Quotes of All Topics . Occasions . Authors
Duke Nukem' helped bridge the gap between games designed for adults and what they wanted in their entertainment as adults who also wanted to have fun. 'Duke Nukem' bridged that gap and helped bring those things together. It's one of the reasons it succeeded at the time.
I am always telling students that a story is not just words. You can tell a story with dance or paint or music. Kids and adults are visual learners, auditory learners. There are those of us who need to touch it. Storytelling encompasses so much more than words on paper.
I was, like, forty at birth. When I wasn't even a year old, I spoke, I was potty trained, I walked and talked. That was it. Then I started school and drove everybody crazy because they realized I had popped out as an adult. I had adult questions and wanted adult answers.
The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerance. It is seldom accepted as an inevitable outcome of the struggle won by survivors, and deserves respect if not enthusiastic acceptance.
Everyone has their dates. For me, it's 1991. I can place every memory of my life either before or after this date. It's the year I became an adult. My mother died, and I created my company shortly thereafter. I definitely would not have done it if she hadn't passed away.
I disagree that an athlete can't be intelligent. Some people think that, in basketball, we have a bunch of masculine adults who don't know how to control themselves. They're feeble-minded and can't engage or articulate ideas. That's a narrative they keep trying to paint.
As a grown adult, if you can't look a woman or look a man in the eye and say, 'I have serious feelings for you' and instead you have to say, 'Do you like me? Check yes or no,' like we're in grade school, that to me is a red flag of maturity as far as a relationship goes.
I'm more experienced, I've won titles at Juventus. I've been playing with big players like when I started at Man United, of course. I came back. I've not come back from the Academy now; I went to play somewhere else, and I came back, I would say, as a person, as an adult.
Can we really believe that we are living a good life, an ethically decent life if we don't do anything serious to help reduce poverty around the world and help save the lives of children or adults who are likely to die if we don't increase the amount of aid we are giving.
It was never my intention to be an actor, and I don't know if I'll ever call myself an actor because I've always said that would be a slap in the face to proper actors, but it's fun, and thankfully, I've had the luxury in my adult life that anything I've done has been fun.
A huge part of what a kid learns when they're growing up is social and emotional development. As adults, we take it for granted that other people have emotions that are different from ours, and we can identify what they are, but those are skills that children have to learn.
When I look back at that freedom of childhood, which is in a way infinite, and at all the joy and the intense happiness, now lost, I sometimes think that childhood is where the real meaning of life is located, and that we, adults, are its servants - that that's our purpose.
When I was a kid, there was no collaboration; it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
My desire to curtail undue freedom of speech extends only to such public areas as restaurants, airports, streets, hotel lobbies, parks, and department stores. Verbal exchanges between consenting adults in private are as of little interest to me as they probably are to them.
If the government decides to put your life under a microscope, do you think it won't find something? I suspect there's not an adult in the country who would walk away totally unscathed if every aspect of his or her life were investigated the way Stewart's ImClone trading was.
When I started out in the eighties, the idea of creating serious comics for adults was pretty laughable to most folks, and for the longest time it was hard to even explain what alternative comics or graphic novels were. Nobody seemed to understand or care. Not so, any longer.
Our national history cannot be national if, in the near future, one in three young adults feels their stories remain untold, if this country's long global history of empire and interconnections is marginalised and if the historical reality of race is rendered almost invisible.
If I have any complaints about my youth... one is that many well-meaning adults lied to me. Not spiteful lies with malicious intent but lies designed to prevent emotional and psychological pain - lies told by the people who cared about me most: my parents, teachers, relatives.
What stalwart Republican would stop Trump from profiteering for his businesses from the White House the way he's gamed his companies and the tax code for decades, or prevent him from letting his adult children milk their father's position to benefit his supposed 'blind trust?'
Every adult, whether he is a follower or a leader, a member of a mass or of an elite, was once a child. He was once small. A sense of smallness forms a substratum in his mind, ineradicably. His triumphs will be measured against this smallness; his defeats will substantiate it.
When kids grow up into adults now... they learn that taking care of their body is like taking care of their car. You're not going to put bad gas into your car. Why not treat your body the same way? It makes all the sense in the world for us to do the right thing for our bodies.
I'm happy that the sacrificing, the hard training, the travel, the time being away from the family, is going to stop. So I'm happy; I'm glad about that. But I'm also terrified. Frightened. Because, I mean, in my whole adult life, cycling was the most consistent thing I ever did.
The cloning procedure is similar to IVF. The only difference is that the DNA of sperm and egg would be replaced by DNA from an adult cell. What law or principle - secular, humanist, or religious - says that one combination of genetic material in a flask is OK, but another is not?
I have three adult children, and I have four grandchildren. I want to stop the deficits. I want to make sure that we're not passing on to my children and my grandchildren deficits and that we cannot repay and that they will have to repay and maybe they won't be able to repay them.
Illegitimacy is important for the socialisation of little girls and especially little boys. If you have large numbers of young men growing up who never see an adult male doing the ordinary things men do, then you get chaos. This is not a moral statement, it's an empirical statement.
My dad's Nigerian, and I remember going to Nigeria, and all of these kids and adults and everyone in-between knew who TuPac was. They had TuPac t-shirts, TuPac posters, TuPac cassettes... everyone knew TuPac, and sometimes that was the only English that they spoke, was TuPac lyrics.
