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It's troubling that by eliminating weekend voting hours, the state of Ohio specifically banned a popular voting time of choice for minorities. In Cuyahoga County, which I represent, 56 percent of weekend voters in 2008 were African American while adult African Americans comprise 28 percent of the county population.
When you're a fledgling youth-type adult, it appears that all people in their 40s look old enough to be in a painting hanging on the wall of a stately home in England. It's not until you limp into your 70s that people in their 40s look too young to vote, and college cheerleaders closely resemble Yorkshire terriers.
I don't wish I started later, but I was never a child star. I was in school every year and had normal friends and I loved it and here I am, so I can't say that I wish I hadn't done it. I used to say, 'No, I didn't miss any of my childhood,' but it is a very adult place to be, a movie set. Like, it's a little weird.
As a child, I always enjoyed - my parents used to have these little cocktail parties - and I always loved trying to get the adults to tell me things they weren't supposed to say. And in many ways, that's what my job is today; it's getting people to tell me things that they probably are otherwise not supposed to say.
I remember going to the Gap when I was in the fifth grade, and I desperately wanted a pair of blue jeans. I was with my dad, and I remember picking up the jeans, looking at them, and thinking that they had to fit me. But there was nothing that fit me. This was before the age of stretch, so I was trying on adult Gap.
The problem is that too many adults think their kids' lives are simple, or they try to make their lives simple, when their emotional lives are just as complicated as ours. They might have a few less tools to deal with it because they're young, but the emotions are all the same, and the subject matter is all the same.
Before my husband deploys, he has a ritual that is familiar to many service members. He sits down with a generously poured bourbon, and he writes letters. One for his adult daughter, Rosalind. One for each of our little boys, Teddy and Antonio. One for his grandma, who raised him, and his family in Texas. One for me.
I think this movie, 'Moneyball,' symbolizes becoming a man for me, and I think my character becomes a man. It's important to me: I'm becoming a man. I'm taking my life seriously. I'm taking my acting really seriously, and it's important for me to play adults. It's important for me to change and develop as I get older.
The name 'Clara' is significant in my life. When I was an adolescent and started thinking about my place in the world as an adult and growing up, I knew I would have an eventually new outlook on things and eventually meet someone and have a kid. In my mind, I was like, 'If I have a daughter, I want to name her Clara.'
My mother, whom I love dearly, has continually revised my life story within the context of a complicated family history that includes more than the usual share of divorce, step-children, dysfunction, and obfuscation. I've spent most of my adult life attempting to deconstruct that history and separate fact from fiction.
When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
A lot of the time with child actors, you get the feeling they're trying to have a kind of poise or presentation that's beyond their years that might be put on, but also might be because they've spent years just hanging out with adults and they don't even have a sense of what it's like to grow up with kids their own age.
Grown-ups and children are not readily encouraged to unearth the power of words. Adults are repeatedly assured a picture is worth a thousand of them, while the playground response to almost any verbal taunt is 'Sticks and stones may break my bones, but words will never hurt me.' I don't beg so much as command to differ.
Teenagers watch and listen to all kinds of things. It is the nature of being a teenager to seek out intense stuff. Stuff about death and sex and love and fear. Teenagers are the bravest, most curious, most philosophical, most open-minded readers there are, which is why so many less-than-young adults like writing for them.
I don't believe in 'thinking' old. Although I've transitioned through many bodies - a baby, toddler, child, teen, young adult, mid-life and older adult - my spirit is unchanged. I support my body with exercise, my mind with reading and writing, and my spirit with the knowing that I am part of the Divine source of all life.
When I was younger, it's like, 'Mom works. Normal adult stuff.' But you mature and start to look at it differently. I watched my mom struggle. She comes home tired. She doesn't want to do anything. As I got older, I started thinking, 'My mom doesn't deserve this.' My whole devotion became to get my mom out of that trailer.
I think President Obama wanted to have the right fit for his different cabinet positions, and I believe that experience is what mattered most to him. In my case, I have been working to improve the overall quality of life for working families for most of my adult life, and I think that experience resonated with the president.
