Instead of presiding over an economic system that panders to big business and a wealthy elite, a more human economy must be established which meets the needs of African women and young people.

I don't want to not be African. The goal is to live in a world where my race doesn't limit my access, where I can see myself represented in the highest level of society without any limitation.

Argentine political life is like the life of an ant community or an African forest tribe: full of events, full of crisis and deaths, but life is always cyclical, and the year ends as it begins.

The history of political movements in the African diaspora is that the solution to the problem is never in the hands of people who are advancing the movement. I try and operate on my own terms.

When I think of my work, I'm aware that I'm American and African at all points and times. And without a doubt, my experience and understanding of America was shaped by having immigrant parents.

Rian Malan was one of the first younger writers to perceive and write about a darkness in the South African psyche that goes deeper than mere politics. To some extent, that's my territory, too.

There is no intrinsic reason African countries should be importing, rather than exporting, basic staples like rice or higher value products like frozen chicken, cooking oil, or instant noodles.

I think my track record speaks for myself... I have been endorsed by the African Union, but I am a prosecutor for 121 states parties and this is what I intend to be until the end of my mandate.

In fact, the Harvard study data indicates that 70 percent of African American children attend schools that are predominately African American, about the same level as in 1968 when Dr. King died.

Coming from an African background, obviously the foundation of the family home is education, probably because my parents had to work a lot harder for everything that they've got in this country.

It is of great concern that the fabric of African life, its very source of hope and stability, is threatened by divorce, abortion, prostitution, human trafficking, and a contraception mentality.

A lot of African American women wanted to emulate white women. But I said in my mind, rationally thinking, there is no way you are going to get your hair that straight, especially in the summer.

African art is functional, it serves a purpose. It's not a dormant. It's not a means to collect the largest cheering section. It should be healing, a source a joy. Spreading positive vibrations.

What we call soul has been around a long time. It comes out of a particular culture that is African in origin, but influenced by 250 years of slavery, as well as other forms of racial oppression.

Indians were here first - it's about time. We're way behind the African Americans and Hispanic Americans in getting politically involved, but we're beginning to take a page out of their notebook.

Too many African countries have already hit rock-bottom - ungoverned, poverty-stricken, and lagging further and further behind the rest of the world each day; there is nowhere further to go down.

From blood banking to the modern subway, from jazz to social justice, the contributions of African Americans have shaped and molded and influenced our national culture and our national character.

I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'

There is no African, myself included, who does not appreciate the help of the wider world, but we do question whether aid is genuine or given in the spirit of affirming one's cultural superiority.

Thanks to aid, a distressing number of African leaders care little about what their citizens want or need - after all it's the reverse of the Boston tea-party - no representation without taxation.

There is no way that we know what is going on between the African American and the Asian American. We don't understand what an Indigenous American is. We don't understand what a Latino American is.

Jazz was the beginning of rhythm music, which developed into rock and roll. But what the jazz musicians lost because they were so far from their homeland was the intricate rhythms of African music.

I have an African gray parrot; her name is Eli. We thought she was a boy. And a blue-streaked lory named Marco. He's 10. And a yellow and green parakeet, Petey. He's very cute, but he's getting old.

A way to make new music is to imagine looking back at the past from a future and imagine music that could have existed but didn't. Like East African free jazz, which as far as I know does not exist.

The 'Cheetah Generation' refers to the new and angry generation of young African graduates and professionals, who look at African issues and problems from a totally different and unique perspective.

It is up to African leaders to show their will and political courage in order to assure that this new pan-African institution becomes an efficient instrument and not a place for endless discussions.

The large ensemble cast and the fact that it was being shot in New York, combined with a lot of strong positive images as far as African Americans are concerned, really turned me on to The Best Man.

I think what happened during the Great Depression was that African Americans understood that Republicans championed citizenship and voting rights but they became impatient for economic emancipation.

I'm Nigerian. I'm African. I have a lot to say. Apart from what I say, though, is the feeling. People can relate to that feeling. It's a reciprocal relationship. They feed off me and I feed off them.

The education I received was a British education, in which British ideas, British culture, British institutions, were automatically assumed to be superior. There was no such thing as African culture.

The insidious aid culture has left African countries more debt-laden, more inflation-prone, more vulnerable to the vagaries of the currency markets and more unattractive to higher-quality investment.

What we are oftentimes reminding people of is the fact that the history of police in the U.S. was that they were slave patrols. They were quite literally created in order to capture enslaved Africans.

I, too, am interested in identity and Islam, which is what people expect of us. But one must not write what is expected. It's important for North African writers to show they have other things to say.

The contributions of African Americans, Native Americans, and immigrants throughout our nation's history are undeniable, but the tendency to overlook their gallant efforts is pervasive and persistent.

The Green Revolution focused on the big three - maize, rice and wheat - and the Green Revolution did not adapt the big three to African conditions, other than South Africa, as much as they should have.

The toughest challenge I faced came right at the beginning of my career with 'Blood Knot,' which was trying to convince South African audiences that South African stories also had a place on the stage.

The reason that I like to use classical myths as models is because African American writers and African American stories are usually understood as occurring in some kind of vacuum - because of slavery.

I think the Internet is absolutely extraordinary. It's very, very useful and I think one of the things we've got to do is make sure that the African continent gets on to that information super highway.

What if I told you every single person in America - every single person on Earth - is African? With a small scrape of cells from the inside of anyone's cheek, the science of genetics can even prove it.

Western record companies haven't always dealt with African musicians in the best way. Giving them a lot of money and telling them they're going to be bigger than Phil Collins is the wrong way to do it!

America is not perfect. It took a bloody civil war to free over 4 million African Americans who lived enslaved. It took another hundred years after that before they achieved full equality under the law.

I think there's no way of avoiding the South African or African influence from coming into my music, just because I spent 19 years of my life there. Being a kid, my early musical experiences were there.

When we say Afro American, we include everyone in the Western Hemisphere of African descent. South America is America. Central America is America. South America has many people in it of African descent.

When we play at the World Cup, any African will back any African team. Because we want to hear the different approach to African football. We want to hear that Africans can do well, and Africans do well.

Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer.

You can't make a direct comparison between middle-class African Americans and middle-class white Americans, affluent African Americans and affluent white Americans. The amount of wealth tends to be less.

I've always been attracted to something that's a little bit left - Korean R&B, South African hip-hop. I'm really curious about my homies back in Jamaica, what are they listening to? I'm always searching.

There's a glorious sense of freedom in comedy, just allowing myself to tell jokes, allowing myself to interrupt myself and tell old African folk stories that I made up - or didn't - and Jamaican stories.

Trump's position is that the people who are most victimised by black criminals are law-abiding black people, and he's been doing very well with the African American people by taking that message to them.

The art, the greatness of the music, the experience of the music is what I'm about. I think most African artists have destroyed their artistry by commercialization, and I don't want to belong to that bag.

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