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I know I will never wear sandals now anywhere. I got in a fight in the back of a grocery store when I was really young, like 14 or something. And I remember my feet were so torn up afterwards because I lost my sandals in the middle of the fight. My toenail was missing. It just sucked.
At the premiere for 'Leave It to Beaver,' I was walking down the red carpet, and they were screaming my name, and I'm wondering, 'What do I do?' So I had to think, 'OK, calm down, one person at a time.' Everything is kind of rattling, but afterwards, my publicist said I did really good.
'The Stepfather' was the first time I sort of carried a film, or led in a film, and doing it was fun, and I felt very special. Afterwards, though, I was terrified. I just thought, 'Wow, this is basically going to be about me. If this film is a success or a failure, a lot of it's on me!'
I studied Japanese language and culture in college and graduate school, and afterward went to work in Tokyo, where I met a young man whose father was a famous businessman and whose mother was a geisha. He and I never discussed his parentage, which was an open secret, but it fascinated me.
The marriage state was designed to complete the sum of human happiness in this life. It sometimes proves otherwise, but this is owing to the parties themselves, who either rush into it without due consideration or fail in point of discretion in their conduct towards each other afterwards.
My morning routine varies by how much time I have. In the winter, I like to take baths, but in the summer, I prefer a good shower with some soap and then maybe some moisturizer afterward. I use D.R. Harris and Geo. F. Trumper products, which we also stock at our shops in Paris and Antwerp.
Being hummed at by someone with magic hands while they knead your neck is good for the soul, but it won't make you giggle for days afterwards. In fact, the second the smiley therapist stops and says, 'You can put your robe on now, the hour is up,' the joy and wonder sort of leaves the room.
It was at Inver Slane, to the north of Leinster, the sons of Gaedhal of the Shining Armour, the Very Gentle, that were called afterwards the Sons of the Gael, made their first attempt to land in Ireland to avenge Ith, one of their race that had come there one time and had met with his death.
Villains are always the best roles, but that meant that for months afterwards, all I got offered were absolute cads and bounders and really nasty pieces of work, as well as a lot of people who only had one arm. Such is the limited imaginative power, you see, of a great many casting directors.
You talk about rowdy - in Oakland the players were on you. The refs were on you. The stands were on you. You had to talk back or you were a sissy; you'd get run out of the league. Afterward? Yeah, it was kind of a, uh, struggle to get out of the gym. Cops had to be everywhere. Which was lucky.
The Lord gave me 'Sojourner,' because I was to travel up an' down the land, showin' the people their sins an' bein' a sign unto them. Afterwards, I told the Lord I wanted another name 'cause everybody else had two names, and the Lord gave me 'Truth,' because I was to declare the truth to people.
Leh has few of what Europeans regard as travelling necessaries. The brick tea which I purchased from a Lhassa trader was disgusting. I afterwards understood that blood is used in making up the blocks. The flour was gritty, and a leg of mutton turned out to be a limb of a goat of much experience.
I didn't grow up in one of those restrictive Christian households where you couldn't do this or that. We were brought up with a great collection of good morals and good values, but we also had fun. We'd go to church on Sunday, but then have ice cream, roller skate or play in the park afterwards.
I was doing one of my first plays at the Royal Court, and Matt LeBlanc came to see the play. He came backstage afterwards, and I couldn't speak. I kept trying to, but no words came out. I just kept thinking, 'That's Joey from 'Friends.' That's actual Joey from 'Friends!'' It was so embarrassing!
In the '80s, I did two hours of cardio every day, split between running and the stationary bike. It was a trap - afterward I'd feel starving but also bulletproof, so I'd pig out. I slid into what I call exercise bulimia, when you're running more and more miles so you can eat worse and worse food.
I think what's exciting about playing a villain - particularly a villain who's totally unapologetic about their evil intentions - is that it's not anything remotely like what you get to do in real life. You're never allowed to be evil and not feel bad about it afterwards, let alone be evil, period.
In the '50s and '60s, journalism wasn't a profession. It wasn't something you went to college for - it was really more of a trade. You had a lot of guys who came up working in newspapers at the copy desk, or delivery boys, and then they would somehow become reporters afterward and learn on the job.