Government has the role of suiting people for freedom. People aren't made for freedom spontaneously. There's sort of a 19-year race between when people are born and when they become adults. And government has a role in making them, at the end of 19 years, suited to be upright, trustworthy repositories of popular sovereignty.
You prevent kids from joining gangs by offering after-school programs, sports, mentoring, and positive engagement with adults. You intervene with gang members by offering alternatives and employment to help redirect their lives. You deal with areas of high gang crime activity with real community policing. We know what works.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
While I wouldn't wish being teased on anyone, I think it eventually leads to a kind of solidarity in adult life. The few people I know who weren't picked on in school are people I find I can't relate to on much more than a surface level. There's a sensitivity that comes with feeling like an outsider at some point in your life.
I really feel all my adult life has been spent in that little black box. If a wonderful part on TV came along I would do it. But I don't want to do a recurring role. It would just be my luck that the thing would be successful. I'm old enough now and also secure enough financially that I really only want to do what I want to do.
I think if my daughter was interested in acting, I would find ways for her to act in theater that has to do with her school or a kids' improvisational thing. There are ways to do it where you're not on a movie set with 60 adults, which I loved at the time, but as a parent, I don't know that I'd be dying to put her in that spot.
When it comes to acting, I've always had a passion for entertaining and for making people laugh. On the music side, I really want to come out as an artist because I want people to see who I really am... artistically, I tend to be drawn to the darker things. What the music will be able to do is show people that I am an adult now.
I now have Grit Scale scores from thousands of American adults. My data provide a snapshot of grit across adulthood. And I've discovered a strikingly consistent pattern: grit and age go hand in hand. Sixty-somethings tend to be grittier, on average, than fifty-somethings, who are in turn grittier than forty-somethings, and so on.
When I did 'Mimic,' it was such a difficult experience to try to make. Believe it or not, I did try to make a really adult giant bug movie. And then, in the course of the process, it kind of died a horrible death and gave birth to the movie that exists now, which now, in retrospect, I like. But it's not the movie I set out to do.
My mom sent me to regular high school because she wanted me to have that experience and not say that I missed out, but I didn't like it at all. I'm more comfortable in the world that I'm in, I grew up in it so when I get around normal kids in regular high school I don't know what to do. I feel more secure in an adult environment.
I do hope to be an adult actor. But if it doesn't work out, I've been thinking about doing something in the medical therapy field, chiropractics or something like that. I've always been into the idea of helping people medically, but I can't stand blood or surgery. That freaks me out. So this would be a bloodless way to help people.
To hold happiness is to hold the understanding that the world passes away from us, that the petals fall and the beloved dies. No amount of mockery, no amount of fashionable scowling will keep any of us from knowing and savoring the pleasure of the sun on our faces or save us from the adult understanding that it cannot last forever.
Hendrix was the first person I had come across who seemed completely free, and when you're nine or 10, your life is entirely dominated by adults. So he represented this thing that I wanted to be. Hendrix was the first person who made me think it might be good to be a singer and a guitarist - before that I wanted to be a footballer.
This is ludicrous. Seven- and eight-year-olds valiantly trying to cover the same acreage as those grown-up chaps in the Premier League is absurd. To add to the lunacy, a little goalkeeper, barely out of nappies, has to stand between posts that are eight strides apart - adult strides - and under a crossbar more than twice his height.
I am kind of a private person, so I don't miss that part of show business at all. Looking back on my career in television and making a movie like 'The Sound of Music' from an adult point of view, it actually seems kind of unreal. I was involved in shows that people grew up with - that hold memories for them - and it's a cool feeling.
The child's mind is not the type of mind we adults possess. If we call our type of mind the conscious type, that of the child is an unconscious mind. Now an unconscious mind does not mean an inferior mind. An unconscious mind can be full of intelligence. One will find this type of intelligence in every being, and every insect has it.
The why is what makes journalism an adult game. The why is what makes policy coherent and useful. The why is what transforms bureaucrats and foot soldiers and political leaders into viable instruments of rational and affirmative change. The why is everything and without it, the very suggestion of human progress becomes a cosmic joke.
To be honest, I was the world's worst vegetarian. You see - I didn't really like vegetables very much. I'd spent most of my childhood terrified of them - horrid bland mushy things. It's only as an adult I realise that part of the problem is my mother's cooking - she hates using salt and has a tendency to overboil things. Thanks, Mum.
