Quotes of All Topics . Occasions . Authors
I'd do another Cortana advert, I don't see why not.
One time, I had a nightmare for two weeks after an advert.
I'm supposed to be taking time off. But I'm still writing and I have this Gap advert lined up.
While a traditional TV advert might last for 30 seconds, a child can play an advergame for hours on end.
I can't write. I can handle bits of simple-minded advert copy or a poster slogan, so answering questions is about all I'm good for.
I don't think it's a good advert for any restaurant, a fat chef, and secondly, who wants to eat a dessert when the chef's a fat pig.
With 'Atonement,' I put a lot of pressure on myself, and then I made an advert for Chanel, which 'broke the camel's back' emotionally.
It's not exactly calm at Christmas. It's a bit like the Simpsons appearing in a pasta advert - lots of bickering, crazy pets, and plenty of tomato sauce!
When you boil war down or all conflict down to two people, it's a great advert for humanity sometimes. People can find connections with each other, regardless of the bigger picture.
My big advert was for ketchup. I come home from school, cook my brother and sister their dinner, ride my bike in the garden. Remember that one? People cried at that advert. It won awards. I was 12.
Two months after I got out of test pilot school, I saw an advert that said NASA was recruiting more astronauts. The best job you could have as a test pilot was being an astronaut, so I volunteered.
It is very similar to companies like Google and other internet companies. When you go and search on Google you don't pay for that. But sometimes you click on an advert and Google makes money on that.
If I was making a tea advert, I would want to communicate about tea is that it can console you, it can start your day, there is the warmth and the ritual, and you can share it; you make someone a cup of tea and you offer it to them.
The household I grew up in... was rather like an Ovaltine advert. There was a huge fire, a kettle on the fire, the oven with the bread being baked every day, and there was the radio; it was very magical to hear all these wonderful programmes.
I've been so lucky with the people I've worked with, but I'm such a fan girl. When I moved to London at 16, I saw a man from a Dulux advert on the bus, and I asked for his autograph. I was so excited; you can imagine what I'm like now - I really need to control myself.
Before Ricky Gervais came along, I was a jobbing actress and perfectly content if a little unfulfilled: I'd just done an advert for Imodium. That year, 1999, I auditioned for four parts. 'The Office' was the only one I got. What its success gave me was freedom of choice.
I love the TV show, and if you make a bad movie it means you've soiled it. Just like if we made an advert. We were offered so many times and I'd say, look, this is the good thing, and you can't compromise that, because then you compromise the integrity of the characters.
I shout at the radio when someone starts talking over the end of a song. Shut up! I don't want to hear that the DJ has just found a mouldy sandwich in the corner of the studio. Nor do I like it when the magic of something you're watching is shattered by an advert for Argos.
I didn't come out and roll from job to job - my first year was really tough. I had to work as a teaching assistant for an agency; I ran a pancake stall in Dulwich Market. I taught drama classes and ran my own workshops. I applied for every advert on Gumtree there possibly was.
