When I was an adolescent in England, at school we had to read 'Death of a Salesman.' I remember feeling incredibly moved by the portrayal of these people and the idea with which Miller broached the whole subject of failure or failed systems, or the way that people are crushed by a system in which they find themselves.

The name 'Clara' is significant in my life. When I was an adolescent and started thinking about my place in the world as an adult and growing up, I knew I would have an eventually new outlook on things and eventually meet someone and have a kid. In my mind, I was like, 'If I have a daughter, I want to name her Clara.'

As an adolescent I saw the Specials at the Glass House in Pomona, and that was life changing. I dressed the part - except not well, because it was a thrift suit. I looked more like David Byrne than a rudeboy; I still have a hard time finding suits that fit me. But I had my braces and I had my Docs. It was unbelievable.

When you're an adolescent, you suddenly wake up one morning and your body is an enemy. There are hormonal changes, physical changes, emotional changes. People are saying to you, 'Now you have to make the decisions that define the rest of your life.' The X-Men takes those elements and pushes them one giant step farther.

The early Stones were adolescent rockers. They were self-conscious in an obvious and unpretentious way. And they were committed to a musical style that needed no justification because it came so naturally to them. As they grew musically the mere repetition of old rock and blues tunes became increasingly less satisfying.

In the spring of 1984, I was crushed not to make my Little League All-Star team. I will not go into too much detail, but imagine all your best friends were invited to a one-month party, and you weren't. You could watch it from afar but never get past the fence line. It was an early and abrupt welcome to adolescent loneliness.

There have been times when I have goofed up, and like every adolescent, I sometimes did get led the wrong way. I would come back home really scared to face my mom's wrath and anger, but surprisingly, I never got to face one. She would always tell me in a very nice manner that what I did was wrong and that I should correct myself.

Medicine was certainly intended to be a career. I wanted to become a psychiatrist, an adolescent ambition which, of course, is fulfilled by many psychiatrists. The doctor/psychiatrist figures in my writing are alter egos of a kind, what I would have been had I not become a writer - a personal fantasy that I've fed into my fiction.

I'm always interested in how people, myself included, have ideas of themselves, of how they thought they would be, or of how they want to be seen. And the older you get, the world keeps telling you different things about yourself. And how people either adjust to those things and let go of adolescent notions. Or they dig in deeper.

I think there are a lot of Republicans who recognize that investment in adolescent girls and empowering them is good for our foreign policy. When they're educated, they tend to give back more to their communities, to rise out of poverty in a way that is good for their families and their communities and, ultimately, their countries.

Though narrative cohesion isn't the strength of 'Mean Girls,' which works better from scene to scene than as a whole, the intelligence shines in its understanding of contradictions, keeping a comic distance from the emotional investment of teenagers that defined 'Ridgemont High' and later the adolescent angst movies of John Hughes.

A surprising number of American skyjackers were not yet old enough to drink or sometimes even drive. These adolescents were generally inept at planning their crimes, and few of their capers met with any success; most seemed to end within moments of starting, usually after a fatherly pilot convinced the nervous teen to hand over his gun.

I think 'Speech & Debate' surprised people because it's a play about teenagers that took the teenagers very seriously. They are very real. People wanted to see if they identified with one of the kids, that loneliness, that yearning for something bigger. That feeling of being stuck, it's very adolescent, but those kinds of feelings linger on.

Peter Fleming was a famous English traveler, explorer and adventurer, whose non-fiction books were hugely successful. My father owned signed copies of all of them - he and Peter Fleming had become acquainted over some detail of set design at the Korda film studio in Shepperton - and I had read each of them with breathless adolescent excitement.

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