African Quotes - Page 20

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One consequence of racism and segregation is that many American whites know little or nothing about the daily lives of African Americans. Black America's least-understood communities are those poor, hyper-segregated places we once called ghettos. These neighborhoods are not far away, but they might as well be on the moon.

All people - African, European, American - worry about being different. But I've learned that the traits we'd rush to get rid of are the very ones that others desire. People always covet what they don't have. That's why we should look at ourselves every now and then and say, 'I'm proud of myself. I like the way I'm made.'

I think there's something very dark in the South African psyche. I think we live a lot of the time in a state of a very low-grade civil war; the levels of violence in South Africa are extremely high. In a way, the civil war that never happened is being played out in a covert way, so we live with a lot of very ugly things.

'Griot' is a French word which means, you know, really, literally, 'cry.' You know, like the town crier. You know, they come in and say, you know, 'It's nine o'clock; everything is cool.' You know, 'President Bush is a fool.' I mean, stuff like that just to tell you. But for the kind of, the African thing is called djali.

'2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah.

I'm just trying to touch the world and touch the people and just get good material. And show them that we can get it done. Just because you're African American, you still can touch the masses. And that's my goal. I won't stop until that goal is continued to push it hard to the world that we are the universal person as well.

When African-Americans come to France, the French show them more consideration than they would show an African or a Black Caribbean. When African-Americans come to France, the French people are like, 'Oh, wow. Oh my God.' But if it's an African, they're like, 'Whatever.' It's all because of the past, because of our history.

U.S. failures when it comes to the Gulf of Guinea are many: a failure to address the longstanding concerns of a government watchdog agency, a failure to effectively combat piracy despite an outlay of tens of millions of taxpayer dollars, and a failure to confront corrupt African leaders who enable piracy in the first place.

Being told about the effects of climate change is an appeal to our reason and to our desire to bring about change. But to see that Africans are the hardest hit by climate change, even though they generate almost no greenhouse gas, is a glaring injustice, which also triggers anger and outrage over those who seek to ignore it.

So for everybody who allows themselves to be separated from me because I said 'African' instead of 'Nubian' or 'Black' or 'Kemet' or 'original' or 'Israelite,' don't be so foolish. I say 'African' because the continent of Africa is the land from which we all originate. It is the word that we are most familiar with right now.

My mother was not happy with the Afros that my friends and I emerged with - there's that crack in the book of 'Why, if a fly landed in there, he'd break his little wings trying to get out.' I was not pure dashiki, though - I was a combination of African dresses, miniskirts, tank tops, shawls, ethnic-looking earrings, sandals.

Patriotism is best exemplified through auto-critique. When you're willing to stand up within the group and say, 'It is wrong for Black people to be anti-Semitic,' or 'It is wrong for America to discriminate against persons of African descent and made them slaves and based its wealth upon free labor,' it's crucial to say that.

There's no question that O.J. Simpson had been a substitute white man in America. He had gained honorary white status. He was not viewed by many white Americans as black. He was not seen as the African American athlete who was rebellious: Jim Brown, Muhammad Ali, Hank Aaron... He was accepted in golf clubs that were very tony.

The evidence is inarguable that Australia is becoming too expensive and too uncompetitive to do export-oriented business. Africans want to work, and its workers are willing to work for less than $2 per day. Such statistics make me worry for this country's future. We are becoming a high-cost and high-risk nation for investment.

The freedom fighters in India's long struggle for independence from British rule, or members of the African National Congress, were once classed as terrorists. History, as they say, is written by victors, but history also has many cunning corridors - how much time must elapse before all those tricky side-passages are revealed?

When Marcus Garvey died in 1940, the role of the British Empire was already being challenged by India and the rising expectations of her African colonies. Marcus Garvey's avocation of African redemption and the restoration of the African state's sovereign political entity in world affairs was still a dream without fulfillment.

