Quotes of All Topics . Occasions . Authors
The Enormous Room seems to me to be the book that has nearest approached the mood of reckless adventure in which men will reach the white heat of imagination needed to fuse the soggy disjointed complexity of the industrial life about us into seething fluid of creation. There can be no more playing safe.
Thinking in mythological terms helps to put you in accord with the inevitables of this vale of tears. You learn to recognize the positive values in what appear to be the negative moments and aspects of your life. The big question is whether you are going to be able to say a hearty yes to your adventure.
The words that reverberate for us at the confines of this long adventure of rebellion are not formulas for optimism, for which we have no possible use in the extremities of our unhappiness, but words of courage and intelligence which, on the shores of the eternal seas, even have the qualities of virtue.
Literature can no longer be either Mimesis or Mathesis but merely Semiosis, the adventure of what is impossible to language, in a word: Text (it is wrong to say that the notion of 'text' repeats the notion of 'literature': literature represents a finite world, the text figures the infinite of language).
I am a reserved guy and need somebody to pep me up every day, Upsi does that job perfectly. She is very vivacious and outspoken, so we blend very well. We both love travelling, and we have a thing for adventure. We love being outdoors and like to ride our own boat rather than being rowed by someone else.
To all my soap fans out there, my horror fanatics, comedy lovers, I will tell you this: 'Death Valley' is an action-packed drama, comedic, horror TV series that has a non-stop adventure in each episode. It's like a huge pot of Texas gumbo. If you like all four of those genres, then you'll love this show.
Any coward can sit in his home and criticize a pilot for flying into a mountain in a fog. But I would rather, by far, die on a mountainside than in bed. What kind of man would live where there is no daring? And is life so dear that we should blame men for dying in adventure? Is there a better way to die?
Like university science departments, the arts have shown how they can earn their way and point to an economically newborn future for this country. They show that the U.K. could be a prime provider of imaginative riches and intellectual adventure, which I think are the two great prizes of the 21st century.
The entire Islamic world condemned Iran. Nowadays, because of the unwarranted invasion of Iraq by Bush and Blair, which was a completely unjust adventure based on misleading statements, and the lack of any effort to resolve the Palestinian issue, there is massive Islamic condemnation of the United States.
As for the discipline, we [me and Frank Moore Cross] belong to two different disciplines. One involves research and archaeological materials. Mine is more interpretive. But it is the love for the text that is there, and that is what makes the whole adventure of reading and studying and sharing worthwhile.
Alone? Is he alone at whose right side rides Courage, with Skill within the cockpit and faith upon the left? Does solitude surround the brave when Adventure leads the way and Ambition reads the dials? Is there no company with him, for whom the air is cleft by Daring and the darkness made light by Emprise?
As long as mankind is made up of independent individuals with free will, there cannot be any social status quo. Men will develop new urges, and these will give rise to new problems, which will require ever new solutions. Human life implies adventure, and there is no adventure without struggles and dangers.
Seven years ago, when I started free soloing long, hard routes in Yosemite - climbing without a rope, gear or a partner - I did it because it seemed like the purest, most elegant way to scale big walls. Climbing, especially soloing, felt like a grand adventure, but I never dreamed it could be a profession.
Life is there ahead of you and either one tests oneself in its challenges or huddles in the valleys of a dreamless day-to-day existence whose only purpose is the preservation of a illusory security and safety. The latter is what the vast majority of people choose to do, fearing the adventure into the known.
And thus flowed the current of life. The seeds of the silverbell were converted into squirrel; and squirrels were converted into foxes. Everything edible, from mice and chipmunks to roots and berries and apples was converted into bear. And bear and his tracks are converted into wonder and adventure for man.
Ineffective people live day after day with unused potential. They experience synergy only in small, peripheral ways in their lives. But creative experiences can be produced regularly, consistently, almost daily in people's lives. It requires enormous personal security and openness and a spirit of adventure.
It is the dissenter, the theorist, the aspirant, who is quitting this ancient domain to embark on seas of adventure, who engages our interest. Omitting then for the present all notice of the stationary class, we shall find that the movement party divides itself into two classes, the actors, and the students.
