African Quotes - Page 16

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I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.

So, Mexico, Brazil, they wanted their national culture to be 'blackish' - really brown, a beautiful brown blend. And finally, I discovered that in each of these societies the people at the bottom are the darkest skinned with the most African features.

I think that there are some people on the so-called Left who might say we have to circle our wagons around the first African American president, and to me that is racism in reverse because his policies are actually still the racist policies of empire.

From the world wars of Europe to the jungles of the Far East, from the deserts of the Middle East to the African continent, and even here in our own hemisphere, our veterans have made the world a better place and America the great country we are today.

Our daily deeds as ordinary South Africans must produce an actual South African reality that will reinforce humanity's belief in justice, strengthen its confidence in the nobility of the human soul, and sustain all our hopes for a glorious life for all.

I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.

Since I was a kid, I inherited my dad's love for animals and wildlife, even for the ones we had around the house in the French countryside, a 'smaller' kind of nature. Then, as I grew up, I looked more deeply into the African continent and its wildlife.

I think a lot of Africans in my generation, and especially those of us who have spent time overseas before coming back, are quite comfortable moving between the two worlds, though always with a lens of, 'What can we do to help our countries or regions?'

When you talk about evangelicals, don't forget that a significant proportion of the evangelical community is African American. And most African Americans - well over 90 percent, thoroughly evangelical, thoroughly biblical - will probably vote Democratic.

Democrats did not lose control of the Senate because African Americans did not vote. Actually, as supported by preliminary exit poll data, the complete opposite is the case. African Americans increased as a proportion of the electorate in 2014 over 2010.

Inkaba' is about a feud between two South African families. They have been fighting for years, from one generation to the next. It's like those typical feuds you have in rural KwaZulu-Natal where, after a while, you do not even know why you are fighting.

The commitment to literacy was constant on the part of African Americans. And the percentages of literacy by the end of the century, by 1900, basic literacy has galloped ahead. People believed that education, of course, was the turnstile for advancement.

When I was young, I dreamt of being a starlet in Hollywood. But there comes a point in every African American's life when you realize the limitations, that you could only play maids or some little supporting role. Even Lena Horne couldn't get good parts.

This African American Vernacular English shares most of its grammar and vocabulary with other dialects of English. But it is distinct in many ways, and it is more different from standard English than any other dialect spoken in continental North America.

You know, rap is sort of like a form of talking, right? So it's like you can hear, you know, the slaves doing it. You can hear, like, you know, Africans and Jamaicans doing it just kind of as, like, a rhythmic, poetic conversation, you know, to a rhythm.

During the days of segregation, there was not a place of higher learning for African Americans. They were simply not welcome in many of the traditional schools. And from this backward policy grew the network of historical black colleges and universities.

African American students have less access to algebra and more access to seclusion and restraint than do their white peers. The significant disparity in educational resources has caused this problem of disparate discipline and disparate academic outcomes.

I remember talking to old-school African American grandpops, and they're just like, 'When I saw my wife, I looked up from across the street, and I said, 'That girl gon' be my wife someday.' And we've been married 45 years.' Like, what? That's all it took?

You draw a district for that particular minority - African American, Asian, Hispanic - so those folks have the right to elect whoever they want. If they don't decide to elect someone who sounds like them or looks like them, they can pick anyone they want.

As Africans Americans we often think about the tragic stories associated with our lineage, but there are a lot of triumphs. Traveling helps you learn about other aspects of our history, like the story of Christ the Redeemer. It's empowering and inspiring.

The Nobel Prize is worth $1.5 million, but that's not the issue. Do the distinguished scientists who win the Nobel Prize need the money? Probably not. The honor is more important the money, and that's the case with the prize for African leadership as well.

An African woman carries heavy loads anyway. That's how we are trained; we are brought up that nothing is unbearable. I use that now, positively. I use that now to have the thick skin that I have, and not fear, and move forward, and push; and push forward.

When I was very little, I was into Michael Jackson. At six or seven, it was Madonna, but she's not what she used to be. I've been into everything from Edith Piaf to Joe Strummer to the Velvet Underground to Suicide to A Tribe Called Quest to African music.

I read recently that the problem with stereotypes isn't that they are inaccurate, but that they're incomplete. And this captures perfectly what I think about contemporary African literature. The problem isn't that it's inaccurate, it's that it's incomplete.

I just had a normal African childhood; we played football a lot, but it was always in the street and always without shoes. Boots were very expensive, and when there are seven in your family, and you say you want to buy a pair, your father wants to kill you.

One of two historically African American communities that sprang up along the Mississippi Gulf Coast after emancipation, North Gulfport has always been a place where residents have had fewer civic resources than those extended to other outlying communities.