At the beginning, there was this competitive vibe, like, 'Oh, we've got to compete for this audience.' But then, over the next few years afterwards, everyone on YouTube realized the more we work together, the more we collaborate, it just benefits everyone. It just became a really friendly community.
One of my favorite workouts to do with my girlfriends is yoga. We are equally impatient with our yoga. We are those people who are sweating in the back, and we'll be in downward dog giggling and looking at each other. And I know what we're all thinking: What are we going to order for dinner afterward?
I grew up in a family that despised displays of strong emotion, rage in particular. We stewed. We sulked. When arguments did occur, they were full-scale conniptions, and we regarded them as family failings. Afterward, we withdrew from one another and tried our best to strike the event from our memories.
What I remember most about junior homecoming was my date getting sick afterwards. That kinda sucked. Then, senior year, someone got gum in her hair when we were dancing. She had to get one of the chaperones to take her to the office and cut up her hair. I felt really bad for her, but it worked out fine.
My memories of Las Vegas were all with my father when I was, like, a teenager. He was best friends with Frank Sinatra and Dean Martin, and we'd come up and see the shows and go backstage afterwards and have dinner together. It was one of my first educations about stars and how they really are back stage.
I don't think about the gender thing very much. But when I speak at schools, I've had female students say to me afterwards, "I never envisioned myself being a director, since I've never seen women do it." But after seeing me, they can picture themselves directing, so maybe we'll see more female directors.
I had a very simple, unremarkable and happy life. And I grew up in a very small town. And so my life was made up of, you know, in the morning going to the river to fetch water - no tap water, and no electricity - and, you know, bathing in the river, and then going to school, and playing soccer afterwards.
My grandmother, Amalia Pia Emilia Vignola, whom I called Nonna, brought out the fairy tale in everything. She used to tuck me into bed so vigorously that I never felt anything less than comforted, and then afterwards, she would sit on a cane basket box next to my bed and read Hans Christian Andersen to me.
By junior high, I was a horrible student. But during my sophomore year of high school, I did have a fabulous English teacher, and I would go to school just for her class and then skip out afterwards. That's actually when I started writing, although I didn't think of it then as something I might someday do.
A lot of my struggles with nutrition date back to my swimming days. I was a super-skinny young girl who would go through hours of intense training. Afterward, I'd be famished, but I had a two-hour trip home before dinner. When I did my hardest workouts, I often ate less; I was too tired to think about food.
I remember, once I was going through Nice airport with Roger Moore, and these kids came up and asked for our autographs. Afterwards, Roger said, 'It must be very strange for you. I'm an actor, and signing autographs is part of what I do. But you're a public figure who people don't really know.' He was right.
My daughter arrived when I was five months pregnant with my son. We adopted Melanie from Korea; she was 2 years old, almost 3. I always wanted to have a family. I had a good example because Melissa Hayden was a ballerina in our company, and she had two children and danced afterward, and Allegra Kent also did.
I'd done drag since I was 14, for special occasions, and in 2010 a friend of mine with her own burlesque group was looking for a host. During a party I was just fooling around, taking the microphone, saying stupid, funny things, and she asked me afterward if I wanted to host her burlesque show every Saturday.
Before training, I eat slow-release energy food, such as porridge or muesli, especially in the morning. Afterwards, I eat protein so my muscles are able to recover, such as a protein bar followed by a meal of chicken and vegetables. I always stay hydrated during workouts by drinking plenty of water throughout.
I think in the wake of 9/11, like a lot of Americans, you know, we were all very traumatized by the attacks, traumatized in a totally different way by some of what happened afterward in response. And I think there have been these questions hovering in the past decade of, what kind of country are we? Who are we?
There have been times when I've been broke, and a job came along, and I've said, 'Yeah! Let's do it!' But I will never do something without having a feeling of knowing how to play it. I've been in projects that I felt terrible about afterwards, but I've always had something that sparked me while I was doing it.
At the age of two-and-a-half, I was run down by a truck. I had gone rogue in the house while my mother was bathing my sister. I went outside and met a friend who promised me candy. Afterward, I walked back by myself across the road where I fell down in the street. A 15-year-old boy delivering bread struck me down.