Better governance helps realize the full potential of the many young Africans who are currently giving their families' savings to criminal networks and risking their lives in the vast expanses of the Sahara or Mediterranean instead of starting their own businesses and using their lives to benefit their families and communities.

I wasn't born Austrian; I wasn't born German. My roots are from Africa, and I do not have any reason for not wanting to celebrate that. Every time that I can, I like to kind of mention it, you know, just to keep people sort of knowing exactly what's going on. My French is pretty good, but I'm still African, thank you very much.

I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.

It's heavy, but I am able to carry it. Why? Because I'm an African woman. An African woman carries heavy loads anyway. That's how we are trained; we are brought up that nothing is unbearable. I use that now, positively. I use that now to have the thick skin that I have, and not fear, and move forward, and push; and push forward.

It's not about composition. It's the way you feel about how your objects should relate to each other. I've got lots of African statues and things, and the cleaner arranges them like soldiers, which drives me mad. So I have to rearrange them, and I must drive her mad, because I'm doing anarchy and she's doing military manoeuvres.

I started as an engineer. I migrated to philosophy and international politics. And I did my studies about African - Africa democracy and democratization in Africa, taking Kenya as a model. And then, while I was doing so in 1996 in South Africa, Al Jazeera was established. So they requested me to be an analyst on African affairs.

Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.

The contribution of West African languages to Ebonics is absolutely infinitesimal. What it actually is is a very interesting hybrid of regional dialects of Great Britain that slaves in America were exposed to because they often worked alongside the indentured servants who spoke those dialects that we often learn about in school.

I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.

If I were not African, I wonder whether it would be clear to me that Africa is a place where the people do not need limp gifts of fish but sturdy fishing rods and fair access to the pond. I wonder whether I would realize that while African nations have a failure of leadership, they also have dynamic people with agency and voices.

The United States has been fighting African pirates since the early days of the republic - battles so formative that, among other things, they established a long-standing pattern of dealing with foreign policy problems through armed interventions and also inspired the iconic phrase 'the shores of Tripoli' in the Marine Corps hymn.

Especially after the Twin Towers, we're so terrified of 'Arabic' people. And talk about stereotypical negative portrayals of people of certain groups, if you look at the portrayal of Arabic people in Hollywood films, it's just appalling. They've always been just the easiest of targets - along with native Africans and what have you.

The people and the cultures of what is known as Africa are older than the word 'Africa.' According to most records, old and new, Africans are the oldest people on the face of the earth. The people now called Africans not only influenced the Greeks and the Romans, they influenced the early world before there was a place called Europe.

Key to success for the education of young African girls is building a model that works with communities, schools, and national Ministries of Education to build a system of protection and support around girls, ensuring that they receive the education that is their right. Financial support is provided alongside a social support system.

The shooter's choice of Emanuel AME was most likely deliberate, given the church's storied history. It was the first African Methodist Episcopal church in the South, founded in 1818 by a group of men including Morris Brown, a prominent pastor, and Denmark Vesey, who would go on to lead a large, yet failed, slave revolt in Charleston.

The poster boy for our superabled future is Oscar Pistorius, an increasingly famous South African sprinter who happens to have had both of his legs amputated below the knee. Using upside down question mark-shaped carbon fiber sprinting prosthetics, called Cheetah blades, Mr. Pistorius can challenge the fastest sprinters in the world.

Africa shares with Asia a common background of colonialism, of exploitation, of discrimination, of oppression. At Bandung, African and Asian States dedicated themselves to the liberation of their two continents from foreign domination and affirmed the right of all nations to develop in their own way, free of any external interference.

I saw the first of the 7-mile-long column appear - red and orange and green banners, 'Ban the Bomb!' etc., shining and swaying slowly. Absolute silence. I found myself weeping to see the tan, dusty marchers, knapsacks on their backs - Quakers and Catholics, Africans and whites, Algerians and French - 40 percent were London housewives.