I'm restless. Things are calling me away. My hair is being pulled by the stars again. ANAÏS NIN, Fire: From "A Journal of Love" The Unexpurgated Diary of Anaïs Nin, 1934-1938 For me, the adventures of the mind, each inflection of thought, each movement, nuance, growth, discovery, is a source of exhilaration.
It may be that, while we plodding realists go on, for ever preoccupied with our daily chores, abstracting a microscopic pleasure from each microscopic duty, your true romantic has the truer vision, and beholds, afar off, in all its lurid splendour and terrible proportions, the piquant adventure we call life.
I grew up as a fifth-generation Jew in the American South, at the confluence of two great storytelling traditions. After graduating from Yale in the 1980s, I moved to Japan. For young adventure seekers like myself, the white-hot Japanese miracle held a similar appeal as Russia in 1920s or Paris in the 1950s.
The mountains are fountains of men as well as of rivers, of glaciers, of fertile soil. The great poets, philosophers, prophets, able men whose thoughts and deeds have moved the world, have come down from the mountains - mountain dwellers who have grown strong there with the forest trees in Nature's workshops.
Everything’s been about the journey, I never really set out with goals for fighting; it’s been about the adventure along the way. When you’re on your death bed, it’s those stories, those little adventures that are going to be the things that you remember. It’s not so much getting there, but how you got there.
Adventure has to do with private, personal experiences. But, the possibilities, there are millions of unclimbed mountains - I have seen in the Eastern part of Tibet, mountains 6,000-6,500 meters high, vertical walls twice as tall as the Eiger... but nobody is going there, because they aren't 8,000-meter peaks.
It's like Forrest Gump said, 'Life is like a box of chocolates.' Your career is like a box of chocolates - you never know what you're going to get. But everything you get is going to teach you something along the way and make you the person you are today. That's the exciting part - it's an adventure in itself.
It matters, it matters very much, what each of us chooses to do. The journey toward self-discovery and self-knowledge is not only life's highest adventure, but also the only way to transform society from one based on self-centeredness and compulsory compassion to one based on service and mutual responsibility.
In true-life dramas, you have to do so much research. It's a big responsibility to make sure things are as correct as possible. In 'Robin Hood', you have more artistic license - it's all action, adventure and reaction. This gives everyone a chance to make their characters their own and to make them believable.
Then it was intoxicating. The smooth takeoff, and the free feeling of having the world drop away. Soon after leaving the ground, they were crossing patches of stratus that lay in the valleys as heavy and white as glaciers. North for the first time. It was still an adventure, as exciting as love, as frightening.
After writing several Nutbrown Hare stories, I thought: what might happen when a little hare begins to explore the space around him? (Think of rivers, mountains, fields and trees!) Will there be fun? Oh yes. Will there be trouble ahead? Could be. For you, here are some of the adventures of Little Nutbrown Hare.
What's interesting when you see 'Black Panther' is you realize it couldn't have been directed by anybody else but Ryan Coogler. It's a great adventure movie, and it works on all those different levels as entertainment, but it has this kind of cultural through-line that is so specific that it makes it universal.
I've done a lot of living and a lot of adventuring and I think that's very healthy, ya know. And I think everybody should adventure life 'cos that's what life is, it's for adventuring. You gotta know what you wanna do with your life. And you gotta know when you have something special and you don't wanna blow it.
I myself was born beside a river - the Avon in Sarum. So when I first encountered New York's great harbor and the Hudson River as a teenager, and came to understand their historic canal and railroad links to the vast spaces of the Midwest, I felt both the thrill of a new adventure and a deep sense of homecoming.
In Ronald Reagan's chaotic childhood, the imagination was armor. There is nothing unusual about that; transcending the doubts, hesitations, and fears swirling around you by casting yourself internally as the hero of your own adventure story is a characteristic psychic defense mechanism of the Boy Who Disappears.