Leaving Nickelodeon was definitely an adjustment. Because then, it was back to the real world of, 'Now I'm an adult looking for a job,' as opposed to a kid that's getting introduced to all these people like, 'Look how cute this little kid is. Don't you want to put him on your show?'
I was 19 when I got my first passport as an adult. I had moved from California to New York City and was living out of a suitcase, staying with friends. I'd just finished filming my first movie, 'Ordinary People,' but I didn't know whether acting was what I wanted to do with my life.
Well, I never got into the young adult headspace. With 'Twilight,' they are pretty adult themes, aside from maybe the first one, but even that. They're very adult themes, actually, particularly as the characters age. I never wrote for young adults. I wrote for myself, as an audience.
I believed then - in a deep, easy way that is impossible for me as an adult - that there was more to this world than meets the eye. Trees had spirits; the wind spoke. If you followed a toad or a raven deep into the heart of the forest, they were sure to lead you to something magical.
I think there's a fear of disconnect sometimes; communication is a huge issue for all of us, from adults to kids, as far as our face-to-face time and our ability to interact with each other without isolating itself to a phone. I think that has to be something that's very challenging.
I am no longer fearful or uncomfortable about showing myself. And I realized I shouldn't get ahead of myself and lock myself in fear and worry even before something happens. I think these thoughts are what make me realize that I am maturing, going from my 20s to a full-fledged adult.
Between planning family vacations and running away for novel-writing retreats, I've spent much of my adult life questing for the perfect beach escape, renting cottages all along the Florida Gulf and up and down the Atlantic Coast - as far north as Nags Head, as far south as Key West.
Life is all about the friendship and the love and the music. It sounds silly, but it is. I want to have that experience as much as I can as an adult, not as a kid doing something that people are telling her she has to do. If anyone gets in my way, I'm going to get them out of my way.
Isn't it funny how babies laugh a lot? I read a toddler, a young child laughs 300 times a day. The average adult laughs, like, four times a day. God put it in them. He put the laugh in us, but I think sometimes we let life get us down, you know, have bad breaks, and we lose our breaks.
I grew up in a family that was multifaceted, sexually oriented, and pretty much open to everything. And because I was working, my friends were all adults. I had a tough time going to different schools because people knew me from films and I was the fat child who got beaten up every day.
The most important thing for me is the thing I strive for. But I also hope when I play my songs for people - adult, children, mostly children - that they feel mighty, they feel noble, they feel like warriors. And they feel like they can do anything in the world because that's how I feel.
As children, as we learn what things are, we are slowly learning to dismiss them visually. As adults, entirely submerged in words and concepts, we spend almost all of our time thinking and worrying about the past and the future, hardly ever looking at or engaging with the world visually.
There's not one film that I've ever made that could get made today by a studio, not one - even 'A Few Good Men' because it's an adult courtroom drama, and studios do not make them any more. And so every movie that I make, have made and will make is always going be independently financed.
One of the things that I really like about young adult fiction is that you can explore the relationships between teens and their parents. I definitely think that teens are a product of their parents. You either end up just like them or you consciously make the decision to be unlike them.
I don't think my dad really knew what to do with me, as a daughter. He treated me like a boy; my brother and I were treated the same. He didn't do kid stuff. There were no kid's menus; you weren't allowed to order off the kid's menu at dinner - we had to try something from the adult menu.
One of the common myths is that when you have kids you can't really have adult relationships, that kids come first. We don't think so. We actually think that we have to take care of ourselves individually. If we can take care of ourselves, then we can become better partners for our spouse.
To be able to make up stories has been a great gift to me from my ancestors and from the storytellers who were so numerous at Laguna Pueblo when I was growing up. I learned to read as soon as I could because I wanted stories without having to depend on adults to tell or read stories to me.
I work, and then whenever I have any other time, I'm with my daughter, and then I go to sleep. I think you basically have to abandon the dreams of having any other adult activities in your life. You have to go to sleep whenever your child goes to sleep. That's basically how we're doing it.
Bullying has been around forever, and so it became one of these issues that as an adult we look back on and say, 'Yeah, it's just one of those unfortunate parts of growing up.' You know you're not going to stop it, so it just became easier to call it one of those things that 'just happens.'
The Term Paper Artist' represents two models of writing, one of the little boy bouncing his ball, generating stories for the sheer pleasure of it, and the besieged adult, writing to make a living, having to contend with a very competitive, very unreliable world in which public image counts.
Our children think our world will end. It's a tragic thing. Adults don't think that. They don't see that we are eating the planet. But we are. If you take all the biomass of vertebrates on the planet, 98% are men and their domestic animals. All the wild animals in the world make up only 2%.
I just totally do not believe in this sort of Bart Simpson character who infects so much of our literature and film and TV stuff nowadays, these know-it-all kids who seem to understand the hypocrisy of the adult world so thoroughly and can talk about it with such articulateness. That's bunk.
When I was a child I devoured every book I could get my hands on. I loved losing myself in colourful and dramatic stories - and my absolute favourite was 'Charlie And The Chocolate Factory.' Everything about it electrified me, and when I re-read Roald Dahl's books as an adult it surprised me.
Kids are born into the situation they're born into, and obviously, they have no control over that. And we, as adults, it's up to us to take care of kids - that's part of your moral responsibility. I always tell people, 'There's two groups we should take care of - old people and young people.'