In the 1940s, traveling for an African was a complicated process. All Africans over the age of sixteen were compelled to carry 'Native passes' issued by the Native Affairs Department and were required to show that pass to any white policeman, civil servant, or employer. Failure to do so could mean arrest, trial, a jail sentence or fine.

There are a few elements - especially platinum and palladium - that have the amazing ability to absorb up to 900 times their own volume in hydrogen gas. To get a sense of the scale there, that's roughly equivalent to a 250-pound man swallowing something the size of a dozen African bull elephants and not gaining an inch on his waistline.

I started, actually, as an analyst on African affairs, mainly on Al Jazeera. I remember the first few series were about Saudi students, and the negotiations between the government and the Sudanese rebels in the south. And then, slowly, I was speaking about Congo, Democratic Republic of Congo, Zimbabwe, Mozambique and a few other places.

'Crazy Rich Asians' has been compared to 'Black Panther,' but I feel like that's a false equivalency. The idea that there's only this film for Asians and that film for African Americans - it's so binary. I don't think it's like that at all. There should be and will be many films and many stories. Hopefully this just opens the floodgates.

The commentators of 1963 speak, in discussing Africa, of the Monrovia States, the Brazzaville Group, the Casablanca Powers, of these and many more. Let us put an end to these terms. What we require is a single African organisation through which Africa's single voice may be heard, within which Africa's problems may be studied and resolved.

We've reached a very low-level equilibrium where it's not clear whose interest it is in to develop Africa... It's not in the interest of those in the aid industry to develop Africa because then there'd be no more industry and 500,000 people would lose their jobs. The only people whose interest it is in is Africans, but they have no voice.

The statement that I made and that I think I will continue to make is that racism and bigotry isn't just relegated to the Southern region; it permeates the history of our nation. It's not to say that we haven't made progress. Obviously we have with our first African American president, and I never thought that would happen in my lifetime.

What's sometimes called the 'browning' of the American Catholic church is very much on the minds of many U.S. bishops - and the pope. Unlike evangelicals who have stayed strong in their support of President Trump, the USCCB knows that it cannot afford to lose their Hispanic and African American population because of a weak stance on racism.

As we walked through the National Museum of African American History and Culture, I pushed my grandfather in a wheelchair he had reluctantly agreed to sit in. He is a proud man who also knows that his knees aren't what they once were - that years of high school and college football had long accelerated the deterioration of his aging joints.

The very first role I ever played was as a 17-year old South African girl who dreamed of being a star and left home to meet her mother in the big city so that she could pursue that dream. I left South Africa and met my mother in Vancouver and not long after that was given the opportunity to perform on the stage and have people chant my name.

My aunt Geraldine was the unofficial historian and storyteller. She had all the information about family members and the gossip that came out of the church because we were very much part of the African Methodist Episcopal Zion Church. At family gatherings, the older folk had the floor, had pride of place, and it was their stories I remember.

Anyone who thinks hunters are just 'bloodthirsty morons' hasn't looked into hunting. If you wait through long, cold hours in the November woods with a bow in your hands hoping a buck will show, or if you spend days walking in the African bush trailing Cape buffalo while listening to lions roar, you're sure to learn hunting isn't about killing.

The argument for '12 Years a Slave' was that - yes, it's a beautiful film. Beautifully shot, beautifully acted. It's a real story, and these stories should be told. The problem is, if they're the only stories being told, then it makes Americans of African descent - it puts them into that victim category. And that was my problem with the movie.

The idea that there is one kind of African is, of course, ridiculous. Sometimes African entrepreneurs want to kill you because you are saying public health is the priority, not roads. Of course they are right to press for that issue, but so are we right, I believe, to argue, for example, that millions of children could and should be vaccinated.

Whether as living humans or as mythological figures, ancestors have always played an important role in the African popular and literary imagination. Sometimes, as in Amos Tutuola's famous short novels, they directly influence events. More often, as in the works of Chinua Achebe, both living and dead ancestors are sages offering valuable advice.

History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.

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