I've known Emma Watson since she was 9, we've watched each other grow up, formed this sort of brother/sister bond, and suddenly I'm leaning in to kiss her. Well, it felt completely wrong... but, you know, you try to sink into the character and divorce yourself from it. We ended up laughing hysterically afterwards.
I've been acting my whole life. I have this huge imagination! I'm a dancer and my mom's a dance teacher, and I was always performing and entertaining people. I'd go to see live theatre or a movie, and I'd become the main character for a few days afterwards. I loved being somebody new for a temporary amount of time.
The bravest person I've ever met was a young boy going through massive amounts of treatment for a very rare, complex and unpleasant disease. I last saw him at a Discworld convention, where he chose to take part in a game as an assassin. He died not long afterwards, and I wish I had his fortitude and sense of style.
A few of Ellison's short stories from the 1940s and 1950s were widely anthologized over the years. After a while, it became generally known that he was at work on another novel. Though he remained aware ever afterward of the authority 'Invisible Man' gave to him, no second novel followed his brilliant debut in 1952.
Everybody is going to die, so people are enthralled by the possibility that they don't have to completely die, that there is something that comes afterward. It's like if you're going to France for the summer, you're going to read up on it. Everyone just wants to know where they're going, or if they're going anywhere.
I moved to Los Angeles when I was 17. I had just booked 'Alvin and the Chipmunks: The Squeakwell.' I thought, 'Well, I'm just going to move to L.A. and become famous. 'Squeakwell' is going to launch me to that point.' Well, I didn't end up working for, like, three years afterward. That's kind of the name of the game.
I used to either lose in my first or second match or I would go very far in the tournament. So I've been saying to myself, 'Come on, you've got to get through these first two matches. They're very tough. Because afterwards you feel different.' So I'm really putting my energy into getting through to those later rounds.
Winning the Olympics was an amazing feeling, but afterwards, it was a bit like, 'What do I do now?' So I lost a bit of motivation going back into training and competitions; I had so much pressure on me. I kept thinking, 'I'm the Olympic champion. I can't lose' - being only 19 and having to deal with all that pressure.
I give myself homework when I have an audition. I give myself goals, and that's how I check how I'm doing. It can be something simple like 'listen,' or 'find your feet.' And then afterward it's an assessment, so in a way it's not about booking the job or not. It's about what I learned as an actor about that character.
I've had parties where I found photos of whoever is coming, put them in a cute little woven frame and used that as their place card at dinner. Then they get to take it home afterwards. It's the little things that make people feel special and like they were a part of the thought process that went into assembling a dinner.
To be honest, for me, my main workout is when I'm on stage. Even though I make pop music, I don't think I perform in the classic 'pop star' sort of way. I'm very active on stage; I always end up dripping in sweat afterwards. It's always like a full-on, wild performance, so that's pretty much like my exercise, I would say.
The thing about TV is that it's great work for directors because the responsibility is not ours at all. In a movie, you choose a movie, and everybody points his or her finger at you afterward. It doesn't matter how much influence you had on the script, how much decision you had, or the fact that you didn't have final cut.
I was 10, and I played Jim Hawkins in 'Treasure Island' at school, and this great Liverpudlian actor called Andrew Schofield - he was Johnny Rotten in 'Sid And Nancy' - came to watch it, and he had a word with my mum and dad afterwards and told them I should have a go at the Everyman youth theatre. I've never looked back.
To enter upon the marriage union is one of the most deeply important events of life. It cannot be too prayerfully treated. Our happiness, our usefulness, our living for God or for ourselves afterwards, are often most intimately connected with our choice. Therefore, in the most prayerful manner, this choice should be made.
I am on Vine. It's another early-adopter kind of thing. I'm trying to figure out what I'm going to do with it. What's interesting about it is that everybody knows these amazing restrictions we've put on it: I have to use my iPhone, I can only use one continuous take, I cannot edit afterwards, I cannot put sound afterwards.
'Sunday Morning Coming Down' is probably the most directly autobiographical thing I'd written. In those days, I was living in a slum tenement that was torn down afterwards, but it was $25 a month in a condemned building, and 'Sunday Morning Coming Down' was more or less looking around me and writing about what I was doing.