The biggest lesson from Africa was that life's joys come mostly from relationships and friendships, not from material things. I saw time and again how much fun Africans had with their families and friends and on the sports fields; they laughed all the time.

The last four or five hundred years of European contact with Africa produced a body of literature that presented Africa in a very bad light and Africans in very lurid terms. The reason for this had to do with the need to justify the slave trade and slavery.

Going back and forth between Western Arabic and African countries clearly created the various musical backgrounds I could have and obviously influenced my professional attitude, my way of approaching both music composition and singing, particularly phrasing.

The history of American democracy, to say the least, has been checkered. Our nation was founded at a time when people of African descent were held in bondage. After slavery was abolished, they were forced to endure legal discrimination for another 100 years.

I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.

I've just got a real thirst for knowledge now, especially seeing how the world is, seeing how the disparity is with African American men, and I want to do something special. And getting a degree from Duke is special, especially coming from where I come from.

When I got out of acting school, I was lucky to have gotten any job at all. A lot of people hiring African American actresses - it was right after 'Roots,' and for society, not me, it was great. Nice richly dark-skinned people was the fashion, and I was not.

When you do a film, you know you're shooting for 6 or 9 weeks, you've got your cast and crew. Overall, no one can just pull the plug and say, 'This isn't working.' There's just no security on television, especially for African Americans. It's a tough market.

In 1985, I joined my mother in a protest against apartheid in which we were arrested at the South African embassy in Washington, D.C. And she was at President-elect Mandela's side in Johannesburg when he claimed victory in South Africa's first free elections.

One of the things I like best about Netflix is that they make projects like 'Beasts of No Nation.' It's a film about a reality in an African country where kids were being used to be soldiers in a war. And it made so much sense to me as a citizen of the world.

I don't think my background in Zambia has really affected my lens because my classical training has been Western-style. But it's fantastically fortuitous to have been born African because I don't feel I have a vested interest to the U.S. or China or wherever.

I've heard people say South Africans are arrogant, that they act no differently from their colonial masters. That needs to change. It's in your business interest as an entrepreneur to form meaningful partnerships. That's how you do well for your shareholders.

It's very difficult, I would imagine, to distinguish father and daughter. And maybe some of it comes as I'm doing my thing and my father being a very strong political African figure for so many years. Whatever he does is almost like some kind of cloud on top.

American high school culture was impenetrable to me, and very cliquey: you had the Hispanics, the African Americans, the surfer guys and the goths and the immigrants. The jocks and the surfers got the girls. By the time I'd got to grips with it, I'd graduated.

While I am a huge proponent of us as Africans telling our own stories and countering the negative stereotypes out there since no one else will, I am also cognizant of the power that the mainstream Western media still has on shaping perceptions of the continent.

Since 1957, black people have experienced double-digit unemployment - in good times and bad times. Look at the population of African Americans in prison. They represent more than half the population of prisoners in the country, 55 percent of those on death row.

My African heritage is a part of reggae music roots, and the concept is that the album, 'Revelation Part 1: The Root of Life' is a tribute to roots reggae music. The fruit is what blossoms into different colors and shades, but the root has to stand predominant.

As a brand new graduate student starting in October 1956, my supervisor Michail Fischberg, a lecturer in the Department of Zoology at Oxford, suggested that I should try to make somatic cell nuclear transplantation work in the South African frog Xenopus laevis.

Not only do African students deserve excellent universities, they deserve good elementary and secondary schools, too - and then, to have access to ongoing vocational and job training to ensure their skills remain as relevant as possible to African organizations.

Typically, during recessionary times, particular groups suffer higher rates of unemployment -African Americans, and Latinos, and in some cases other minority groups. If you don't have a high level of training or education you're going to fall into that category.

If I don't make heritage visible and the strength of mother tongue important for my grandchildren, it scares me that they might say in 20 years from now, 'Well, it is rumoured that we used to be Africans long ago.' And in many urban areas, it's already happening.

Schoolkids - black and white - would call me Kunta Kinte as a cuss. If ever my hair was particularly messy, if ever I looked scruffy at school, I would be called Kunta Kinte. My first impression was that it was bad to be African and bad to be associated with him.

Unlike their Western counterparts, Africans take elections very seriously - rising up early to queue patiently in line for hours under the hot sun and cast their ballots. Any misguided attempt to nullify or steal their votes will evoke a strong reaction from them.

Nelson Mandela sat in a South African prison for 27 years. He was nonviolent. He negotiated his way out of jail. His honor and suffering of 27 years in a South African prison is really ultimately what brought about the freedom of South Africa. That is nonviolence.

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