I think I just have an idea in my head about how big an adventure game should be, so it's hard for me to design one that's much smaller than Grim Fandango or Full Throttle. There's just a certain amount of scope needed to create a complex puzzle space and to develop a real story. At least with my brain, there is.
I once played the chief part in a rather exciting business without ever once budging from London . And the joke of it was that the man who went out to look for adventure only saw a bit of the game, and I who sat in my chambers saw it all and pulled the strings. 'They also serve who only stand and wait,' you know.
For many years I thought my job was to go to places where it would be difficult for most of the readers to ever get to. Now, in the more than 20 years I've been doing this, the concept of adventure-travel trips or expeditions by groups has sprung up. The places I went 20 years ago now have adventure-travel trips.
One person may need (or want) more leisure, another more work; one more adventure, another more security, and so on. It is this diversity that makes a country, indeed a state, a city, a church, or a family, healthy. 'One-size-fits-all,' and that size determined by the State has a name, and that name is 'slavery.'
Everything about 'Adventure Time' is the purest form of kid's play. A kid does not live in the Land of Ooo. That is one of the wonderful things about the show; it doesn't pretend to be real. That was the great thing about 'Pee Wee's Playhouse'; it existed in a world completely outside any reality a kid recognized.
I love science fiction, and one of the things I love about it is that it's so very different. You can read stuff that's just fast-paced adventure, and the characters are cardboard, but who cares, because they're heroes, and we love it. And you can read stuff that's really deep character, and everything in between.
I was going on this desert adventure with some friends and we were like, "How amazing would it be to just drag all these mirrors out there?" A lot of times I do things as an impulse and find out my inspirations afterward. Even with songs and lyrics, it can take me years to find out what I was actually trying to do.
I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.
When I was a kid, 'Land of the Lost' was my favorite show, just because it was - in the landscape of Saturday morning cartoons - it was so unique. It was a live-action show and kids were in it, these creatures, these Sleestaks and dinosaurs. Every week was a different adventure. I couldn't wait. I loved it so much.
Writing with kids is an adventure. It seems like someone always has the flu or pink-eye. I mean, you don't even have to be in direct contact with anyone to get pink-eye. But for parents who write, flexibility becomes essential, and as long as I have a pad of paper and a pen, I can write anywhere. Starbucks is fine.
My friend Josh Glenn compiles terrific lists of genre novels from the mid-20th century. His latest is a list of the ten best adventure novels of 1966. Josh also includes the cover art of early editions of the books, which are always much better than the art on newer editions. I want to read every book in this list!
The scientist does not defy the universe. He accepts it. It is his dish to savor, his realm to explore; it is his adventure and never-ending delight. It is complaisant and elusive but never dull. It is wonderful both in the small and in the large. In short, its exploration is the highest occupation for a gentleman.
I think, in Japan, animation isn't relegated to being a genre unto itself. It's just a medium by which you can tell any number of stories, be it horror or action or adventure or drama or whatever, and we're trying to do that as well. Every film that you go see from Pixar, we're hoping is a little bit of a surprise.
Writing, like life itself, is a voyage of discovery. The adventure is a metaphysical one: it is a way of approaching life indirectly, of acquiring a total rather than a partial view of the universe. The writer lives between the upper and lower worlds: he takes the path in order eventually to become the path himself.
Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life.
We could say that love is a tenacious adventure. The adventurous side is necessary, but equally so is the need for tenacity. To give up at the first hurdle, the first quarrel, is only to distort love. Real love is one that triumphs lastingly, sometimes painfully, over the hurdles erected by time, space and the world.
I like to discover little treasures in the cities we are in like a really amazing restaurant. I will go on my own and enjoy figuring out the ingredients as if I were making it at home, then I share my finds on my socials. I find that these little adventures bring me peace, because it is something I do when I am home.
I was a crazy Pee-wee Herman fan when I was in my early teens. Before he had the kids' TV show, he had a nightclub show in L.A., and I had gotten a VHS copy of it. It was a kids' show, but onstage in a bar, so it's sort of poking fun at the kids' show. And I was obsessed with that, and then 'Pee-wee's Big Adventure.'