As a spiritual person, nature for me has always been a healing place. Going back all the way to my childhood on the farm, the fields and forests were places of adventure and self-discovery. Animals were companions and friends, and the world moved at a slower, more rational pace than the bustling cities where I'd resided my adult life.
What made al-Awlaki so influential is that, unlike a number of leaders of al Qaeda such as Osama bin Laden, he was a cleric, so he could present himself as a leading religious figure. Second, because al-Awlaki had spent much of his adult life in the States, he communicated with his followers in colloquial, accessible American English.
My mum will always come and see my shows if she can, and if she can't, she'll text or email just before wishing me a great show and telling me how much she loves me. She still gives tonnes of positive reinforcement and love. It's really remarkable what that does for a child, and it's really remarkable what that does for me as an adult.
When you're young, you're always wondering when you're actually going to feel like a grownup. And I think you probably fear it, in a sense, too. There's a danger to feeling like an adult... like this whimsical kid in you is going to die or something. And then all of a sudden, one day you kind of feel like an adult and it's really nice.
I think, for many teens, a fundamental fact of the teenage experience is that you're in between this childlike state, in which you're told you're completely unqualified for just about anything in the adult world, and this adult world, where you're being told you have to be responsible, and you're just trying to figure out where you stand.
I came when I was in high school as part of a student exchange program with the Jewish Community Center in New Jersey, to Ramat Eliyahu. You come and volunteer for five weeks at a day camp. I was a teenager - I couldn't really appreciate it as much, and now I come back as an adult and I can really get the flavor of the city, and I love it.
The story of 'Mirror Mirror' is in many ways a story about evolution. It's about the evolution of a child into an adult. It's about the evolution of those dwarves into something a little less rock-like, a little more humanoid. It's about the evolution of history, too, from the darkness of the Middle Ages into the light of the Age of Reason.
Everyone prefers some foods over others, but some adults take this tendency to an extreme. These people tend to prefer the kinds of bland food they may have enjoyed as children - such as plain or buttered pasta, macaroni and cheese, cheese pizza, French fries and grilled cheese sandwiches - and to restrict their eating to just a few dishes.
There are times where fans don't understand that change is inevitable or that changes are done too fast. They say, 'We like the way you used to be.' Or they say, 'We liked what you did then.' You can't stay the same. As you mature as an adult, you find out you have to keep changing in this business. It's something The Undertaker laid on me.
I grew up in a bit of a vacuum. And as a kid, you see 'Monty Python's Flying Circus' and you're like, 'Oh, it's a cartoon.' There's mixed media. It's funny, and there's stop-motion. But as an adult, you figure it out, how the entire underpinnings of their comedy was poking fun at the rank and file of the British aristocracy and the monarchy.
There were authors I read as an adult who completely inspired me. But when I was a teenager, I got to hang out with Tom Stoppard for a bit. My mum was his wife's secretary. He was obviously super smart, but he was also approachable and normal. I think he was the first person I'd ever met who I'd thought, 'Oh, I see. There's a living in this.'
Having girlfriends is... I can't do it. It doesn't mean I don't hang out with girls. It just means that I don't like being in a relationship, because it makes things very complicated. The one piece of advice that I listen to adults on - because I don't listen to adults when it comes to most things - is that I'm too young to have a girlfriend.
Captain America is a matured and a balanced leader. This is something that I am not. So, that made it all the more challenging for me. 'Captain America: Civil War' is bigger, better, and the action is huge. It's a film for kids and adults, and the actual moral of the film is something I loved and believed in. So, I was very happy to voice it.
Who would know but ten years ago that kids would be texting each other all the time, that that would be one of their main forms of communication. And so many times, these kids know more about the technology than their parents. And so many times, we're putting kids in very adult situations and expecting them to behave like they're 40 years old.
An adult human can last 40 days without food, a week without any sleep, three days without water, but only five minutes without air. Yet nothing is more taken for granted than the air we breathe. However, not just any air will do - it must be exquisitely designed to meet our needs. Too little oxygen in the atmosphere will kill us, as will too much.