the casting process. I think it's so fascinating to watch the actors come in and see how they discuss everybody afterwards. It's a crazy world that has no rhyme or reason.
We shot 'CBGB' in Savannah, and then I took another project there afterwards called 'Killing Winston Jones.' It's a dark comedy with Richard Dreyfuss, Danny Glover, Jon Heder, Danny Masterson and Aly Michalka. It's a great cast and a beautiful film.
There are machines that can get rid of your cellulite, so I want to do that. And my friend has just had a machine that has worked on her neck and tightened the elasticity of the skin. You just need a day off work afterwards, so I'm thinking, why not?
Every movie, especially when you get involved... takes something out of you. You learn something, but you give something to the movie. And after the movie, if the experience has been intense and a true experience, you're a little different afterward.
Whenever we go to the cinema in Mexico, we have to get taken in two minutes before the film starts. We sit in a little room and wait for everyone else to sit down, or it becomes very difficult. Then, afterwards, there are people outside waiting for me.
Disasters happen. We still have no way to eliminate earthquakes, wildfires, hurricanes, floods or droughts. We cope as best we can by fortifying ourselves against danger with building codes and levees, and by setting aside money to clean up afterwards.
My kind of composing is more like the work of a gardener. The gardener takes his seeds and scatters them, knowing what he is planting but not quite what will grow where and when - and he won't necessarily be able to reproduce it again afterwards either.
All writers learn this, in time: don't show your work to other people until it's safely finished. Even discussing your unborn book in quite general terms can be such an undermining experience that, afterwards, you give it up and go to live in Guatemala.
I don't know of any wrestler who hasn't, at one time or another, been with a fan. One time I met a woman at a match in Tennessee, and afterward we went to a little roadside motel. We checked in, went to the room, and enjoyed each other for an hour or so.
I was once very unpleasantly groped while I was broadcasting by a famous individual who shall remain nameless. When I told the staff afterwards what had happened, everybody thought it was amusing. There was a shrugged shoulder approach to the whole thing.
Porto is my team since I was a young boy. I was in the stands for all the matches. I was too young to go to the Champions League final in 2004, but I celebrated afterwards. I watch all their games when I can. At some point in my career, I want to go back.
A man's delight in looking forward to and hoping for some particular satisfaction is a part of the pleasure flowing out of it, enjoyed in advance. But this is afterward deducted, for the more we look forward to anything the less we enjoy it when it comes.